Adolfo Aranjuez

That was a gorgeous, contemplative masterpiece. Main character in a crisis of faith and morality. Loved the q&a with the director Pham moderated by @adolfo_ae. #MIFF2023

Join @The_RITP contributors on Tuesday 01 August at Abbotsford Convent for #TheRelationshipIsTheProject - a conversation series. Book now at events.humanitix.com/the-relationsh…. #CommunityEngagedPractice #CommunityLedPractice #CommunityArt #CommunityArts #CACD #CCD

i’ll be chatting all things writing practice with @adolfo_ae, Isobel Beech and Sarah Walker at @EmergingWriters National Writers’ Conference 🌺 emergingwritersfestival.org.au/event/establis…

With Critics Campus applications closing tomorrow, we speak to three alumni – @siraimeeknight, @filmvisuality and @clairexinwen – about where their professional paths have led since participating in our incubator program for emerging critics. Read more: miff.com.au/blog/critics-c…

An appeal from former Metro editor @adolfo_ae Don't forget to donate to and share our fundraiser here – every dollar counts: gofundme.com/f/help-save-au…

Metro, Australia’s longest-serving magazine dedicated to celebrating Australia screen culture, is at risk of folding. It’s offered writers like me and many brilliant colleagues real space and depth to consider cinema. Can you help? bit.ly/3JZTl4P

@RenaeFomiatti @metrofilm Saaame. I couldn't help myself and teared up during the MIFF staff screening, though managed to restrain myself (and not ruin my make-up!) during Opening Night 💔

Goran Stolevski's OF AN AGE, an indelible work of Australian queer cinema, is currently screening in theatres. For @metrofilm, I examine the film's intricate depictions of temporality, displacement and desire (N.B. spoilers): metromagazine.com.au/no-turning-bac…

@mrcjohnston @metrofilm You won't be disappointed!

@adolfo_ae @metrofilm looks to be a helluva film

@debbie_zhou I am SO in for a sexy retrospective photoshoot!! And miss you, too, fellow icon—hopefully we’ll cross paths again soon enough 💞

@adolfo_ae Craziness!! We gotta rectify this one of these days, also miss u iconic mentor ++hope u r simply thriving at MIFF! 💖

Another year goes by where I realise 2018 cohort was robbed of an iconic photoshoot like this one!!! Oh and obvs apply ie it changed my life + tis the program I talk about ALL the time it is slightly sickening xx 💖

Applications are now open for Critics Campus – now in its 10th year! If you’re an emerging or early-career critic, keen for hands-on experience in a live festival context and available to attend MIFF on 7–11 August 2023, we want you. Apply now: miff.com.au/criticscampus

We're dipping into our print archive to bring you our 2021 interview with @tonyayres, who speaks to @adolfo_ae about art-making, responsibility, and identity clash. liminalmag.com/interviews/ton…

Keke Palmer is the most entertaining storyteller of our generation

Jinghua Qian reviews ‘Against Disappearance’, @liminalmag’s latest anthology, edited by @adolfo_ae and Leah Jing McIntosh, that brings together 20 searing new essays by First Nations writers and writers of colour. satpa.pe/again599fad

Want to know how anthologies work? How they're put together, how editing each piece works, how to write for one, and more? Join us for our online panel Ask About… Anthologies, with @adolfo_ae @MusicElizaHull & Mykaela Saunders, Thurs 20 October 6:30–8PM. writersvictoria.org.au/calendars/even…

Adolfo Aranjuez speaking to Louise Omer and Tom Tilley at @MelbWritersFest about losing their religion @adolfo_ae @Shahouley @TomTilley

+ a sneaky photo of the two editors @_leahleahleah + @adolfo_ae

Just reading this wonderful collection AGAIN after an incredible launch last night! So proud of @_leahleahleah & @adolfo_ae, and of course, all the brilliant writers in this collection! This is non-fiction at its best 😀