AES Audio for Games

@aesgames I couldn't find Will's twitter earlier, but here he is! @willwilkinson21

Michael Kelly and his #socksofgameaudio... #audioforgames

The feedback survery for attendees can be found at audioforgames.net/2016/attendee-… DM us for the login details if you've forgotten! #audioforgames

Great AES Audio for Games in London! @aesgames #audioforgames #gameaudio

That's all folks! Thanks to all the committee, volunteers and sponsors for making #AES61 happen! #audioforgames

#AES61 Conference Chair Michael Kelly closes the proceedings with a look into an alternate reality.. #audioforgames

Live AR demo of "Leviathan: The Evolution of Storytelling" from @Syndicate17! #audioforgames #augmentedreality

Live @HashtagPureData demo @aesgames by Will from @c4dm

Paper9: Synthesis of Mammalian Vocalization Sounds - Will Wilkinson (@c4dm) aes.org/e-lib/browse.c… #audioforgames

The Web Audio Evaluation Tool, as mentioned by @djmoffat from @c4dm code.soundsoftware.ac.uk/projects/webau… #audioforgames

Paper 8: Modal Synthesis of Weapon Sounds - @djmoffat aes.org/e-lib/browse.c… #audioforgames

.@Syndicate17 discusses specific audio techniques to advance story and gameplay in augmented games #audioforgames

Paper7: Feature Based Impact Sound Synthesis of Rigid Bodies- Muhammad Imran aes.org/e-lib/browse.c… #audioforgames

Paper 6: Ear shape modeling for improved partial individualization - from @yamahacorpus R&D #audioforgames" target="_blank" rel="nofollow noopener">aes.org/e-lib/browse.c…

Simon Goodwin of @DTS on the potential perils of fold-down and how to avoid them #audioforgames #aesgames

Paper 5: Sensing Motion Through Binaural Simulation - @mattboerum aes.org/e-lib/browse.c… #audioforgames

Some great discussion about how best to implement audio within the realms of VR and AR #audioforgames #aesgames

"Expose every parameter - sound designers will use it": Simon Gumbleton #audioforgames #aesgames #gameaudio