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@ankaaology

I'm not sure what I'm doing here either. | Not on any apps.

Hyperion Katılım Mayıs 2023
280 Takip Edilen4K Takipçiler
Ankā
Ankā@ankaaology·
One day, and suddenly all the love songs you've listened to lost their meanings.
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Ankā
Ankā@ankaaology·
@hendyaw Wkwkw ada Pikoy
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nobody
nobody@dhanzelard·
@ibnutheworId @dykedler gw ga bahas tentang artnya ko, yg gw bahas kenapa pada salty sama tweet reply hagu using emote, dan nuduh pake buzzer tanpa ada proof thats it
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nobody
nobody@dhanzelard·
Buat yang ngeblock gw dan wondering ko banyak yang belain hagu, gini ya akun alter follower 2 digit, hagu irl nya soft spoken, smart, dan baik banget sama org, jadi jangan aneh klo temennya banyak, dikit2 dibilang buzzer, dikira lu doang yg punya akun alter.
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Ankā
Ankā@ankaaology·
@batarayama Setuju, Mas. Even listrik dulu ada propagandanya. "Today, it seems almost absurd, yet it reminds us that every technological revolution, from steam to AI, first evokes fear before acceptance." x.com/i/status/19770…
Archaeo - Histories@archeohistories

Anti-electricity propaganda from 1900.... At the turn of the 20th Century, electricity, now the lifeblood of modern civilization, was once seen as a terrifying force. This anti-electricity propaganda cartoon titled "The Unrestrained Demon", was created during a period when the public had significant fears about the dangers of new electrical technology and the messy, unregulated wiring, a skull-shaped lightbulb and citizens struck down by invisible energy that was common in cities. Such propaganda reflected public anxiety toward a new and poorly understood technology. Early electrical systems were dangerous. Overhead wires frequently sparked fires, electrocuted horses, and caused fatal accidents. Competing inventors, notably Thomas Edison and George Westinghouse, fueled fear campaigns known as the War of Currents. Edison’s backers portrayed alternating current (AC) as deadly, even sponsoring public electrocutions to sway opinion. The cartoon depicts a chaotic scene with people and a horse being harmed by a tangled mess of electrical wires and a light bulb with a skull inside it. The man tangled in the wires is believed to be a depiction of John Feeks, a lineman who was electrocuted in Manhattan in 1889, an event that highlighted the real safety concerns of the time.  The image reflects the "War of the Currents" between Thomas Edison (advocating for direct current) and Nikola Tesla and George Westinghouse (advocating for alternating current). The cartoon is an example of how new technologies often face public skepticism and fear, often fueled by safety concerns and competing interests.  This artwork reveals how innovation often enters society under a cloud of suspicion. Electricity, which promised illumination, also embodied mankind’s uneasy relationship with progress. Today, it seems almost absurd, yet it reminds us that every technological revolution, from steam to AI, first evokes fear before acceptance. In 1890, Edison’s company helped design the first electric chair to demonstrate the “dangers” of alternating current, a grim marketing move in the battle over electrical standards. © Historyfeels #archaeohistories

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Oom Batara Yamadipati 👹
Oom Batara Yamadipati 👹@batarayama·
Pertama, AI as creative medium menurut gue, tidak otomatis invalid. Sejarah seni selalu berevolusi krn teknologi. Fotografi dulu dianggap bukan seni. Digital painting dulu dibilang "cheating'. Synthesizer dulu dibilang ngerusak musik. Tapi skrg semua itu jadi ekosistem kreatif.
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Oom Batara Yamadipati 👹
Oom Batara Yamadipati 👹@batarayama·
Perdebatan tentang AI art yang dari kemarin rame di lini masa, lumayan menggelitik buat gue jump-in. It's more complex dari sekadar "AI itu seni atau bukan". Dgn background ilmu seni yang opa-opa bangkotan ini miliki, pengen mencoba menulis opini yang non partisan.
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Hagukumamadu
Hagukumamadu@hagukumamadu·
Yaampun sampe ada yg begini. Tim @comifuro please perlindungannya ya 😔
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Ankā retweetledi
Black cats are not bad luck
Black cats are not bad luck@blackscats·
That’s the meowest "meow" I’ve ever seen 🥹🖤
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Ankā
Ankā@ankaaology·
Hit tweet omggg
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EL
EL@lockerroom_boy·
Ga tau kenapa, sejak lumayan banyak bertemu manusia brengsek, gue agak minim empati saat bertemu orang yang baru kenal atau belom terlalu dekat tapi dia udah bawa-bawa cerita kesedihan kayak pengalaman ke psikolog/psikiater, atau pengalaman buruk dengan mantan/keluarga.
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Ankā
Ankā@ankaaology·
@PatamonTK_ Coba Kumari Bake and Brew kakk
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TK
TK@TKeru_takaishi·
Info tempat wfc di Bandung, saking banyak nya gue save rekomendasi cafe di tiktok, gue makin pusing milih 🫠
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Ankā
Ankā@ankaaology·
@hendyaw Biar kalo ada kejadian kaya gini, kedengeran
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Hendy 👽 へん
Hendy 👽 へん@hendyaw·
Kenapa kalo mau fokus kerja harus dengerin musik, tapi kalo mau fokus parkir mobil harus matiin musiknya?
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Ardianto Satriawan
Ardianto Satriawan@ardisatriawan·
Guys, fokus. Kalau ada buzzer, jangan dikasih engagement. Jangan. Dikasih. Engagement. Jangan Reply. Jangan Quote. Jangan Like. Itu yang mereka cari. Kalau terpaksa mau komentar, pakai Screenshot. Sekali lagi: Jangan. Dikasih. Engagement.
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Ankā
Ankā@ankaaology·
@papibebek Anything that requires prolonged mental focus is good, really :)
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Ankā
Ankā@ankaaology·
Stop brainrot. Less doomscrolling. Read a book.
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kmz
kmz@kmz_iviivixi·
@ankaaology Been doing my best to combat this. I love reading books but I just cant help talaga so Ive been listening to podcasts lately and even bought a puzzle just to entertain myself
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Ankā
Ankā@ankaaology·
@hendyaw It's like my mantra: "Life inherently has no meaning. But by living, we give it one."
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Hendy 👽 へん
Hendy 👽 へん@hendyaw·
Akhir-akhir ini lagi menerapkan ini terus ke pikiran gue: All events are neutral. It’s our perspective that gives them meaning.
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