A/POLITICAL

.@BruceLaBruce has released an 18KT gold cock ring with Jonathan Johnson Jewelry. "The Revolution Is My Boyfriend weaponises luxury against those who hoard it. The artwork mirrors the power structures it seeks to destroy: gold, permanence, exclusivity..." says the artist. "The 1% bends us over repeatedly, with or without our consent. This cock ring is about fighting back and keeping the desire for revolution rock hard. Fuck the rich!" @brucelabruce Enquire via email: info@a-political.org

PEOPLE LOOKING AT BLOOD by #AnaMendieta (1973) The artist poured blood and organic matter across a doorway and sidewalk on an Iowa City street. After staging the scene, Mendieta withdrew to a concealed location to document the reactions of passersby. The result records the public's encounter with the evidence of a violent act.

ATOMKRIEG NEIN by #HansErni (1954).

.@BruceLaBruce has released an 18KT gold cock ring with Jonathan Johnson Jewelry. "The Revolution Is My Boyfriend weaponises luxury against those who hoard it. The artwork mirrors the power structures it seeks to destroy: gold, permanence, exclusivity..." says the artist. "The 1% bends us over repeatedly, with or without our consent. This cock ring is about fighting back and keeping the desire for revolution rock hard. Fuck the rich!" @brucelabruce Enquire via email: info@a-political.org

Clip from FIORUCCI MADE ME HARDCORE by @MarkLeckey (1999).

DYNAMICS OF A DOG ON A LEASH by @toodooda (2025).

Lady Jaye Breyer P-Orridge with her spouse Genesis Breyer P-Orridge.

GALLERY BURNED WITH GASOLINE by #SantiagoSierra (1997).

MONEY TO BURN by @DreadScottArt (2010). The artist burned $171 in US dollar bills in front of the New York Stock Exchange.

133 PERSONS PAID TO HAVE THEIR HAIR DYED BLONDE by #SantiagoSierra (2001).

Andrei Molodkin

David Wojnarowicz reading an excerpt from his essay 'Do Not Doubt the Dangerousness of the 12-Inch-Tall Politician'

Corpus by Joel-Peter Witkin. (1974)

PALESTINE by @peterkennardx (2023).

TELA VENEZUELANA by #TeresaMargolles (2019) is a large white cloth stained with the dried blood of a young Venezuelan man killed near the Colombia–Venezuela border. The blood, transferred during his autopsy, forms a faint human silhouette, reflecting the violence and suffering faced by Venezuelan migrants throughout their journey.