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Ashh
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Ashh
@asherhoffman_
multimedia artist, yoga teacher and student, art history BA
Traveling Japan Katılım Temmuz 2020
2.3K Takip Edilen30.2K Takipçiler

I fear not enough people realize this statue on the Lakefront is only there because it started off in somebody’s yard and the neighborhood revolted
champagneayatollah@champayatollah
@Eric_Erins Bring the Windmill back to Lincoln Park! Years after neighbors forced its move, I realized out that the owner could have safeguarded the sculpture merely by connecting it to a ham radio under § 97.15 of Title 47, Chapter I, Sub-Chapter D. I feel like I let us all down. 😞
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@asherhoffman_ Thanks man!
Hope your doing well I saw your traveling japan!
Lmk if you need location’s I went a couple months ago
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Thank you for 46 mints so far!
Primitives is a work that emerged from my curiosity.
My work has often been mistaken for code-based art. That led me to wonder—what if I actually tried to recreate my work as code art? Conveniently, with the help of AI, it became possible for me to attempt this on my own.
However, what I didn’t anticipate was that AI wouldn’t interpret my intentions as well as I had expected. At first, I tried feeding my previous works into the system and instructing it to generate them through code, but it didn’t work at all. In the end, I had no choice but to spend time generating everything through text prompts. On top of that, it took additional time to fine-tune the output so it could be minted on Highlight. I’m grateful to KZ_LAB_E for the support.
I consider this work to be experimental. It is not something complete, but rather something still in process. Even so, I wanted to share it because it reflects the time we live in—not visually, but technically. I believe it is still relatively rare for an artist without coding knowledge to use AI to generate p5.js-based artwork. Whether that holds value is up to each individual, and I myself don’t yet have an answer. That is precisely why I limited the mint to a small circle of friends and chose not to set a price.
As some of you may know, I have been exploring how to engage with AI since last year. This work is one example of that exploration. In the end, I may return to creating without AI, or I may move further toward AI-based practices (most likely, I’ll continue moving between both). Either way, what I find important is that the artist fully understands both the process and the outcome of their work. As long as that is maintained, I believe any tool can be valid—not just AI.
Finally, I want to emphasize that my foundation remains in hand-drawn creation. At the same time, I have deep respect for code art created through manual coding, and I am constantly inspired by it. (In fact, working with AI this time has only strengthened that feeling.)

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