OT

@theadeszn Yeah. I heard Burna loud nd clear 😀

@bara_ot Are you sure ? 👀

No be everybody be believer, anytime I double up I deliver, anytime, any arena, I put cross on like Jesus. Before you start to criticize consider oh, consider oh

If you bought this burger for #50, just retweet😭

JUST IN 🚨 Burna Boy’s “Alone” has now surpassed 200 MILLION streams on Spotify. — It’s the 30th Nigerian song to achieve the milestone & Burna Boy’s 12th across all credits.

Are we talking about this Mi @MI_Abaga ? The same Mi that inspired a whole generation of rappers before rap even became a thing in Nigeria ? The choc city Mi ? Y’all are obviously suffering from prolonged amnesia 😂😭

@DrIkejioforP The boss

"I have tasted the genuine desire of a woman in love, therefore I can no longer chase women"

This is 45

If the Algorithm shows you my Art, kindly support by sharing. Let the world see this Thank you ❤️

There’s no Nigerian artist alive that can match Burna Boy in terms of catalogue. The quality of his albums is unmatched. This one is not jogodo/pangolo music o. Sit this one out.

I passed my final MBBS exams today!!!! 7years of blood, sweat and tears! 😭😭 I’m now a Medical doctor! Doctor of whole body!🙈❤️

NEW J. COLE AND BURNA BOY COLLABORATION OFF THE “THE FALL OFF” ALBUM, OUT AT 6AM! 🚨

My new album The Fall-Off available now everywhere jcole.lnk.to/TheFall-Off

J. Cole’s “Love Yourz” has now surpassed 570 million streams on Spotify.

Hate It Or Love It The Game ft. 50 Cent (2005)

HELP ME PLEASE. A MAN NEEDS HIS NUGGS

NEVER FOREGT! BURNA BOY IS THE FIRST AND ONLY AFRICAN ARTIST IN HISTORY TO EVER PERFORM LIVE ON THE #GRAMMYs MAIN STAGE! THE HIGHEST! 🐐

So Into You (Remix) - Fabolous feat. Tamia (2003) 🔥🔥 Produced by Ken “Duro” Ifill & DJ Clue

I don't want to be anything extra to earn well with this degree when I graduate. This degree cleared my whole 20s, for goodness sake.

It’s mad weird watching people attempt to diminish a musical icon because of agenda driven takes and foolish stats. Before playlists. Before charts. Before streaming math became the loudest voice in the room, there was Fela Aníkúlápó Kuti. For the longest time, the Kutis were the only Nigerian artists consistently acknowledged in serious global music spaces. Not because they begged for validation, but because their work made it impossible to ignore them. Afrobeat did not fall from the sky. The current Afrobeats ecosystem exists because Fela defined a genre musically, politically, and spiritually. What we enjoy today is a renovation of a house he built from scratch. Fela didn’t make songs. He made statements. Zombie wasn’t a hit record. It was a direct challenge to military power. Sorrow, tears, and Blood wasn’t for vibes. It was a mirror to state violence. Water No Get Enemy proved protest could still be poetic and timeless. His music was treated like a threat because it was a threat to oppression, silence, and convenient lies. Artists will come and go. Numbers will rise and fall. Algorithms will change. But cultural architects are permanent. When Nigerians rubbish their icons, we weaken our own history and then act shocked when foreigners don’t respect it. You can’t erase the foundation and still expect the house to stand. Fela was not perfect, but he was necessary. And legacies like that don’t degenerate. They only get misunderstood in eras obsessed with momentary relevance.