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97 🇧🇪

97 🇧🇪

@basedrightman

Remigration.

Royaume de Belgique 🇧🇪 Katılım Ekim 2022
306 Takip Edilen708 Takipçiler
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Suicidal Empathy is an art form in Sweden.
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Daily Harry Potter
Daily Harry Potter@TheDailyHPotter·
Your FIRST LOOK at HBOs magical new Harry Potter TV series 👀
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Alexander Duncan
Alexander Duncan@AlexDuncanTX·
Charlie Kirk: "Islam does not believe in freedom of speech. Islam does not believe in freedom of religion. And Islam does not believe in separation of mosque & state, it is not compatible with Western values."
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🚨🇩🇰BREAKING: Danish PM Mette Frederiksen resigns after heavy defeat of her party in general elections. This happened after the Patriotic DPP led by Morten Messerschmidt won big in the elections. Messerschmidt plans to stop military aid to Ukraine and launch mass REMIGRATION.
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To build a sustained human presence on the Moon, we are building @NASAMoonBase, prioritizing surface operations and scalable infrastructure.  - Frequent robotic landings and mobility testing including MoonFall drones  - Starting in 2027 nearly monthly cadence of equipment and
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Stephen Ford
Stephen Ford@StephenSeanFord·
Project Hail Mary is gonna be one of those blockbusters where people in 20 years will say, "man, i wish i could have seen this for the first time in theaters."
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Dr. Eli David
Dr. Eli David@DrEliDavid·
🚨 Breaking: France's Ministry of Defense published instructions in case Iran fires missiles on France
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The most evil ideology currently in existence.
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iamyesyouareno
iamyesyouareno@iamyesyouareno·
The absolute state of the UK.
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Basil the Great
Basil the Great@BasilTheGreat·
🚨BRITISH MILITARY COLONEL SAYS CIVIL WAR IN UK IS INEVITABLE THANKS TO ISLAM "The UK is heading toward Civil War, because the Government is scared of stopping the Islamification of the UK."
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Anish Moonka
Anish Moonka@AnishA_Moonka·
You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.
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/1🚨EXPOSED — Biden CIA’s War on Motherhood: Newly released CIA documents reveal the Biden Administration identified “motherhood” and “homemaking” as indicators of “white racially and ethnically motivated violent extremism” (REMVE).
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John Solomon
John Solomon@jsolomonReports·
Britain had a meltdown when China hacked its voter registration files, but U.S. intel kept it secret when it happened to America justthenews.com/government/sec…
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97 🇧🇪@basedrightman·
@proximus Facture de 95€/mois pour un service de merde. 💩
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Proximus
Proximus@proximus·
Nous rencontrons actuellement des problèmes pouvant impacter l'internet fixe, mobile et la TV. Nos équipes techniques sont en train d'analyser le problème et mettent tout en œuvre pour le résoudre le plus rapidement possible. Nous vous tenons au courant de l'évolution de la situation.
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There will never again be a free and fair election in Europe so long as the EU can pick every country’s winners and losers by using its Digital Censorship Act to rig every election in favor of the candidate race it wants to win.
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