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ColdBrew

@brewedcoffeeice

I use this as my personal journal. ignore me.

Katılım Temmuz 2012
133 Takip Edilen172 Takipçiler
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Miss Ally
Miss Ally@MissAlly_01·
I got invited to a fancy dress party in Birmingham. The theme was 'Spice'. I dressed as a giant chilli, but when I got there everyone was dressed as astronauts...
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Bob Golen
Bob Golen@BobGolen·
My IQ test results are back. They're negative.
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Aarti Krishnakumar
Aarti Krishnakumar@talesfromaaroo·
@brewedcoffeeice oh yes.. have read his books thanks to mama.. The Harlem Ghetto [essays] Go tell it on a mountain and Going to meet the man
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ColdBrew
ColdBrew@brewedcoffeeice·
That’s right. Slowly swipe off this app and get off your phone.
GIF
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Su
Su@chennaimotorist·
Is it a coincidence that the first day of the new financial year is also April Fool’s Day?
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ColdBrew
ColdBrew@brewedcoffeeice·
Stop feeding - hunger/delusion/fantasy - start seeing the noticeable shift back to sanity/clarity.
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Su
Su@chennaimotorist·
@brewedcoffeeice I really think you’re under estimating yourself.
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ColdBrew
ColdBrew@brewedcoffeeice·
I have friends who are brilliant at reading people: studying conditioning & forming sharp opinions. I often wonder how stunning their writing would be if they tried. I, with weak observation skills, feel this gap keenly in my own writing.
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ColdBrew
ColdBrew@brewedcoffeeice·
Let people be. Please.
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ColdBrew
ColdBrew@brewedcoffeeice·
And yet I try.
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ColdBrew
ColdBrew@brewedcoffeeice·
If you’re doom scrolling, do it standing.
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ColdBrew
ColdBrew@brewedcoffeeice·
It’s ok to be a little insane.
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Ant
Ant@anthony57238371·
Ant tweet media
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Dr. Lemma
Dr. Lemma@DoctorLemma·
In 2002, Quentin Tarantino, one of the most influential film directors in the world, walked into a secondhand clothing store in Tokyo, Japan. A track was playing over the speakers. He asked the man behind the counter if he could buy the CD right then and there. The man refused. Tarantino offered twice the retail price. The man eventually gave in. The band was The 5.6.7.8's. Two sisters, Yoshiko and Sachiko Fujiyama, had been playing raw 1960s-influenced garage rock in Tokyo since 1986. They had a small but devoted following. Almost nobody outside Japan had heard of them. Within a year they were performing in Kill Bill: Volume 1, one of the most talked about films of 2003, playing to millions of people in cinemas around the world. Their song Woo Hoo, a cover of a 1959 American track they had never considered particularly important, became one of the most recognised opening riffs of a generation. It hit the top thirty in the United Kingdom. It appeared in television commercials around the world. Their tours went from Tokyo to North America, Europe and Australia. Jack White of The White Stripes, who became a fan, helped release their back catalogue through his Third Man Records label in the United States. Interestingly, back home in Japan, almost nothing changed. Their profile there remained almost exactly the same. They are still together. Still playing.
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