Bridget Cormack

Pharaoh fever has arrived. Today @austmus opens what it is billing as “the largest cultural exhibition to visit Australia in over a decade”. But it has some competition, writes Rosemary Neill in Review theaustralian.com.au/arts/review/ph…

Tomorrow in Review @australian: I travel up north over croc-infested waters to West Arnhem Land to spend time on country with weavers @InjalakArts showing at Tarnanthi @agsa_adelaide Beautiful pics @Renae_Saxby theaustralian.com.au/arts/review/cr…

Tomorrow in Review @australian: Tom Jones tells @Andrew_McMillen about his 2024 Oz tour and why his song Delilah, which was censored, remains a crowd-pleaser

Tomorrow in Review: how Slim Dusty - who died 20 years ago - paved the way for a multimillion-dollar industry. Country music’s long and winding road to the mainstream @Andrew_McMillen @australian

Tomorrow in Review, I write about Slim Dusty and the ongoing growth of Australian country music since his death in 2003. Pick up the newspaper, or read online (~16 minute read): theaustralian.com.au/arts/review/lo… Cover photograph by John Elliott @australian #slimdusty

Tomorrow in Review: Paul McCartney speaks with @Andrew_McMillen about Beatlemania, his return to Oz and touring at 81. @australian

Today Owen Wright's memoir is out @SimonSchusterAU. It's a fantastic read and insight into how to cultivate discipline. I had a chat with Owen about the book and some other things

Tomorrow in Review @australian: What happened after Mark Dapin received a call from the ‘star’ of Australia’s most-watched arrest video. Illo by Tom Jellett surely a collector's item #SucculentChineseMeal theaustralian.com.au/arts/review/th…

Tomorrow in Review @australian: Kate Grenville writes about how she gave herself permission to write a novel based on the life of her grandmother Dolly. Lovely illo by Tom Jellett @text_publishing

Tomorrow in Review: My interview with arguably the best stage designer in the world, Es Devlin, about her new work @BrisFestival

RIP #TinaTurner, power singer and doyenne of reinvention. When I interviewed her over email just a few weeks ago about the TINA musical she said there was one thing she was most proud of in her life: that she never gave up theaustralian.com.au/arts/review/ti…

Sound advice @courtneyact in Review's new Q&A, Confessional, @australian: "We need to keep the storytelling going so we all see the humanity in each other. Because the robot overlords are going to take over soon and we’re going to need to band together." theaustralian.com.au/arts/review/au…

It's been decades since @tinaturner left 1st husband Ike to build a new life. She tells me what it's been like looking back - and teaching the cast the Pony - for the TINA musical @TheatreRoyalSyd theaustralian.com.au/arts/review/ti…

Tomorrow in Review, I write about The Waifs. Pick up the newspaper or read online (~10min read): theaustralian.com.au/arts/review/th… Cover 📷 by Jarrad Seng @australian @TheWaifs #TheWaifs

The Waifs return to a road well-travelled: since 1992, the chart-topping WA folk trio has been lapping the country in a HiAce van, building a strong grassroots fanbase by playing in every corner of the country, repeatedly. theaustralian.com.au/arts/review/th… @australian @TheWaifs #UpAllNight

Tomorrow in Review @australian: How @edsheeran became a global guitar hero. Plus subscribers have a chance to win one of his guitars! Great yarn by @Andrew_McMillen theaustralian.com.au/arts/review/ho…

Last night in Sydney, the peer-voted APRA song of the year went to electronic musician Flume for Say Nothing (featuring MAY-A), co-written with Sarah Aarons, which also topped the Triple J Hottest 100 music poll this year. theaustralian.com.au/arts/music/at-… @APRAAMCOS @flumemusic #APRAs

"As for which picture will win the prize, that is not something I ever try to guess or predict..." Review art critic Christopher Allen's take on this year's #ArchibaldPrize finalists @ArtGalleryofNSW theaustralian.com.au/arts/archibald…

The Dame Edna creator became tired ‘commuting’ between England and Australia, but on stage he could be ‘alone, at last’. As he enjoys his final apotheosis, we can only look up and applaud. theaustralian.com.au/arts/barry-hum…