pCxHy + qO₂

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pCxHy + qO₂

pCxHy + qO₂

@cahyowl

cahyo ergo sum

Kashiwa-shi, Chiba Katılım Ağustos 2012
356 Takip Edilen288 Takipçiler
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
"You should enjoy the little detours to the fullest. Because that's where you'll find things more important than what you want." —Ging Freecss
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
Dari pengalaman, ini benar. Remaja di daerah (apalagi sebelum semua serba legal digital) yang enggak punya akses langsung untuk beli komik dan anime adalah penggemar setia di masa depan; yang membuat makin popular hingga pelosok.
Boichi@Boichi_Bo1

In 2016, I received an email from an aspiring manga artist in Morocco. It began like this: “I want to become a mangaka, but there is no manga publishing industry in Morocco.” Many people around the world love manga and read it, but when you look globally, there are many countries where manga is simply not published at all. In some places, there is not even a publishing system(including publishing, translation, and distribution) in place. Even where books exist, the infrastructure for printing, distribution, and bookstores is often lacking, making it very difficult for a true industry to develop. Telling manga fans in those countries, “Your country has a relatively high GDP per capita, so you should buy manga,” is meaningless if there is no actual way for them to buy it. That is something I find deeply painful. Why is it that the manga industry has not been able to properly serve those regions? Even in countries where publishing exists, manga books are often too expensive. The price of a single tankōbon book is $ 15 to $ 20, which is high even in the United States, especially when today’s digital entertainment offers so many alternatives at much lower prices. So, this is why I believe the future of manga is clearly not limited to print publishing, but must include digital services—manga that can be enjoyed in a reasonably accessible and affordable way. If such systems are established globally, I believe the manga industry could grow dramatically. In North America alone, a tenfold expansion would not be unrealistic. Even countries without any publishing tradition could develop sustainable manga industries. Once official digital services exist in each country, they can generate tax revenue, and governments can more seriously address piracy. At that point, creators and aspiring manga artists can also demand proper enforcement and protection. Most importantly, it would create opportunities for local aspiring manga artists. And those opportunities would, in turn, strengthen the global industry as a whole. When a country’s manga ecosystem develops properly, it becomes a cultural export industry. From a government perspective, piracy then becomes something that can and should be actively addressed. The first people to pay for legitimate manga services will, in many cases, be the very readers who once relied on piracy. They are not enemies of the industry—they are its earliest supporters in waiting. Pirated manga readers are not our opponents. They are our future audience. They are proof that demand already exists. In late 1990s Korea, manga piracy was widespread, and attitudes were often very hostile toward paid content. Many believed that paying for manga was unnecessary, or even that the industry itself should not exist. At the time, Steve and I did not fully understand this. We were wrong in many ways. But later, when proper legal services were introduced in Korea, readers were more than willing to support them. They paid for content gladly, and the Korean webtoon industry grew stronger, eventually becoming a major source of IP for film and television. We learned, through experience, that the joy of not paying cannot compare to the deeper satisfaction of supporting and sustaining the culture you love. Piracy users were never the enemy. They were simply manga fans. And all manga fans, in the end, are on the same side. Through our mistakes, Steve and I came to understand this more clearly. What needs to be done is simple: build proper digital manga services. Ensure fair pricing. And most importantly, help each country develop its own manga ecosystem. Because only then can a truly global manga industry exist. And only then can the works we create truly reach the world. To be continued...

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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
beres presentasi laporan lansung diminta nulis paper; 2 sekaligus. bye dulu pokemon game.
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Clepy
Clepy@tifasyilvia·
“mbak susah sekali ditelpon drtd pagi” “PAKKKK MON MAAP INI HARI MINGGU” “tapi ini urgent untuk hari selasa” “SELASA KAN TANGGAL MERAHHH” “?????” contoh obrolan dengan orang gila kerja
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
tidak ada yang meragukan visi para kandidat saat itu, namun poin utamanya adalah tata kelola; hal itulah yang diuji, sehingga ada debat kandidat yang ditujukan untuk menguji kapasitas mereka sejak dalam pikiran.
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
barusanan nontonin warkop era warkop millennium, vibesnya berasa ada horrornya gitu rasanya karena tone yg dipakai ph nya. di era itu mirip-mirip, misal sinetron gedong kosong.
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
itu beneran teks salinan buat pendengung sampai ada bagian mengkambinghitamkan juga? orang-orang kok bisa ya ngasih dan makan uang haram.
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
2026/6/10 x: 2026 y: 6/10 x: 2,0,2,6 -> 10->1,0->1 y:6,1,0->7 x+y=8
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
menelusuri kolom komentar di video-video debat capres. pendukung kemeja biru cuma mengunggulkan bilang kalau cuma pilihannya yg paling ikhlas, beretika, dan tidak menyerang yg lain. hallo, padahal nyerangnya malah di luar debat dan sebagainya. aneh-aneh banget warga.
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
10+6 = 17 ga dibenerin malah tepuk tangan. sebuah gambaran tentang apa yg terjadi saat ini.
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Matty
Matty@toxicdebris·
I’ve been commissioning my friend @rev_bmp my new sillies from Winds and Waves. To introduce the first half we have: Dante- Ghost-Type Specialist Citron- Grass- Type Specialist Vorona- Flying-Type Specialist Finn- Water-Type Specialist Thank you so much for the hard work ♥️
Matty tweet mediaMatty tweet mediaMatty tweet mediaMatty tweet media
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
udah lama ga pakai pertamax, tapi ini beneran naiknya signifikan ya 32%.
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
Ini salah satu bit yg pernah saya bikin 8 tahun lalu. Lagi di jalan terus minta arahan ke yg buka maps. "Habis ini belok ke mana?" "Jalan Ahmad Laurel" "Ha??" "Yanni"
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pCxHy + qO₂
pCxHy + qO₂@cahyowl·
I demand the unova region sequel or remake to switch 2; maybe the story of two brothers, the dragon origins.
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