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Çocukluğum ve gençliğim

@racheasf Anırıyoruz

aynen kayıp malezya uçağı

@Imymscobain Geldi bizim adam

1 net yalan kaynak lvbel c5’in ekibi, 2 yalan motive sadece after party’ye katılabilirmiş o da yarın belli olacak kaynak motive’nin ekibi, 3 yalan kaynak sena şener’in tur menajeri, 4 yalan sadece after party’ye katılacaklar kaynak organizasyonun kendisi

@YYedi95505 Fena akıyor

@ceketaze kendini gladyatör yerine koyup sarkı mı yazdın ya naptın fena iyi sarkı

Arabada camı açıp rüzgar yüzüme vururken seni dinlemek istiyorum ya

@cheysenone Hocam o kadar değil

@ceketaze ben onun tahtina oturucam demis exorciste

@eshanbuilds Şu adama bi dizi verin ya

Hayden Christensen was 23 when Revenge of the Sith came out. He was 42 when he returned to the role in Ahsoka. For 17 of the 19 years in between, he was effectively exiled from the franchise and from Hollywood. The exile was not voluntary at first. Christensen was the focal point of the cultural backlash against the Star Wars prequels in the mid-2000s. The performances were mocked. The dialogue was mocked. The acting choices were mocked. He was 22 years old playing the most analyzed character in cinema history and the analysis decided he had failed. He kept working for a few years. Jumper in 2008. Takers in 2010. A handful of smaller films. None of them landed. By 2012, the offers were drying up and Christensen had largely stepped back from acting. He moved to a farm in Ontario. He spent years out of public view. The Hollywood narrative was that he had been broken by the prequels. Two things happened during those years that the Hollywood narrative missed. The first was the cultural reassessment of the prequels. The generation that watched them as children grew up and rewatched them as adults. What had read as wooden dialogue in 2005 started to read as deliberate stylization. The political plot, which critics had dismissed as boring senate scenes, started to read as one of the most substantively serious treatments of how democracies collapse into autocracy ever put in a blockbuster. By 2017, the prequels were being rediscovered as the most thematically ambitious Star Wars films in the franchise. The second was what Christensen was doing on the farm. He kept training. The lightsaber choreography he had learned for the prequels was technically demanding stage combat, taught to him by stunt coordinator Nick Gillard over months of rehearsal for each film. Christensen never stopped practicing it. When he came back to the choreography in 2022 for Obi-Wan Kenobi and 2023 for Ahsoka, the muscle memory was intact. He was technically better at 42 than he had been at 23, because he had spent 17 years quietly preparing for a return nobody had told him was coming. The Ahsoka scene that the fan accounts keep posting is from the episode where Anakin confronts Ahsoka in the World Between Worlds. The choreography is fast, precise, and recognizable as the same combat style Christensen used in the prequels two decades earlier. The body knows what to do. The body has been keeping the role alive while the rest of the industry was writing him off. What landed differently in the return is that Christensen at 42 has a stillness the 23-year-old version did not. The 23-year-old was performing Anakin's intensity. The 42-year-old is embodying it. The role finally fits the actor in a way it did not when he was first asked to carry it. The audience that mocked him at 23 had also grown up. The audience that watched the return at 42 had spent fifteen years missing him without realizing it. The exile turned out to be the preparation.

@busoloji sardı

@berktuem Uzi motinin giydiklerini kaldıramaz diye moti eşofman gyindi aq

“Uzi’yi kim övdü yağ?” Paket Kişi #.Pasaj Biyografi:Savana 🍊 Dvd pop değil bro şimdi şöyle bla bla Malum iki şahısın göt deliği Vizyon bro Uzi baya çöp her şey hit değil baksana cart curt Uzi’nin kombin baya kötü (Moti ile aynı)

Türkiye’nin en büyük hitmakerine dediklerine bak Konserde olan herkes Uzi performansını nasıl övüyor bi okuyun Şu at gözlüğünüzü çıkarın ve gerçeklerle tanışın sikten yorumlarınız kalite vizyon algınız sadece bu platformdaki 20 30 kişiden ibaret😂

@berktuem Olur bu "30" kişi hariç boş muhabbet

@ceketaze Evet bahsettiğimiz 30 kişiden 1 i burada dividi hop hop zıpla hadise fuck me😆

Sahne duruşu --- yok İmaj --- yok Kimlik --- yok Tarz --- yok Ses kontrolü --- yok Nefes kontrolü --- yok Tempo kontrolü --- yok Kalabalık yönetimi --- yok Etkileşim --- yok Giriş çıkışlar --- yok Timing --- yok Doğaçlama --- yok Akıcılık --- yok Yoğunluk --- yok Baskınlık --- yok Güç --- yok Patlama anı --- yok Geçişler --- yok Şovmenlik --- yok Eğlence faktörü --- yok Performans kalibresi --- yok Canlı vokal güveni --- yok Duygusal yoğunluk --- yok Ekran yüzü --- yok Kamera uyumu --- yok Sahne zekası --- yok Ritme oturma --- yok İzleyici hipnozu --- yok Gerilim yaratma --- yok İkoniklik --- yok Unutulmazlık --- yok Çekim gücü --- yok Lead artist havası --- yok Main character enerjisi --- yok Konser ruhu --- yok Sahne ateşi --- yok Hak edilmiş özgüven --- yok Profesyonellik --- yok Kontrol --- yok Ses rengi kullanımı --- yok Vokal karakteri --- yok Performans disiplini --- yok Bağırmadan etki bırakma --- yok Dominant aura --- yok Canlı performans karizması --- yok Star materyali --- yok “Bu adam olur” hissi --- yok

@muhsinsavanaa NEY

@muhsinsavanaa @dorukkkk_ Baba ocağı

@muhsinsavanaa Herhangi 1 kadın vokal ya

@creedbrattoon Bana direkt iskambil kartlarındaki sinek kartını hatırlattı.

tepedeki şey ne sizce Bana direkt iskambil kartlarındaki sinek kartını hatırlattı. İskambilin tarihçesinde sinek kartı yonca çiçeği(fransızca “trèfle”, aynı zamanda kartın adı) ile özdeşleşmiştir. Aynı zamanda sinek kartı toplumsal eşitsizlik ve işçi haklarını simgeler.

Oi pango

@busoloji Bütün yıldızları ortaladım

@cheysenone KHSJAHDJWJDKWJDLJELDLWODKSPDKWPDKSPKEPW

enes batur video cekecegim diye yagiz kahramanin ustune cikmis abi napiyon amk ya ahshahshahsah

@yunusardagulerr bekliyoru

daha fazla pr calısması isteyen varsa daha baslamadık 😴

@styleofkovl Üzüm üzüme

tamam ezheli seviyon anladık da ikinci versede niye ezhel oldun amk

@Kopek_0lduren Vizyondan ne anlarsınızsiz

OĞLUM BU NE LAN BOKKK GİBİ BOKİVE SIÇIYO BİZE VİZYON DİYE SATACAK