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Chari
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Blaming for adapting a classic story differently is weird. Directors have reinterpreted mythology, literature, and history for generations. That’s literally part of filmmaking and storytelling.If the movie is great, audiences will judge it on its quality — not on culture war talking points around award rules
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@wil_da_beast630 Incentives explain outcomes, but Chris Nolan should nonetheless be ashamed of himself
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Ok - THIS is interesting.
That makes sense.
Elon Musk@elonmusk
Chris Nolan desecrated the Odyssey so that he would be eligible for an Academy Award …
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Disagree completely.
Quality doesn’t exist in a vacuum. Hollywood ignored huge groups of talented people for decades, both on-screen and behind the scenes. Trying to widen opportunities doesn’t suddenly destroy art.
Also, the standards don’t force a movie to change its story or cast “quotas” into every role. Films can qualify through internships, crew diversity, or leadership positions. Many great movies already meet those standards naturally.
People act like inclusion and quality can’t coexist, when some of the best films ever made came from diverse perspectives in the first place.
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And this is exactly why so many people feel disconnected from modern award shows now.
The Oscars used to represent excellence in filmmaking above everything else — storytelling, originality, acting, directing, and cultural impact. Once institutional rules started prioritizing demographic checklists alongside artistic merit, many viewers felt the focus shifted away from the art itself.
A great film should win because it moved people, inspired audiences, and stood the test of storytelling — not because it satisfied corporate inclusion metrics.
When audiences start feeling that outcomes are engineered instead of earned, trust in the institution declines. That’s part of why the prestige and cultural influence of the Oscars don’t feel the same anymore.
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David Rubin served as President of the Academy of Motion Picture Arts and Sciences from 2019 to 2022.
In 2020, under his leadership, the Academy launched the “Representation and Inclusion Standards” for Best Picture eligibility. These rules, still in effect, require films to meet at least 2 of 4 diversity criteria involving race, ethnicity, gender, sexual orientation, or disability in on-screen roles, creative leadership, or crew.
Rubin publicly backed the changes and helped appoint the task force co-led by producer DeVon Franklin.
He shifted the Oscars from “best movie wins” to race/gender engineering. A film can now be ineligible for the top prize purely for failing demographic quotas, regardless of quality or audience impact.
Instead of focusing purely on talent and storytelling, the Academy under Rubin institutionalized identity preferences.
Oscars prestige and viewership have tanked. Many see it as performative politics over art. Classics with non-diverse casts would be disqualified.
He helped install the DEI machinery that turned awards into checkboxes and accelerated Hollywood’s quality decline.
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Exactly.
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When world leaders, CEOs, journalists, and ordinary people all use one platform to share information instantly, that platform becomes more than social media — it becomes the global public square.
That’s why X matters.
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X is the most powerful platform in the world.
Today, the Prime Minister of India himself used X to fact-check a major news claim and directly tell people the truth.
That’s the power of X.
X is not just a social media app. It is the world’s real-time public square.
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Most airlines are partnering with @Starlink.
The others will have terrible WiFi and lose customers as a result.
Clay Travis@ClayTravis
I don’t understand why every airline in America — public and private — doesn’t have @Starlink. It’s incredible. You can make FaceTime calls with better reception anywhere in the world 35k feet up in air than most reception on ground. WiFi on planes is infuriatingly bad. Still.
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@RupertP6969 @elonmusk But Greek mythology has never had just “one” unchanged version though. Even Homer’s Odyssey differs from other ancient retellings. So how do you know Nolan changed anything for the Academy specifically and not just for storytelling?
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@chariwacho @elonmusk “Artistic reinterpretation” bro cmon this is Greeky mythology bro it’s been the same fuckin story for thousands of years. Only reason he changed it is bc of the Academy’s requirements for nomination.
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