Shinichi Dempsey

MARAMING MARAMING SALAMAT 😭😭😭😭😭😭😭😭

CONGRATULATIONS TO TWICE ON WINNING THE BEST FEMALE K-POP ARTIST AWARD AT THE 2026 AMERICAN MUSIC AWARDS! 🏆🎉

TWICE’s Top 10 Cities on YouTube Music/YouTube Charts: 1. Seoul, South Korea — 6.22M 2. Lima, Peru — 1.87M 3. Osaka, Japan — 1.73M 4. Kuala Lumpur, Malaysia — 1.55M 5. Bangkok, Thailand — 1.49M 6. Busan, South Korea — 1.47M 7. Mexico City, Mexico — 1.41M 8. Santiago, Chile — 1.26M 9. Hong Kong — 999K 10. Jakarta, Indonesia — 974K

Aliw nay

Do y’all think Katseye can sell out arenas in Asia? I know they show up for streams and all but can the people interested in them fill up arenas? I have doubts, they ain't that big there unlike K-pop groups, so maybe they should play it safe with theaters if they want to tour?

Netflix never owned Emily in Paris. They've been renting it from Paramount since 2020. Now Paramount is buying Warner Bros to take on Netflix directly, so Netflix is killing the show. Emily in Paris belongs to Paramount Television Studios, the company behind CBS, MTV, and Nickelodeon. Netflix pays Paramount a fee for each season they stream on the platform. The show launched in October 2020. Netflix has never produced a single episode of it. Each episode costs $3 to $5 million to film. A 10-episode season runs about $40 million just to make, before any of the contract bonuses kick in. Lily Collins reportedly takes home $300,000 per episode plus a producer cut. France refunds 30% of money spent filming there (capped at €30 million per show, around $35 million), which is why the show films entirely in Europe. The contract terms get worse for Netflix the longer a show runs. Bonus payments to the creator and star stay small at first. After season 3 they spike, sometimes from a few hundred thousand to millions a year. By season 6, the show is at peak cost. Shows Netflix doesn't own cost about 20% more than the ones it makes itself. The audience also started shrinking. Season 4 opened to 19.9 million views in its first week. Season 5 came in at 13.5 million, a 32% drop. The full season ran 20.5% behind the one before. Still a hit by streaming standards, but not a hit big enough to justify what season 6 was going to cost. The rival kept getting bigger too. Paramount-Skydance finished merging in August 2025. In February this year, Paramount outbid Netflix to buy Warner Bros Discovery for $110 billion. Netflix walked away with a $2.8 billion breakup payment from Paramount as a consolation prize. Now Netflix is sending licensing money every quarter to the company that just took Warner Bros out from under them. Two other Netflix hits got the same treatment in May. The Lincoln Lawyer (owned by A+E Studios) is ending after season 5. The Night Agent (owned by Sony Pictures Television) is ending after season 4. Three of the platform's most-watched shows wrapped up inside the same three weeks, and Netflix doesn't own a frame of any of them. The footprint Emily in Paris built off-screen goes way past streaming numbers. France's film agency found 38% of foreign tourists in Paris said the show was one reason they came. Luxury brands paid €500,000 to €1 million each to get written into the storyline. Season 4 had 480 brands and 25,000 pieces of clothing across the costumes. Paramount kept the marketing machine it built. When the licensing deal runs out, Paramount keeps the show. Netflix is left with the subscribers it already brought in, and one last expensive season to pay for.

‘Emily In Paris’ is ending with Season 6.

KATSEYE’s “The WildWorld Tour” proved its massive demand, remaining untouched by the ongoing “blue-dot fever” as tickets across all dates quickly sold out. The group sold out 27 out of 30 dates in under an hour during General Sale, while over 70% or around 180,000 tickets, were already sold during presale alone. Minneapolis is now on the verge of selling out, with only around 200 tickets remaining before all 30 shows on the tour become completely sold out. This officially makes “The WildWorld Tour” KATSEYE’s biggest and fastest-selling tour yet, surpassing the success of their inaugural “Beautiful Chaos” tour, while also becoming the fastest-selling 2026 tour by a female group.