CHA demand School Trip S2

Kau asik aku santai, Kau usik aku ryoikitenkai dirimu🔥

Yang ngedumel "ya allahhhhh" tiap liat prabowo pidato boleh retweet

kenapa habibie berhasil sedangkan prabowo tidak? Karna saat Indonesia menghadapi krisis dan inflasi tinggi, Habibie mengambil keputusan besar: menunda "ambisi proyek pesawat nasional" demi menjaga stabilitas ekonomi dan rupiah. Sedangkan prabowo? tetep kekeh sama proyek ambisi dia, "mbg & kopdes merah putih." saat itu pemerintah memilih fokus pada pemulihan ekonomi & rupiah dan menunda proyek2 besar yang ada terlebih dahulu, sedangkan sekarang? Proyek jalan terus. prabowo harus belajar cara menentukan prioritas di masa sulit. @prabowo @gibran_tweet

Dibandingin sama pak habibie jg gak pantesss Jauh beda, ibarat langit dan tai ledig Pentingnya pendidikan tuh terbukti nyata

meanwhile habibie pas rupiah melemah & krisis moneter:

Ow jadi ini tuh solusi yg dilakukan pemerintah? Pembungkaman🫢

everyone falling for this younger boyfriend propaganda and he's the reason #yumiscells3

#YumisCells3 behind story: in the scene where the cells say things that seem to deny soonrok’s feelings, the director specifically requested that soonrok turn his head in the opposite direction. after revising the scene like that, kim jaewon later realized the directing intention behind it: it was meant to express that “soonrok loves yumi so much that he’s even turning away from his own cells.”

Yg 'males' baca artike di bawah, intinya gini..👇 - Prabowo Subianto terlalu boros (spendthrift) dan terlalu otoriter (authoritarian), sehingga membahayakan stabilitas ekonomi dan demokrasi Indonesia. - Prabowo punya sifat mercurial (mudah berubah-ubah): kadang terlihat ramah & menerima kritik, tapi sering marah-marah dan menuduh kekuatan asing mendanai LSM untuk mengganggu stabilitas. - Masalah Ekonomi: Program-program populis yang sangat mahal (terutama makan bergizi gratis) menekan anggaran negara, melemahkan rupiah, dan mengancam stabilitas makroekonomi. - Masalah Demokrasi: Tendensi sentralisasi kekuasaan, pembungkaman kritik, dan gaya kepemimpinan yang semakin otoriter. - Latar belakang: Prabowo mantan jenderal yang punya masa lalu “thuggish” (kasar), kini berubah image jadi kakek penyayang kucing, tapi watak aslinya masih muncul dan mengkhawatirkan sekutu sendiri. - Inti kritik dari Economist: Prabowo sedang membawa Indonesia ke jalur berbahaya dengan kombinasi pengeluaran berlebihan + gaya kepemimpinan yang kurang demokratis.

Jangankan juri, gue yg netizen biasa aja jg udh yakin best new actor bakalan disapu bersih sama dia

260515｜ICN 출발 #CHANYEOL #찬열 #박찬열 #chanyeol

Gue shock Tak pernah terpikirkan oleh diri gue kalau brondong gue kim jaewon pernah main di to my star 2😭😭 Walaupun support role tpi gue gak nyangka njirr Kok gue gak ngeh yaa, padahal gue jg nonton tms lho dlu weh😭😭😭😭😭

People change

Soeharto butuh 32 tahun untuk membabak belurkan ekonomi Indonesia Prabowo cuma butuh 2 tahun. This shit runs in their generation, buset dah. 🙂

I hate accounts that use hate tweets toward actors and actresses just for engagement, then hide behind phrases like “no hate” when the rest of the tweet is clearly hateful lol. A lot of accounts use the “no hate, but…” format only to drag actors and encourage people to join the hate train. Most of the time, it’s not even about discussion they just want engagement. The more controversial the tweet is, the more quote tweets and replies they get. What makes it worse is that the hate is often directed at actors and actresses who are literally just doing their job filming, promoting their dramas, interviews without being involved in any scandal at all. And the funniest part is how they always hide behind “it’s just my opinion” “don’t be so sensitive” “no hate” “it’s just a joke” when the wording is obviously meant to spread negativity and invite hate.

Normalisasikan benci sama pejabat dzolim

💚 wajar nggak kalau sender benci sama presiden sendiri? Bencinya benar benar benci sampe liat muka atau denger namanya aja mual

EDITORIAL POSITION Up to 310 million boys have suffered rape during childhood. When we talk about girls, the number exceeds 370 million. Among women alive today, 1 in 8 experienced rape before the age of 18. These are data from UNICEF. Since the very beginning, when there was still no information whatsoever about Psi’s case, we were the international platform that gave visibility to it. When there was not even a single person standing in his defense, we translated, in tears, everything he reported. Something that hurt deeply, in every sense, due to personal issues and traumas that, despite Psi’s courage, go beyond the courage of the person writing this text. All of the apologies were horrible, as at no point did they truly address the real victim. Horrible was the timing of a company that decided, only one day after everything that happened, to release a premiere announcement. And horrible were all those artists and non-artists who, even after the audio was exposed, continued to support Mild and Pi Scott. Within journalism, there is a difference between reporting and promoting something. We would never promote anything in which someone involved in a project could somehow, directly or indirectly, be supporting people connected to a rapist. The role of a news report, on the other hand, is to inform and allow the public to develop a critical perspective on what they read. Even so, our values need to be visible to everyone in order to show what we truly stand for. We are ceasing coverage of any production in which the members involved still stand alongside those who support and cover up a case of sexual violence. Nothing and no one can stand above the victim. At the beginning of this text, we presented data and showed that, even when there was still nothing internationally, we sought out and brought this information to you. The excuse that there was no information available to anyone in Thailand is not reasonable at all. There is no way that we, from the other side of the world, could have access to these events while, in Thailand itself, one of the biggest media cases in recent times involving a powerful family had somehow not reached artists and other public figures. It was being covered on television throughout the entire day, becoming the most discussed topic on Twitter, with hundreds of online articles being published. We are not going to say that we expect artists to be more careful when using social media, because that should already be a common rule for anyone on the internet. As public figures, known worldwide and with a massive fanbase, their commitment should be greater. What we truly expect is for them to use that space to support the victim, raise awareness about sexual violence in childhood, adolescence, and adulthood, and directly support institutions and NGOs that work for the LGBTQIAP+ community and people who have experienced violence at some point in their lives. We are proud that, through the HUB Awards and the support of fans, we were able to donate 2,250 dollars to an institution that shelters LGBTQIAP+ people who were kicked out of their homes for being queer, providing housing, food, and psychosocial support. So why are those who portray LGBTQIAP+ narratives, and whose careers and financial gains (meaning a lot, a whole lot of money) are based on this, unable to make a donation or promote similar initiatives? Being a good person and acting responsibly is the minimum expected from any citizen. We should expect more action, and concrete actions. This is our position. Until those involved directly apologize to the victim, acknowledge their mistakes, stop supporting the accused side, and demonstrate concrete actions in support of people who suffer violence every single day. Always on the victim’s side. BoysLove Hub May 14, 2026

콩알같은 유미 쓰다듬는 신순록 모음

@basjtr ออร่าชาวพั้งค์ไง #ซอโซ่ล่ามธีร์Q9Q10

ครบแก๊งเลยค้าบ🥰🥰 #ซอโซ่ล่ามธีร์Q9Q10 BE MY PLAYER TWO Q9 Q10