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The Monument is "Galaganatha Temple" Pattadakal Galaganatha temple opening to the east side and located to the north of the Virupaksha temple is another fine elegant temple at Pattadakal.

The #Monument consists of garbhagriha, sukhanasi and a sabhamandapa in east-west axis. There is a circumbulatory passage covering garbhagriha and antarala. At the outset and even from a distance it attracts our attention because of the presence of the prominent northern type sikhara. It is described as belonging to Rekha- Nagara type, a sub type of Nagara or north Indian variety of sikhara. Identify the #monument & tag your pics with #NammaSmaraka. Scan the QR Code!

This #Monument is situated in an ancient Agrahara or a great education centre where traditional subjects like vedas and vedangas were taught by experienced teachers. Scan the QR Code! Identify the #monument & tag your pics with #NammaSmaraka.

India’s cultural economy in one equation: V = C × N² Creators exist. Connectivity unlocks value. OneTAC could amplify NDDKG to connect culture into networks where experiences multiply and value compounds.

The Monument is " Mallikarjuna Temple" Pattadakal Mallikarjuna temple is another elegant Dravidian type temple at Pattadakal. According to the inscriptions this temple was built by queen Trailokya Mahadevi, the wife of Chalukya king Vikramaditya II in about 740 C.E. Though it is called by the name Mallikarjuna temple now, it was originally referred to as the temple of Trailokyesvara.

This #Monument consists of eighteen pillars which have stories of Ramayana, Mahabharata and Panchatantra. The other sculptures in this temple are those of Gandharvas, amorous couples, story of Krishna, Siva- Parvati, Mahishasuramardini, etc. These sculptures are very impressive because of the true anatomical details. Identify the #monument & tag your pics with #NammaSmaraka. Scan the QR Code!

Listings are static; experiences are alive. OneTAC is the "protocol highway" that lets the teams at Rubix and Make It Happen turn cultural data into human discovery. 🛤️✨ #DPI #IndiaAI #ExperienceEconomy

This #Monument represents an important stage of a harmonious combination of south and north Indian characters, namely Dravida and Nagara, which some scholars refer to as Vesara. The sikhara belongs to the Rekha Nagara type while the other characters like shala, kuta and hara belong to the Dravidian type. As this temple has both these characters, it is considered unique. Identify the #monument & tag your pics with #NammaSmaraka. Scan the QR Code!

Livelihoods (Blue Dots) + Discovery (Orange Dots) = A thriving Experience Economy. 🟠 OneTAC is the digital signaling system for culture—guiding travelers to authentic, verified stories. 🛤️ #OneTAC #DPI #IndiaAISummit #Udupi

Great to have Smt. Manjula N (Secy IT/BT) & KDEM CEO Sanjeev Gupta visit our stall! OneTAC is the digital plumbing for India’s culture, ensuring trust & discovery flow to every informal actor. Aligned with the National Destination Digital Grid, we keep places alive! 🇮🇳✨ #OneTAC @prashanthp @SatishShekar @prathimamanohar @Vrallnanda @Samhitadotorg @IamHeadHeldHigh @EkStep_Org @niceorg

AI is only as good as the data it can see. At #IndiaAISummit, #OneTAC partners & representatives from MIT/Stanford discussed building the identity rails for cultural actors. Invisible actors = Invisible culture. OneTAC is the DPI backbone for the National Destination Digital Grid. #OneTAC #IndiaAI

Today, Padma Shri @prashanthp soft-launched the OneTAC stall at India AI Mission. A DPI for the experience economy. #IndiaAIImpactSummit2026

Innovation requires a common language. 🌐 At the India AI Mission, OneTAC is looking forward to meeting the industry leaders shaping the future. Just as TCP/IP became the heartbeat of the internet, OneTAC standards are the pulse of a decentralized Experience Economy. Let's deliberate. Let’s standardize. Let’s unlock. #OneTAC #IndiaAI #TechLeadership #Interoperability

🔱 “May Mahadev bless us with inner strength, clarity of mind, and fearless faith. Har Har Mahadev!” 🕉️

Human experience is the world’s largest untapped economic asset. What the internet did for information, AI will do for experiences, making them discoverable, trusted, and accessible globally. OneTAC is advancing this mission at India AI Summit 2026.

The Monument is "Ladkhan Temple, Aihole" Ladkhan temple is a very important temple at Aihole because of the technique of its construction which marks an important stage in the evolution of Chalukyan style of architecture. It is called Ladkhan temple because a man by name Ladkhan lived in the temple and hence people began to call it so. It has a peculiar plan and does not give the impression of a temple at all in the first instance. Actually it looks like a mandapa with rows of pillars. The temple consists of a small garbhagriha attached to the rear wall of a square sabhamandapa and a rectangular mukhamandapa. Hence there is no pradakshinapatha. The interior of the sabhamandapa is divided into two parallel enclosures with the help of a row of pillars.

This #Monument because of the technique of its construction it marks an important stage in the evolution of the Chalukyan style of architecture. It has a peculiar plan and does not give the impression of the temple at all in the first instance. Actually it looks like a mandapa with rows of pillars. The temple consists of a small garbhagriha attached to the rear wall of a square sabhamandapa and a rectangular mukhamandapa. Hence there is no pradakshina patha. The interior of the sabhamandapa is divided into two parallel enclosures with the help of a row of pillars. Identify the #monument & tag your pics with #NammaSmaraka. Scan the QR Code!

This #Monument consists of apsidal garbhagriha, sabhamandapa a mandapa and a mukhamandapa in east-west axis and the temple opens to the east. The temple has a base of six different mouldings. The temple is entered through two flights of steps to the south and north of the mandapa. On the basement are square pillars throughout the structure including the apsidal garbhagriha. The rows of pillars provides two pradakshinapathas, which is a unique feature. On the pillars of mukhamandapa are found amorous couples in various intimate poses. On another pillar is found Shiva dancing on apasmara. Interior wall of the mukhamandapa has Ramayana panel, Ardhanarisvara and Ugranarsimha killing Hiranyakashipu. Identify the #monument & tag your pics with #NammaSmaraka. Scan the QR Code!

This #Monument because of the technique of its construction it marks an important stage in the evolution of the Chalukyan style of architecture. It has a peculiar plan and does not give the impression of the temple at all in the first instance. Actually it looks like a mandapa with rows of pillars. The temple consists of a small garbhagriha attached to the rear wall of a square sabhamandapa and a rectangular mukhamandapa. Hence there is no pradakshina patha. The interior of the sabhamandapa is divided into two parallel enclosures with the help of a row of pillars. Identify the #monument & tag your pics with #NammaSmaraka. Scan the QR Code!