D☆彡nzo

@danzodanzo

🇵🇸 Your favourite lady boy

Katılım Mart 2009

803 Takip Edilen1.4K Takipçiler

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ka@0002l4·5 Nis

chanelのこのシアーパンツ、デニムそのものを透過させたような仕上がりで感動する。インディゴの質感を残しながら、空気みたいに軽やかなシースルー。

日本語

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D☆彡nzo@danzodanzo·3 Nis

I do miss blogging.. aka a long form yap. Who would read if I revived mine?

English

D☆彡nzo@danzodanzo·3 Nis

dunno the bottom 2 but yes to m.i.a and santigold being golden blog era divas

rashon@gvmini

anything from these >>>

English

108

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Lemma the Optimist@DoctorLemma·29 Mar

In 2002, Quentin Tarantino, one of the most influential film directors in the world, walked into a secondhand clothing store in Tokyo, Japan. A track was playing over the speakers. He asked the man behind the counter if he could buy the CD right then and there. The man refused. Tarantino offered twice the retail price. The man eventually gave in. The band was The 5.6.7.8's. Two sisters, Yoshiko and Sachiko Fujiyama, had been playing raw 1960s-influenced garage rock in Tokyo since 1986. They had a small but devoted following. Almost nobody outside Japan had heard of them. Within a year they were performing in Kill Bill: Volume 1, one of the most talked about films of 2003, playing to millions of people in cinemas around the world. Their song Woo Hoo, a cover of a 1959 American track they had never considered particularly important, became one of the most recognised opening riffs of a generation. It hit the top thirty in the United Kingdom. It appeared in television commercials around the world. Their tours went from Tokyo to North America, Europe and Australia. Jack White of The White Stripes, who became a fan, helped release their back catalogue through his Third Man Records label in the United States. Interestingly, back home in Japan, almost nothing changed. Their profile there remained almost exactly the same. They are still together. Still playing.