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David
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David
@daviddashcoby
Photographer, space nerd, proud husband, veteran, socialist, content creator 💙 🤍 MDNI Fascists not welcome
New Orleans, LA Katılım Şubat 2014
652 Takip Edilen1.1K Takipçiler
David retweetledi

When these came on screen my wife asked if they were real and I had no idea. Now we know :)
ada@leadaal
the end credits of Project Hail Mary featured authentic astrophotography images by astrophotographer Rod Prazeres, showcasing his captures of real nebulae structures
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David retweetledi

when she looks straight at ryland and sings the lyrics “remember everything will be alright, we can meet again somewhere, somewhere far away from here” yeah just drop me
Nadia@nadreviews
I need to write about how good Sandra Hüller’s “Sign of the Times” karaoke scene is in PROJECT HAIL MARY. A vital part of her character’s self-expression and a defining feature of the film’s optimism. Hüller is wonderful, and she chose a great song.
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The idea of them filming one of the most beautiful scenes ever with IR lights on chicken wire, while Ryan was pretending to touch things he couldn’t see and everyone else crying watching the monitor because it was so beautiful, is just so funny to me😭
clare@youngntragic
Still thinking about how stunningly beautiful this whole scene was in IMAX… literal chills I even got a little choked up😭
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David retweetledi
David retweetledi

You can be pretty confident that someone doesn’t read when they say “raped over at Kohl’s” rather than “raked over the coals.” As literacy declines, we are seeing new & unparalleled malapropisms.
recious pecious@haleyvemealone
My fav malapropism
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• be Torakusu Yamaha
• the son of a low-ranking samurai astronomer in 19th-century Japan
• obsessed with Western machines, you make a living repairing watches and medical equipment
• 1887: a local elementary school has a broken American reed organ. Nobody in the small town knows how to fix it.
• you take it apart, realize it’s just two broken springs, and easily repair it
• but instead of just handing it back, you realize: "If I can fix this, I can build it."
• you draw a blueprint of the inside of the organ and build the very first Japanese-made reed organ from scratch
• you show it off. People tell you it sounds terrible.
• most people would quit. You sling the heavy wooden organ over your shoulder on a bamboo carrying pole.
• you physically carry it 160 miles (250 km) on foot, trekking over the brutal Hakone mountains just to reach the Tokyo Music Institute to get real feedback from experts
• the professors play it. They tell you the mechanics are brilliant, but the tuning is completely wrong.
• you don't get defensive. You stay in Tokyo for a month, sitting in on university music theory lectures, holding a single tuning fork to your ear until you completely master the mathematics of sound frequencies
• you walk 160 miles back home
• you build a second organ. The professors test it and declare it "as good as those from abroad."
• you found Nippon Gakki Co. (which later becomes Yamaha Corporation)
• you decide to make your company logo three interlocking tuning forks to remember the pain and discipline of learning music theory from scratch
• decades later, your company uses its piano woodworking expertise to build wooden airplane propellers in WWII
• after the war, the company uses its new metallurgical expertise from the airplane engines to build motorcycles
• you accidentally create a timeline where repairing a broken elementary school organ directly leads to the creation of the Yamaha YZF-R1 superbike
• absolute, relentless horizontal integration based purely on figuring out how things work
The ultimate testament to reverse-engineering reality.


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It’s a privilege to make a movie. A bigger one to do it with your best friend. Bigger still to have so much help from so many brilliant artists and friends old and new. But the biggest privilege of all is when people you’ve never met give you their time and attention and take a seat. Without that generosity a film cannot exist. Thank you, friends. Thank you strangers. Hope you love it.
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