David Ulin

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David Ulin

David Ulin

@davidulin

Crafty southpaw. Editor, @airlight_mag.

Los Angeles, CA Katılım Nisan 2009
844 Takip Edilen6.1K Takipçiler
Namwali
Namwali@namwalien·
I don't believe it will. Readers are much more astute than you seem to believe. Clean, average, constitutively uninventive prose has an expiration date. It might sell but it won't last! If you disagree, if you think it's so great, why are you averse to labeling it AI-generated?
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Namwali
Namwali@namwalien·
"If A.I. is capable of producing gripping fiction, and readers and editors are unable to discern its origins..." Then this article wouldn't exist? Bizarre to keep predicting this 'inevitability.' Once it happens, no one will care. But it hasn't happened! nytimes.com/2026/03/19/boo…
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Mercedes Schlapp
Mercedes Schlapp@mercedesschlapp·
Fraud in Governor Gavin Newsom’s California isn’t hiding anymore—it’s parked out front in luxury cars.
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Sarah
Sarah@amymarchinparis·
Another day working at Deep Vellum, another day bringing translated literature to readers, another day breaking publisher’s marketplace trying to submit a deal report for a trilingual book… no where to add translators to announcements… yet translators are absolutely essential!!
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Jeremy Lybarger
Jeremy Lybarger@jeremylybarger·
Thinking of this paragraph from Ian Penman’s book on Erik Satie: “Too many studies of modernity seem to focus exclusively on abjection, entropy, gloom . . . no one seems to want to entertain the notion that it might also be enormous fun.”
Jeremy Lybarger tweet media
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The Paris Review
The Paris Review@parisreview·
“It is like a priest or a psychiatrist; if you get the wrong one, then you are better off alone. But there are editors so rare and so important that they are worth searching for, and you always know when you have one.” —Toni Morrison buff.ly/L7Pcots
The Paris Review tweet media
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David Biespiel
David Biespiel@DavidBiespiel·
@AndrewWittstadt “Most MFA faculty scared of their own authority (partially because students revolt/complain if you tell them poem needs work…)--lean on political/moral authority instead of their own taste...” = Never, not once, have I been afraid of a student’s response to my comments in 40 yrs
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Andrew Wittstadt
Andrew Wittstadt@AndrewWittstadt·
This entire thing is downstream of the lack of authority crisis in literature and art. Most MFA faculty are scared of their own authority (partially because students revolt and complain if you tell them a poem needs some work, but other reasons too)--so they lean on political and moral authority instead of their own taste and judgment of a work of art. She's not wrong that MFA programs feed the same repetitive, boring work to publishers over and over again, but she is misdiagnosing the problem. It's that most in the industry at all levels are using something other than taste and judgement in order to decide what is "worthy" of publication or a fully funded grad program acceptance, etc Many still deny that the political obsessions of the last decade or so really destroyed this industry more than anything else, but that is in fact what has happened. Everyone is just shrugging their collective shoulders and not understanding why they are bored with reading the same 2nd and 3rd gen immigrant stories over and over again.
ryan@ryanallen316

Sarah Schulman on MFAs in the new Paris Review

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David Ulin
David Ulin@davidulin·
@MattWalshBlog Oh please. Yes, McCarthy has written some great books but the notion that we’ve seen the last of the truly great writers represents the height of tunnel visioned ignorance. Try reading something from this century.
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Matt Walsh
Matt Walsh@MattWalshBlog·
Reading Blood Meridian. I wonder if there will ever be an author like Cormac McCarthy again, or if we’ve seen the last of the truly great writers. Every sentence he composes is art, like a painting. You see and feel what he’s trying to convey. He wrestles with big things, the human condition, good and evil. He doesn’t give you answers but he leaves you with a lot to think about. An absolute master of his craft. Not the last, I hope, but I don’t know.
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David Ulin
David Ulin@davidulin·
@WTSchultz I DO love Angels (my favorite ending, perhaps, in literature), as well as Jesus' Son, Train Dreams, and Seek. He's a fantastic reporter and essayist, for which he doesn't get enough credit. And the poems, many of which are transcendent. /2
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David Ulin
David Ulin@davidulin·
@WTSchultz The unevenness part of the point for me. It's what makes the writing feel so alive. Even in books that don't completely work -- Already Dead, Resuscitation of a Hanged Man, and (yes) Tree of Smoke -- there are so many bits of brilliance. /1
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David Ulin
David Ulin@davidulin·
Planet earth is blue and there’s nothing I can do.
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William Todd Schultz
William Todd Schultz@WTSchultz·
@davidulin and somehow, though I've read so much of him, I didn't even know it was based on a Denis Johnson book
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The Paris Review
The Paris Review@parisreview·
“As long as you can start, you are all right. The juice will come.” —Ernest Hemingway buff.ly/6tmEZ4R
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David Ulin
David Ulin@davidulin·
@ColeHenri This is lovely, especially the turn at the end. Thanks for posting.
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Henri Cole
Henri Cole@ColeHenri·
My neighbor Stuart sent me a picture from this week's New Yorker. Nothing gold can stay.
Henri Cole tweet media
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Lincoln Michel
Lincoln Michel@TheLincoln·
What are the best novels about nothing?
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DanRobbinsArts
DanRobbinsArts@danro_art·
Boston,Kansas, Chicago all bands named after cities in the u.s. Do we have any u.k. bands named after towns or cities?? Can't think of any
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