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@deadjeanss

Katılım Şubat 2026
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?@deadjeanss·
@ynjnfims @jenaicals Are you retarded? You’re going after a flop account for mentioning Sakura’s vocals, yet you turn a blind eye to her big fan accounts that spend all day slutshaming and bodyshaming Yunjin
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?@deadjeanss·
@ynjnfims Funny how you never call out Sakura stans who slutshame and start shit unprovoked daily. Not a single tweet. You're a fucking hypocrite
?@deadjeanss

@ynjnfims Why are you ignoring Sakura stans that slutshame Yunjin? Take her off your pfp you fucking retard

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leti🧘⋆𖦹
leti🧘⋆𖦹@ynjnfims·
just to clarify: whoever does this is in the wrong. idc if they're a yunjin solo stan or a sakura solo stan. sakura and yunjin obviously love eachother so i dont understand the point of doing all this when they would absolutely hate it. it's just toxic fan behaviour.
leti🧘⋆𖦹@ynjnfims

the audacity of having yunjin’s name in your @ and bio just to hate on sakura is insane. we all know yunjin would hate you so bad if she knew you were doing shit like this.

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?@deadjeanss·
@ynjnfims Why are you ignoring Sakura stans that slutshame Yunjin? Take her off your pfp you fucking retard
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leti🧘⋆𖦹
leti🧘⋆𖦹@ynjnfims·
the audacity of having yunjin’s name in your @ and bio just to hate on sakura is insane. we all know yunjin would hate you so bad if she knew you were doing shit like this.
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?@deadjeanss·
@baesweb That’s because retarded SM stans refuse to mind their own business
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?@deadjeanss·
@ThisIsOliviaRdr You forgot the rose song too 💀 just delete the tweet at this point bruh
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This Is Olivia Rodrigo
This Is Olivia Rodrigo@ThisIsOliviaRdr·
Olivia Rodrigo’s songs written only by herself: – “All I Want” (2019) – “enough for you” (2021) – “happier” (2021) – “girl i’ve always been” (2024) – “stranger” (2024) – “cigarette smoke” (2026)
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Christina Dirkes 💎
Christina Dirkes 💎@christinadirkes·
It seems that the HYBE strategy is to set their groups up for hate, and then make songs to "diss the haters" as some kind of underdog comeback story. It's really sad, seeing as they wouldn't be dealing with nearly so much hate if not for their own company.
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?@deadjeanss·
@_PopHouse Le Sserafim has 6B. How do you casually leave out a whole billion 💀
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Pop House
Pop House@_PopHouse·
Most streamed female kpop artists on Spotify of all time:
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?@deadjeanss·
@_Steph0anie_ Billboard Hot 100 entries : LE SSERAFIM - 3 aespa - 0
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?@deadjeanss·
@yunarve You’re not getting that hit tweet 💀 give it up fag
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@yunarve·
Lsrfm doesn't have a strong core fanbase and relies a lot on the gp thats why they're always trying to leech off others' success and chase whatever trend is popular
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?@deadjeanss·
@prettyisliv They’re right. She’s collaborating with one of her heroes, and people are trying to make it about a man. Also, retweeting this shit is fucking embarrassing 💀 get off his dick
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kylie🧁
kylie🧁@prettyisliv·
learn the meaning of the word misogyny challenge
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?@deadjeanss·
@darkentrys Where the fuck did she say that? Stop making shit up retarded bitch
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tati
tati@darkentrys·
It’s about staying loyal to a country in spite of its troubled history and not about limerence hope that helps
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tati@darkentrys·
I love you by fontaines dc is basically a litmus test for media literacy at this point because there are people who still think it’s a love song
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?@deadjeanss·
@darkentrys It’s a love song about Ireland 💀 you're trying too hard to sound smart
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nat ☆彡 🪷
nat ☆彡 🪷@yunjinrs·
ok breaking my silence; yunjin genuinely doesn’t get enough credit for her creative involvement in le sserafim’s music - her hand work that goes beyond songwriting and producing, only to be repaid & mistreated like that by her own label.. for pureflow pt.1, yunjin took time to do 90+ mins 1:1 interviews with each member, evaluate them and even redo them multiple of times to not only get better insights for the theme of their album, but it was important for her to include ALL of the girls’ input & thoughts for it - to accurately represent the real le sserafim. not only does she have 8/11 songwriting credits on the album (and literally participates on every single album/ep) but yunjin also came up with the whole storyline/lore & idea of “Saki” to connect it to “1-800-hot-n-fun”. “need your company” was entirely her own song & as the main writer, she most likely also wrote 99% of the song herself (comparing it to her own personal demo) until 13 added their names to the credits. “irony” was literally created on her days off from work (during her birthday week) because she’s so hardworking and decided to develop herself further by joining a song camp to go out of her comfort zone. as the company asked for an outro, it was completely yunjin’s own idea to do a recorded conversion for “liminal space”, whose title also derived from her own thoughts that was inspired from being on tour. for spaghetti, she didn’t “only” come up with the idea of the song and whole album concepts, which she pitched to the company with a google doc herself, but she was the one suggesting their fun content such as the “member switch dance practice”, which ended up going viral. she was the one telling the company to livestream the tokyo dome encore for fearnots to see one of their biggest milestones in their career. in general, most of their tiktok/reels are even her own ideas and she makes time to edit them herself during her little breaks between schedules. source music is genuinely lucky to have yunjin, whose work and effort truly goes above the musical aspect of a typical idol.. so how come you give her zero solo schedules or variety shows - when we know damn well she always goes viral for being on them and it increased her brand brand reputation by +31 spots last time? why do you not want to let your artists shine and sabotage them instead? @SOURCEMUSIC
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?@deadjeanss·
@livcentra He’s not gonna fuck you
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rodrigozone
rodrigozone@livcentra·
Real livies will never hate louis partridge…
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?@deadjeanss·
@yunjin_doll They didn't enter spotify US 💀 the streak continues
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