Dele Doherty

Hello, My name is DUROTIMI OKUTAGIDI, this is my entry for The stool audition. #kavthestoolauditions #durotimiokutagidi

‘PROJECT HAIL MARY’ is Ryan Gosling's highest rated film on Rotten Tomatoes at 95%. Read our review: bit.ly/DFMary

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

Judith Audu nails why Osas Okonyon is the undeniable superstar in Uyoyou Adia's 'Evi'. The musical drama opens in cinemas on March 27, 2026.

Our trailer is ready! I’m going to cry. Evi is here! 🥹

Official poster for 'EVI', an Afrobeats-themed musical drama coming to cinemas nationwide from March 27th, 2026.

Setup vs the Shot From my short film The Waiting Room Setup: Camera: Sony FX3 (on sticks)
Lens: Helios 44-2 58mm f/2 with a variable ND filter #filmmaking #cinematography  #cinematic  #filmmaker #behindthescenes

There is No Plan B. #film #cinematography

Honored to attend the private launch of the new Nikon Zr in Nigeria — a compact beast shooting 6K RAW. Grateful for the experience and excited for what’s ahead. 🎥🚀 #NikonZr #FilmmakingJourney #Nollywood #Cinematography #JestopusMotionPictures

That was priceless 😂

#BlackStories #AfricanCreatives #DocumentaryFilm #FilmmakerLife #TheLyricStory

A 1948 home for Black audiences, later abandoned, then restored in 2010. Interviewing people who lived through segregation reminded me why Black and African creatives must tell our own stories with honesty and boldness. Thank you, @Efayy_ & Emmanuel Okere.

Let’s not be judged by our skin but by the content of our hearts. During my 10 months in the U.S. on a film academy scholarship, the project that moved me most was a documentary on the historic Lyric Theatre in Lexington, Kentucky.

BEHIND THE LOOP OF LANDLINE 🎬 It’s been six months since the release of your favourite thriller, Landline! We’ve seen your reviews, your excitement, and your amazement at the magic that hit your screens in April.

@Efayy_ Oh my God… reduce your voice.

@Efayy_ I agree I agree I agree

11:11 You will always win at the 11th hour. “Everything has a loophole and the only person that can find it is you.” P.S watch LANDLINE (produced by Dele Doherty) @deledoherty01

@DavidEccentric Thank you 😌

Thank you so much for having me🙏🏼❤️