Kaländerü

Homem moe e coa o próprio café durante voo comercial.

It has been a sustained policy of the BBC NOT to win Eurovision. It costs tens of millions to host for zero commercial return. Winning would be financially disastrous. Secondly - the country that redefined popular music in the 20th century, that has produced more stadium-filling musical acts than any other, should not care about winning a load of Europop Cack. Winning Eurovision would be deeply embarrassing and a sign something has gone seriously wrong.

First in my bloodline to see 1 million line change PR getting merged (Bun's master branch is now rust, it's official)

banger articles you should read

Some of you guys are alright. Don't be alive on May 15, 2026, when I set off the global pandemic which shall come to be referred to by the struggling, tormented survivors as "The Event".

I hate to my negative about content here but this is an actual industry plant. It’s ok to like this sort of game, but how it’s presenting itself hurts actual indie games. - real licensed music - massive array of custom assets and cutscenes, fully voiced too - insanely pricey press kits sent out to small and big CCs - presents itself as “indie”. This is not “indie”. This is a refined product that was made for millions. Most likely a medium sized team of 12-30 full time for years. This kind of low hanging fruit stealing + indie labeling hurts actual small dedicated teams of real game devs. There will be actual indie devs that miss out on awards this season because of this extremely well funded AA title masquerading as an indie.

Agenix and disko are both garbage. Horrible, horrible software.