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@djtopspin

Muy Spinteresante. Harmony HEAVY DJ / Producer / Master Soundscaper. No matter where you're @, I'm in your [e]area code.

in your EARea👂🏾 Katılım Mart 2009
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Michael Morgan
Michael Morgan@mikecmorgan·
Timeline cleanse. “…Lemonade was a popular drink and it still is, I get more props and stunts than Bruce Willis..” The 90’s…unquestionably the golden age for rap.
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ⓐⓚⓐ ⒷⓁⒺⓃⒹⒾⒶⓃⒶ ⒿⓄⓃⒺⓈ
Happy 🎂 to the 🐐 James Yancey aka J Dilla. Different from day ☝🏾. His sound immediately spoke both to, & has, thru me. Case in point, I try to give listeners ‘something for their ears to see’, like this BRAND[Y] 🆕💩 WITH THE BLEND.
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MASTER STUDENT🤲🏾
MASTER STUDENT🤲🏾@MUSICANDBUILDS·
If you was a dope boy down south And you was into lyrical rap like I was You seen Ti as a Down South version of Jay z because he was one of the only southern lyricst that could really talk That dope boy shit lyrically down to a science That was the similarity
🦅@JayZ0verrat3d

calling TI “jay z of the south” must was some up north shit cuz we never held jay Z in high regard to brand any of our best rappers as his country duplicate lmfao

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off perx bein a wallflower
off perx bein a wallflower@rscxxxdestart·
this what happen when you raise american girls to copy korean girls copying american girls copying black american girls
putangynah@ssskiendiel

#KATSEYE ABSOLUTELY TORE THAT DOWN AT THE #GRAMMYS STAGE OMGGGGGGG

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DJ R-Tistic
DJ R-Tistic@DJRTistic·
Nahhh I yelled and laughed out loud when he said Meek Mill. This is BS for so many reasons. It’s L.A….of course most major artists live here!! Jay and Beyonce are the biggest in their genres, so them winning has nothing to do with them being in L.A. This just sounds bitter!
Isaac Hayes III@IsaacHayes3

The GRAMMY Awards are the L.A. awards when it comes to hip hop and R&B, and here is why. There are about 15,000 Recording Academy voting members, and the Academy itself says the Los Angeles Chapter is its oldest and largest chapter. So if one city has the biggest chapter, that city has a built in advantage in genres that are still deeply regional in sound, culture, and community. Hip hop and R&B are not the same everywhere. Atlanta does not sound like Los Angeles. New York does not sound like Miami. Texas does not sound like Chicago. And when the biggest voting footprint sits in one market, it is not hard to see why the same markets keep getting rewarded. Even artists who are not originally from Los Angeles but relocate there gain an unfair advantage in hip hop and R&B. Living in L.A. increases proximity to voters, industry events, listening sessions, and informal influence that shapes taste and perception long before ballots are cast. That proximity matters in a peer voting system, especially when one city holds the largest share of the electorate. So here is the fix. Cap voting by city for hip hop and R&B. Put a maximum number of voters per city, like 2,000 in Los Angeles, 2,000 in New York, 2,000 in Atlanta, 2,000 in Miami, 2,000 in Texas, and so on. Keep the voting peer based, just make it geographically fair. Because if the Academy wants the GRAMMY to mean best in the country, then the process has to reflect the country, not just the biggest chapter in the room. If that does not change, then for hip hop and R&B these awards stop meaning what they claim to mean. @grammys @harveymasonjr the process must change for Rap and R&B.

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ⓐⓚⓐ ⒷⓁⒺⓃⒹⒾⒶⓃⒶ ⒿⓄⓃⒺⓈ
DJs: u ever spin an all 45s set w/ only ☝🏾 adapter [a flimsy plastic 1 that ended up snapping too]? I did last night... 🥴 Echoed out either 4 or 8 counts of the record playing, popped out the adapter, snapped it into the next 45, & mixed it into the echo truly fun & crafty 🤪
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Yurpa C. Stinks
Yurpa C. Stinks@Gifted_Gab·
Where the fuck is Fonzworth Bentley?
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Discovered this a month ago while playing out. A friend described, “you were in your flow state”🧘🏾 This ruff LIVE is raw but the polished final is stooooopid. Bandcamp &/or Patreon soon. 🕊️🙏🏾🕊️ R.I.H. to Michael Eugene Archer aka D’Angelo & to Walter Scott of The Whispers.🖕🏾2025
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ⓐⓚⓐ ⒷⓁⒺⓃⒹⒾⒶⓃⒶ ⒿⓄⓃⒺⓈ
🫡 to @WWConverge down since day ☝🏾
Converge Media@WWConverge

What would National DJ Day be if we didn’t spotlight the legend DJ Topspin, aka Blendiana Jones (@djtopspin)? Apart from stamping the Pacific Northwest scene and the world with his ear for dancehall, reggae, soca, and afrobeats, he’s also near and dear to the Converge Media family, who has been holding it down with the Converge crew from day one, and that is why his logo adorns the Black Media Matters iconic interview wall. Born of Jamaican and Panamanian roots, his talent lies in his ability to sonically satisfy every room. With over 30 years of leaving his unique imprint on Seattle’s cultural nightlife scene, Topspin pushes the envelope with harmony-heavy flavor, embodying the enduring power of music to connect and tell our stories. We love DJ Topspin because his dedication to his craft is a profound example of excellence and cultural preservation. Like us, he is committed to reflecting our community’s light through his passion, ensuring every beat and blend resonates deeply with our people. Topspin’s musical journey, much like our mission at Converge, is about connecting home to the world, making him an invaluable voice in our community and a true storyteller through sound. Make no mistake; you need it from the TOP! Check out DJ Topspin’s work on Bandcamp and Soundcloud. #DJTopspin #SupportTheDJ #BlackMusic #BlackSeattle #ConvergeMusic

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Kevín
Kevín@KevOnStage·
He’s TIRED of Code Switching Watch “Bald Brothers” on Tubi.
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