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#VogueReports เปิดโมเมนต์วิดีโอบนพรมแดงของ ‘เก่ง-หฤษฎ์ บัวย้อย’ @harit_keng นักแสดงไทยมากความสามารถ เดบิวต์พรมแดงงานเทศกาลภาพยนตร์นานาชาติเมืองคานส์ ครั้งที่ 79 ประจำปี 2026 ในโททัลลุคจาก Ami Paris @amiparis พร้อมด้วยจิวเวลรีเข็มกลัดจาก Chopard @Chopard สะท้อนภาพ Thai Power และนับเป็นก้าวสำคัญบนเวทีระดับโลก! #CannesFilmFestival2026 #KengHaritAtCannes #KengHarit VDO by Gerson Lirio

🌹 100 anos depois, ninguém mais sabe exatamente quem foi Lady Gaga. O nome sobreviveu, mas deformado pelo tempo, como uma lenda repetida tantas vezes que já não se distingue verdade de invenção. Alguns dizem que ela foi uma cantora. Outros, uma profeta pop. Outros juram que nunca existiu de fato, que era apenas um personagem coletivo criado por uma geração obcecada por espetáculo, excesso e sobrevivência emocional. O que restou dela foi a ruína. A antiga Opera Haus da MAYHEM Ball aparece agora como um monumento devastado, enterrado sob poeira, ferrugem e décadas de abandono. O palco que um dia foi grandioso virou escombro arqueológico. E é nesse cenário pós-apocalíptico que começa o “MAYHEM Requiem”. Não como um show. Mas como uma sessão espírita. Um Little Monster do futuro, alguém que nunca viveu a era MAYHEM, nunca viu Gaga em carne e osso, nunca experimentou o mundo antes da ruína, encontra aquele lugar esquecido e tenta estabelecer contato. Como quem gira uma estação de rádio morta tentando captar uma voz impossível. E então a voz vem. Distorcida. Fragmentada. Quase corroída pelo tempo. As músicas soam quebradas porque foram engolidas por um século de decadência. Não chegam limpas: chegam como memórias sobreviventes. Como fitas magnéticas deterioradas. Como arquivos recuperados de um servidor destruído. Há ruído, interferência, falhas, mas justamente por isso tudo parece mais humano. Mais visceral. O espetáculo inteiro funciona como se o passado estivesse lutando para continuar existindo. E aí surge a frase: “Stranger, remember me.” Não é apenas uma abertura impactante. É um pedido desesperado atravessando 100 anos. Gaga já morreu naquele universo. Sua época acabou. Seus contemporâneos desapareceram. Tudo o que ela significava foi soterrado pelo tempo. E mesmo assim, de algum lugar distante, ela ainda tenta alcançar alguém. Um estranho. Alguém que não a conheceu. Alguém que talvez nem compreenda completamente quem ela foi. Mas que, diante daqueles restos, escolhe sentir. Existe algo profundamente bonito nisso: a ideia de que a arte continua procurando companhia mesmo depois do fim. Que uma artista pode desaparecer fisicamente, virar mito, ruído, folclore… e ainda assim encontrar uma pessoa, um século depois, disposta a ouvir o coração pulsando dentro dos destroços. “MAYHEM Requiem” transforma a nostalgia em arqueologia emocional. Não é sobre reviver uma era; é sobre escavar seus fantasmas. O palco destruído deixa de ser apenas cenário e vira símbolo: a beleza inevitavelmente entra em colapso, os impérios culturais acabam, os ícones desaparecem, mas o impacto emocional permanece escondido em algum lugar, esperando alguém para reencontrá-lo. E talvez seja isso que torne tudo tão melancólico e poderoso. Porque no fundo, “Stranger, remember me” é o medo mais humano possível: o medo de ser apagado pelo tempo. Mas também é esperança. A esperança de que, mesmo depois de cem anos, alguém encontre os fragmentos daquilo que fomos… e escute. "MAYHEM Requiem" já está disponível na Apple Music e na Apple TV.

#legendInfluence โอม ธนกฤต เจียมจรรยา @ohmkrit นักแสดงดาวเด่น จาก DOMUNDI TV กำลังก้าวสู่บทใหม่ของตัวเองผ่านบทบาทที่ท้าทายขึ้น วิธีคิดที่เติบโตขึ้น และความจริงใจที่ชัดเจนมากขึ้นกว่าเดิม พร้อมเปิดใจถึงตัวตน ความเปราะบางที่เขาไม่ได้เผยกับใครบ่อยๆ ในบทสัมภาษณ์ล่าสุดกับ เรา ติดตามภาพแฟชั่นและบทสัมภาษณ์ของพวกเขาได้ในนิตยสาร #legend_TH ฉบับเดือนพฤษภาคมนี้ Thanakrit “Ohm” Chiamchunya, the rising actor from DOMUNDI TV, steps into a new chapter shaped by more challenging roles, a deeper understanding of himself, and a sincerity that feels increasingly undeniable. In his latest conversation with us, he reflects on personal growth, vulnerability, and the side of himself he rarely chooses to reveal. Discover his exclusive fashion story and full interview in the May issue of #legend_TH สนใจสั่งซื้อ / Order via Line OA: lin.ee/k4QArf4 #DOMUNDITV #OhmKrit

One day we gotta talk about BabyJoliestar’s artistry

Panel from a 16th-century Venetian edition of Dante's Divine Comedy, illustrating Paradiso Canto XXII with Dante and Beatrice among the stars.

I'm your girl right? The first song and video from my new album ESTRUS are out 🐈‍⬛ I know you’ve been waiting a long time and I hope it’s worth the wait. It was for me! Can’t wait to share the rest of this album with you 🖤 tovelo.lnk.to/imyourgirlrigh…

In light of a recent statement by the United States government…

จริง ส่วนตัวจบสายศิลป์มา ดูฟาโรสเพราะมันสนองนี้ดเราต่างหาก เทพกรีกเอย เทพจีนเอย อะไรสนุก ๆ ที่เรียนแล้วไม่ได้ใช้ทำงานอะ มีคอมมูให้ปลดปล่อยสักที

คอนเท้นช่องพี่ฟามันไม่ใช่ความรู้สำหรับคนฉลาดอะไรหรอกค่ะทั้งหมดมันคือสิ่งที่สายภาษา/สายสังคมต้องเรียนแต่capitalismบ้วนทิ้งเพราะเอาไปใช้ทำงานอะไรไม่ได้จนกลายมาเป็นแค่คลิปให้ความรู้สนุกตลกๆของคนเรียนสายอื่น😣

happy mother’s day 🌹

ESTRUS - ALBUM OUT SEPTEMBER 18. I’M YOUR GIRL RIGHT? - WEDNESDAY. tovelo.lnk.to/ESTRUS

wishing เจ้าแม่ทับทิม 天后聖母 a wonderful year

慶祝 護國庇民妙靈昭應天后聖母 華誕千秋 ขอถวายพระพร เจริญพระราชสิริสวัสดิ์พิพัฒนมงคล พระชนมสุขทุกประการ จงมีแด่สมเด็จพระนางเจ้ายอดฟ้า ผู้ทรงพระคุณอันประเสริฐ ขอน้อมถวายพระพรชัยมงคล เนื่องในโอกาสมหามงคลเฉลิมพระชนมพรรษา 1066 พรรษา สมเด็จพระนางเจ้ายอดฟ้าขอจงทรงพระเจริญยิ่งยืนนาน

ล่าสุด คนข้างบ้านทักมา5555555 คือเราก็เกรงใจหมาไปกวน แต่พี่เขาชอบอีก5555555

extra! extra! the minions are taking over Hollywood. See Minions & Monsters, only in theaters July 1.

Van Gogh was out painting plum trees in bloom, caught between gusts of wind and bursts of sunlight. He described it to his brother Theo: ‘This morning I worked on an orchard of plum trees in blossom – suddenly a tremendous wind began to blow, an effect I’d only ever seen here – and came back again at intervals. In the intervals, sunshine that made all the little white flowers sparkle. It was so beautiful!’ Does this scene feel calm to you, or full of energy?