Eduardo C

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Eduardo C

Eduardo C

@ecarnallav

Nada especial // Instagram: @ecarnallav AMACH ANOCHT

Escondido, CA Katılım Temmuz 2011
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Eduardo C
Eduardo C@ecarnallav·
Una frase que se me ha quedado pegada de un disco y que ahora aplica, la dijo Rubén Albarrán (Café Tacvba) citando a Chavela Vargas: “Si despiertan los volcanes en Latinoamérica, ¿por qué no van a despertar los latinoamericanos?”
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Nuria
Nuria@PediaNu·
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Bry
Bry@brycclem·
I have a deep love for the designs that were made for Why Me? Why Not
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CONSEQUENCE
CONSEQUENCE@consequence·
Thom Yorke used his speech at the 2026 Ivor Novello Awards to deliver a blunt warning to the music industry: stop treating new artists like disposable content. "To use music and song to tell the story of what it truly means to grow up in their mode and go stylistically wherever the fuck they want, because they can. This is the pumping heart of music. This is how music stays relevant. "For this to happen, the industry itself has to have faith in these people. They're fragile, usually kind of fucked up like me, and they need support. And the industry needs the wisdom to allow them to develop, and be able to take risks with them and make mistakes with them. That is literally their job, in my opinion. "I'm very aware, and so are my band, [of] how lucky we were in our formative years, thanks to our managers Brian, Chris, Bryce and Jules. They fought really hard for us guys. And weirdly, our old record company, the old school EMI, cut us a lot of slack back in the old days. It all paid off. "We watched a lot of other artists not be so lucky, get chewed up and spat out. It takes time for artists to find their voice, to learn their craft and where it will take them. That is when the good shit occurs. "I worry that our business is becoming risk-averse and unable to help. It makes zero sense to me. The same is true in a lot of the creative industries: art, film, theatre – they’re all going through this weird, myopic self-destruction. "Instead, I picked up the FT [Financial Times] and read about the exciting share price of streaming services and the insane value placed on the catalogues of a few artists of the previous generation, and the financial frenzy around them. "That's nice for them. But it is not, as they would like to call it, investment in the music sector. Quite the opposite. "I wonder if those people appreciate what went into the making of those records. Maybe you should read some biographies of the music you're buying and hoarding, and some of the history about that subject. "I wonder why no one questions this insane flow of money upwards that leaves nothing but dust for new artists. "Those heads of our industry are not asking what happens for the future generation, when the musical well dries up – which it will, guys. "Instead, a lot of lip service is paid to new music with self-serving playlists, and to the idea of a vital music scene. But there is a refusal to offer even a semblance of a sustainable revenue source for the majority of musicians. "And they continue the nasty fucking opaque accounting tricks that major labels were doing in the '90s. "So I guess I'd like to provide a quick reminder to the top of the industry and streaming services: pull your finger out. Where are you gonna get your next juicy back catalogues from, eh? "This industry will die and arseholes with it, if all you do is devalue the next generation of artists and their fans. Just remember: without us, you ain't shit!" 📸: The Ivors With Amazon Music 2026, Dave Bennett Agency
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reesha
reesha@justamusicfan3·
Pretending like he didn't like that song. I bet he played it more than Once himself.
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Pampa Gallagher
Pampa Gallagher@eycteann·
Noel Gallagher starter pack
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Pampa Gallagher
Pampa Gallagher@eycteann·
Liam Gallagher starter pack
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Eduardo C
Eduardo C@ecarnallav·
Anexo pruebas
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Eduardo C
Eduardo C@ecarnallav·
Recuerdo que lo compartí pensando que era actual y en buena onda Diego Hernández, el tecladista de la banda, sí se ofreció a compartir el caso Ya el fan dijo que fue hace un rato, pero me pareció un agradable gesto de solidaridad… no como el otro ‘ñor 🫩
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Travis Barker
Travis Barker@travisbarker·
I just met a dog named Travis Barker
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Eye On Axis
Eye On Axis@eyeonaxis·
Pelé crowned with a charro hat, after winning the World Cup. Estadio Azteca, Ciudad de México, 1970 by Gerry Cranham
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CONSEQUENCE
CONSEQUENCE@consequence·
A full-circle moment for the Colbert family: Stephen Colbert's sisters, Mary and Margo, were in the crowd for The Beatles' 1965 concert in Washington, DC — and for The Late Show's final episode featuring Paul McCartney.
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Anakes 🟪
Anakes 🟪@anakes_angel·
Chale. Pues curiosamente el brutalismo mexicano se incrusta en el retorno y se hace uno con la naturaleza. El Tamayo, Sala Netzahualcóyotl, Casa Agustín, Colmex, Cuaad Huentitán. No son solo macetas y ya. Y responden a su tiempo Monumentalidad y Economía
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Werito solar 🇵🇸 🇨🇺@complicated_cat

No shade el brutalismo mexicano está ojetísimo, puro concreto gris y árboles en macetas sin bien les va 😭😭 DEJAR IR 🗣️

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Ara-el ⛥
Ara-el ⛥@arycarangi·
leonora carrington hablando sobre el tema espiritual y ocultista en sus obras
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¿Por qué es Tendencia?
¿Por qué es Tendencia?@porktendencia·
"Caifanes": Porque informan que Alejandro Marcovich se encuentra en coma tras sufrir un derrame cerebral
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