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@effthingy

filmmaker | @redapplefall 🍎

19 Katılım Mayıs 2024
1.2K Takip Edilen1.3K Takipçiler
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sadie
sadie@redapplefall·
boobs and blood from my sketchbook
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ludo
ludo@birdfearsdeath·
#thedirties this song fucking blows
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glup shitto ☾
glup shitto ☾@ntbtstwt·
The Boys has ended after 7 years. Do you think Matt and Jay have ever done hand stuff?
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Japan Society Film
Japan Society Film@js_film_nyc·
Hideaki Anno (#botd) with Asumi Miwa and Tadanobu Asano on the set of LOVE & POP, 1997.
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august
august@regularaugust·
That time of the quarter again!!
Disc-Connected@disc_connected

***ANNOUNCEMENT*** Now available to order (and shipping next week) on Blu-ray in the US from @VinegarSyndrome as part of their #Pink line: The Films of #HisayasuSatô Volume 4 (1986-1998)! This special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo (designed by Steak Mtn.), includes a 40-page perfect bound book, and is limited to 4,000 units. Between his earliest films in the mid 1980s and his 1990s "golden age," Hisayasu Satô consistently developed and honed his cinematic voice. Drawing on contrasts in his work across radically different career stages, these three films offer a range of insights into the artist's most compelling and recurring obsessions. One of his earliest features, SAVE THE LAST DANCE FOR ME (1986), Satô offers a meta-reflection on learning his craft through the story of two former film students facing the world and their own troubled relationship, through video-voyeurism and sex work. When violence manifests within sexual situations, a sense of fatalism threatens to take the lovers to darker places. A profound meditation upon loneliness and especially distance, both physical and perceived, Satô begins his visual experiments involving rephotographed video textures and discordant dialogue. In SURVEY MAP OF A PARADISE LOST (1988), an investigative reporter gets wrapped up in a story about phone sex clubs, and a sex worker named Midori who worked in one. Unexpectedly thrust into a world of sadomasochism, isolation, and suicidal musings, he struggles to fulfill his job responsibilities. But when it emerges that a recent death involving a sex worker was videotaped, and the reporter obtains the tape, they can hardly avoid becoming more deeply involved. Maintaining his obsession with the poetry of loneliness, Satô weaves a story of characters obsessed with death and exploring the most violent sides of pleasure. As the theatrical heyday of Pink films was winding down, SOFT SKIN (1998) shows Satô's lens turning to the absurd and comedic, eschewing the cynicism and unhappiness experienced by the characters in his earliest work for something more whimsical. When Minako, a lonely housewife neglected by her busy, self-centered husband and adult children, finds a suitor, they concoct a false kidnapping narrative to tease her family. Meanwhile, a young woman responsible for a series of chainsaw murders is also on the run. While television news (including Minako's daughter as a newscaster) devours these sensational stories, all manner of bizarre interactions unfold as Minako contemplates her future. directed by: Hisayasu Satô starring: Moeko Izawa, Toru Nakane, Junko Asahina, Tomomi Kuribayashi, Kiyomi Itō, Rio Yanagawa, Bunmei Tobayama, Ai Kobayashi, Yutaka Ikejima, Hiromi Kuronuma, Kenji Mizuhashi 1998 (SS), 1986 (StLDfM), 1988 (SMoPL) / 88 min (SS), 60 min (StLDfM), 65 min (SMoPL) / 1.85:1 / Japanese 1.0 Mono Additional info: 2-disc Region Free Blu-ray Set New director-approved restorations, performed by Vinegar Syndrome "She’s a Star" (13 min) - an interview with Hisayasu Satô on SOFT SKIN "No Caller ID" (15 min) - an interview with Hisayasu Satô on SURVEY MAP OF A PARADISE LOST "Office Lady" (13 min) - an interview with Hisayasu Satô on SAVE THE LAST DANCE FOR ME "The Abnormal Family" (18 min) - an interview with Kyôko Godai, co-writer of SOFT SKIN "Walking in Circles: Part 4" (13 min) - Shinjuku with Hisayasu Satô "The One They Don't Want You To See!" (23 min) - a bonus interview with Hisayasu Satô on HORSE, WOMAN, DOG Commentary track for SOFT SKIN with Japanese cinema expert Jasper Sharp Commentary track for SURVEY MAP OF A PARADISE LOST with film critic Simon Abrams Commentary track for SAVE THE LAST DANCE FOR ME with Asian cinema historian Pierce Conran & critic James Marsh Newly translated English subtitles Trailer: youtu.be/3FZsC2RppEw vinegarsyndrome.com/collections/fr… #BluRay #PhysicalMedia #BluRays #BoutiqueBluRay #CultMovies #DiscConnected #VinegarSyndrome #Pinku #PinkuEiga

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hp
hp@effthingy·
@_TRAMMY_ wow, people with body dysmorphia perceive their body differently than from reality? what a revelatory and unique observation
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hazel
hazel@alifeofposerdom·
some people r genuinely from manchester uk
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gale na
gale na@poisonjr·
Trans men and trans women are almost identical
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hp
hp@effthingy·
house party i went to tonight had a harpist playing in the living room and a little person in a tuxedo greeting everyone at the door
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hp
hp@effthingy·
@bamboobigbee this looks awesome wtf!!?? need to watch more of ur stuff
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Y0Y0(⁎⁍̴̛ᴗ⁍̴̛⁎)
i submitted my junior film for the show but they put me at the very end >< blweh,,, nightmare to work on but ive learned a lot and next year i'll do better,,,!
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hp@effthingy·
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hp
hp@effthingy·
booked ntbtstm tickets for canada day
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