EJ George

Disney Propaganda:- • White man is the villain • Black man is the hero • Gay guy is the voice of reason • Woman has the balls • Dad is an idiot • Mom is the breadwinner • Children are sexualized • Trans/non-binary character is exceptionally wise or persecuted • Straight white male authority figure is corrupt/incompetent/abusive • Traditional masculinity is mocked or pathologized • Christianity/religion is depicted as fanatical or hypocritical • Police/military/law enforcement portrayed as systematically racist/oppressive • Climate change/environmental activism is the heroic motivation • Interracial pairings (especially black man/white woman) emphasized as triumph • Traditional/nuclear family shown as dysfunctional • Non-traditional family setups idealized • Wealth/success tied to villainy unless redistributed (anti-capitalist undertones) • Trans ideology or grooming elements shoehorned into kids’ content Disney is social engineering, not family entertainment.

‘THE ODDITY’ 19 Main Characters, 11 (majority) Non- European & 1 Trans. • Jon Bernthal: Ashkenazi Jewish (parents from Jewish families). • Benny Safdie: Syrian/Sephardic Jewish on father’s side, Ashkenazi/Russian on mother’s; raised Jewish with bar mitzvah. • Mia Goth: Maternal grandfather Ashkenazi Jewish American artist Lee Jaffe. • Zendaya: African-American (father with Nigerian ancestry) + European mix. Non-European descent. • Lupita Nyong’o: Luo Kenyan (African). • Himesh Patel: Gujarati Indian (South Asian). • John Leguizamo: Colombian with significant Indigenous American + Spanish (Latino with non-European roots). • Corey Hawkins: African-American. • Will Yun Lee: Korean (East Asian). • Jessie Garcia (listed as Jesse Garcia): Mexican with Indigenous/Spanish roots (Latino). • Cosmo Jarvis: Half Armenian (Armenian is often classified as West Asian/Caucasian, non-continental European).

Los gitanos españoles. ¿Son católicos o evangélicos? Los gitanos españoles son la única minoría étnica europea que ha cambiado de religión mayoritaria en dos generaciones. Hasta los años sesenta eran católicos nominales. Hoy, según los datos del CIS recogidos por el sociólogo Miguel Laparra, el 50% se declaran evangélicos y el 40% católicos. Otras estimaciones serias bajan el porcentaje evangélico al 35-45%, lo que sigue dejando alrededor de 250.000 gitanos seguidores de la Iglesia Evangélica de Filadelfia sobre una población total estimada de 750.000. La IEF se inscribe en España en 1969, tras una década de evangelización iniciada por el pastor pentecostal francés Clément Le Cossec entre los temporeros gitanos españoles de la vendimia francesa, y consolidada por Emiliano Jiménez Escudero, "el Hermano Emiliano", primer pastor gitano español. En medio siglo se ha consolidado como Iglesia única con Asamblea Nacional, jerarquía pastoral, Escuelas Bíblicas Evangélicas Filadelfia y misión propia hacia Hispanoamérica. Mayoría femenina en los cultos, pastores varones una posición conservadora en moral familiar, voto tradicional al PSOE por la política social y deriva creciente hacia PP y Vox. El paralelismo con Hispanoamérica es directo. Los mismos factores estudiados por Lalive D'Epinay en Chile, Willems en Brasil, Marzal en Perú o Garma en México (1987) explican la conversión, marginación socioeconómica, redes comunitarias densas, eficacia ritual del culto pentecostal frente a la liturgia católica formal y autoridad gerontocrática familiar reabsorbida por la jerarquía pastoral que añade autoridad religiosa a la gentilicia. La cifra interroga a la pastoral católica española del XX, que perdió un flanco íntegro durante cinco siglos suyo. El gitano católico nominal de 1950 es hoy minoría en su propia comunidad mientras la IEF crece, financia desde Madrid su propia misión a Hispanoamérica y forma teológicamente a sus pastores. El catolicismo institucional español tendrá que mirarse esto sin coartadas ni excusas, especialmente cuando se suma una inmigración masiva iberoamericana con porcentajes similares de afiliación evangélica que ha empezado a hacer proselitismo activo en las principales ciudades. Bibliografía recomendada: – Manuela Cantón Delgado, La razón hechizada. Teorías antropológicas de la religión, Ariel, 2001. – Ignacio R. Mena Cabezas, Gitanos evangélicos. Un movimiento étnico-religioso en Extremadura, 2000. A publicar.

@DisneyHaters Quedátela y no la devuelvas nunca, NO existe derecho de devolución! Y muchas gracias París por llevártela, eres mi hermano, te quiero bro! 😂😂😂

Irían a la guerra por Helena de Troya versión Nolan? 🤔 #TheOdyssey #ChristopherNolan #LaOdisea

Agamemnon had provoked the wrath of the goddess Artemis by killing her sacred deer, resulting in the goddess causing a calm sea so that the fleet of the Achaeans could not sail from Aulis to Troy. They asked the seer Calchas what they should do, and he replied that the goddess's wrath would only subside if Agamemnon sacrificed his daughter Iphigenia. Initially, Agamemnon refused to do it, but he was pressured by Menelaus and Odysseus, and as the months passed, he summoned his daughter from Mycenae under the pretext that he would arrange her marriage to Achilles. Iphigenia arrived at Aulis, and then Agamemnon handed her over to Calchas to sacrifice her to Artemis. The scene in the video is from the Greek film "Iphigenia" of 1977 by Michael Cacoyannis. The entire film and its dialogues were exclusively based on the work of Euripides without any additional exaggerations or nonsense. Watch the video and now read the dialogue from the ancient text that I will write for you translated: IPHIGENIA: "Look, mother, how rightly I speak; upon me great Greece casts its eyes; from me depend the sailing of the ships and the destruction of the Phrygians; from me, the prevention of future barbarian attempts to abduct women from wealthy Greece henceforth, the payment for the abduction of Helen, whom Paris has stolen. Such is the salvation my death brings, and immortal fame I shall have; they will say I liberated Greece. And it does not befit me to be so fond of life; you bore me for the good of all Greeks and not for yourself alone. Thousands of shield-bearers, thousands of oarsmen, seeing their homeland wronged, will strike boldly at the enemies, and will die for Greece’s honor, and shall all this be hindered by one life, mine? Where is the justice in that? How could I oppose them? And another thing: for a stranger to enter war with all the Argives and die for one woman is unjust. The life of one man is more valuable than that of ten thousand women. And if Artemis wishes to take my body, shall I, a mortal, become an obstacle to the goddess? How could that be? I give my body to Greece; come, sacrifice me, take Ilion. These things will be my memorials for years to come: my marriage, my children, and my glory. It is right for Greeks to rule over barbarians, and not barbarians over Greeks; because barbarians are slaves, and Greeks are free." ACHILLES: "Some god would have made me blessed, if I were to take you, daughter of Agamemnon. Fortunate is Greece, which has you, fortunate are you, being Greek. You spoke well and in a manner worthy of your homeland; you do not wage war against the goddess who rules you; your mind turned both to reason and to fate. I saw your character, and thus my desire to unite with you is even greater; for you are a noble soul. And consider this: I want to help you and make you my wife; it will be a great burden for me, I swear by Thetis, if I do not fight the Argives to save you. A terrible evil is death, know that." IPHIGENIA: "I speak clearly before everyone. Helen ignites battles, and blood flows for her body; let her suffice; you, stranger, do not get killed for me and do not kill; and let me, if I can, save Greece." Source: Ἰφιγένεια ἡ ἐν Αὐλίδι (1402-1432) "Iphigenia at Aulis" was written by Euripides, which was performed in the year 405 BC, one year after the death of Euripides in 406 BC, by his son. It was written in the year 407 BC during the poet’s stay at the court of King Archelaus in Macedonia. It formed one part of a trilogy, along with the works "The Bacchae" and "Alcmaeon in Corinth", which won first prize. Amid all this, this text is yet another proof that the Greeks always knew where the limits (borders) of Greece reached and who belongs within them as well as who is Greek. Do not forget this when various "experts" tell you that Greece (as a whole) did not exist. Films based on the works of the Greeks promote patriotism, heroism, glory, and emphasize that everything revolves around the nation (έθνος) and religion (θρησκεία), around values and sacrifices for your country and your people. Modern society is afraid of these films. Those who control the "arts" hate them. Do you know why?

False. This is such a lazy take. For 9 years people have rightfully criticized a movie that sought to undermine core elements of what came before. It undermined it by not having a plan. Disney underestimated the fans who thought that they would just want anything with the name Star Wars branded in front of it There is no oversight especially following the death of Carrie Fisher, which left the ending of the movie entirely in a place of no return. What were they going to do when the Final Act of their sequel Trilogy That was supposed to feature princess leia, could not have Princess Leia No one thought to kill her character in the moment where it felt most necessary in order to solidify kylo as the Pure Evil of the Next Generation Instead, there were a few moments that telegraphed Luke Skywalker being injured when he was using Force projection in the climax of The movie. But instead of giving into that story beat that was already on display, Luke simply died from being tired I don't care how well the movie was directed, how beautiful the visual effects were, or even the fact that John Williams score was absolutely Dynamite, there is no way to look at the story, not the fucking themes, but the actual nuts and bolts of the story, and tell me that it was anything less than an absolute travesty There was no foresight, no fucking follow through, and no goddamn plan. And you could tell that was the case because they could not keep Colin trevorrow script and keep him on board as a director 3 months before the film came out, so they ran to JJ in hopes of getting him to find a way to bring it home There's a reason why the rise of Skywalker LeapFrogs over the last jedi, and it's not because of angry fanboys who couldn't let things go, it's because the middle story of a trilogy fail to uphold the elements that one would expect from it The amount of gas lighting people due to themselves over this movie is not only hilarious, but it shows you that media literacy has not only been dead for quite some time, that it's never coming back

🇨🇳‼️| En una acción más que polémica, China perforó 3400 metros en la Antártida y accedió hacia un lago subglacial aislado por millones de años. La perforación se realizó con un sistema de agua caliente y es parte del aumento de presencia china en la Antártida. Se estima que en esa zona existen 500 mil millones de toneladas de petróleo y entre 300 y 500 mil millones de toneladas de gas natural.

🛑 SICARIO DISPARA A HOMBRE EN VEREDA El atacante no se detiene a pesar de la presencia de la menor, quien presencia cómo su padre se desploma tras los impactos.

🇲🇱| El capitán de la Guardia Nacional de Malí en la región de Gao, Sidaghemar Ag Mahamad, desertó y se unió al Frente de Liberación de Azawad (FLA). También se sumó la Unidad UZ2 de Platforme, una milicia tuareg pro-maliense anteriormente vinculada a GATIA, en otro movimiento favorable a los separatistas tuareg.

🇬🇷 As a Greek woman, I cannot stay silent… I owe this to my Ancestors ! ❌️ BOYCOTT Nolan’s "The Odyssey" that has completely altered Homer’s epic ❌ Helen of Troy , the most beautiful woman in the world , was described by Homer with golden blonde hair, dazzling white skin and divine European beauty that launched a thousand ships. She was a Greek woman, not Sub-Saharan African. This is not representation. This is erasure of Greek and European history and identity. Imagine the global outrage if they made: "Wagadu: The White Panthers"... Double standards and pure disrespect! ❌️ BOYCOTT Nolan’s Odyssey ❌ #BoycottNolansOdyssey #HelenOfTroy #HomersOdyssey #GreekMythology #HistoricalAccuracy #CulturalErasure

One simple way you know Christopher Nolan’s “The Odyssey” will be woke AF: In 1997, Isabella Rossellini played Athena as elegant, strong, and regal. In Nolan’s version, she looks like a fishwife heading to market in a socialist country. In fact, I’d even go so far as to say Zendaya is who you call when you’re "hate-casting" a role. Nobody likes her. Nobody shows up because she’s in something. She’s always vulgar and profane. She’s basically the female Pedro Pascal (if that’s not redundant). Yet she's in two massive successful franchises (“Spider-Man” and “Dune”), Season 3 of “Euphoria,” and a bunch of smaller movies where she’s empowered while the men around her are physically or emotionally devastated (“The Drama,” “Malcolm & Marie,” “Challengers”). And now she’s bringing her way-too-contemporary brand to Homer’s timeless epic. Which begs the question: Why does she keep getting all this work?

Donald Trump: «La primera vez que vi a Melania en una fiesta de Nueva York, fui directo a pedirle el teléfono; ella me miró y dijo: “Dámelo tú primero”. Yo ya era multimillonario, salía en portadas y podía conseguir casi cualquier cosa… pero aquella mujer decidió que no iba a impresionarse por eso. Durante semanas la llamé una y otra vez, intentando convencerla para cenar conmigo; ella siempre mantenía distancia. Y ahí entendí algo: construir edificios en Manhattan puede ser complicado, negociar millones también… pero conquistar a una mujer que no se impresiona con tu dinero es otro nivel de negociación.»

Aparece en EE. UU. tras 121 años la carta del emperador Gojong contra el Tratado de Eulsa : Korea.net : Sitio web oficial de la República de Corea spanish.korea.net/NewsFocus/Cult…

Paris’te Afrika kökenli 5 erkek tarafından toplu tecavüze uğrayan turist bir kadın, perişan halde bir Türk kebapçıya sığınarak yardım istedi. En şok edici kısım ise şuydu: Tecavüzcülerden biri kadını takip ederek aynı kebapçıya girdi ve hiçbir şey olmamış gibi sipariş verdi. Bunu duyan Türk çalışanlar ve içerideki Türk müşteriler, Afrikalı adamı yumruklarla darp etti. Adam da oradan kaçtı. Mağdur kadın, ülkesine dönme planını erteleyip hastaneye yattı... Daha bugün Fransa ve Paris’in rezalet bir duruma geldiğini anlatmıştım 😔

“Japonés” Porque el japonés que se hizo viral metiéndose en las películas usando IA, sigue siendo furor en las redes.

La historia detrás de Fauda es mucho más real de lo que muchos imaginan. Un chico que creció dentro de la casa de su padre con activistas palestinos, pasó por una pérdida personal enorme, fue parte de una unidad encubierta y terminó creando, junto al periodista Avi Issacharoff, una de las series israelíes más exitosas del mundo. ¿Quién más está esperando Fauda 5?

🌍 SUDÁFRICA 🇿🇦 | Un ciudadano sudafricano vio de cerca la muerte tras explotar 💥 con un cuchillo 🔪 una rueda 🛞 de un camión 🚛

Burdur’da husumetlisi Hüseyin Mete’yi fıstık yediği sırada arkasından silahla vurarak öldüren Ramazan Uçar hakkında verilen 15 yıl 10 ay hapis cezası, istinaf mahkemesince bozuldu. Kararın ardından Uçar’ın yeniden yargılanmasına başlandı.

Bien hecho 👍👍.. En un bar rústico de EEUU una mujer abofeteó y agredió a la esposa de otro hombre; el esposo de la víctima (un hombre corpulento y fuerte) respondió con una brutal paliza tanto a la agresora como a su pareja, golpeándolos salvajemente en la cara, lanzándolos contra mesas y sillas mientras la gente gritaba 🤷🤷🤷..

Un árabe israelí sorprende a la entrevistadora: "Soy un árabe israelí. Israel es mi país. Lucho por mi país. Israel me da libertad de religión y de expresión. ¿Por qué iba a luchar contra Israel? Lucharé contra Hamás." Esto DEBE volverse viral.