Emmanuel Martinez

.@BritishVogue and the glamorization of antisemitism. Let’s talk about what they chose not to tell you. Albanese is the UN Special Rapporteur who claimed America is “subjugated by the Jewish lobby,” told the BBC “the Israeli lobby is clearly inside your veins,” and- the day after the Charlie Hebdo massacre - shared an Iranian state media article claiming the CIA and Mossad carried it out. She is the official who, when Macron called October 7 “the largest antisemitic massacre of our century,” replied that the victims were not killed because of their Judaism but “in response to Israel’s oppression” - earning her the distinction of being the first UN rapporteur in history condemned for antisemitism by both France and Germany simultaneously. She is the official who told a press conference that 380,000 children under five had been killed in Gaza - a figure that exceeds the entire population of children under five in Gaza, according to Palestinian Authority census data. She is the official who, at an Al Jazeera Forum in Doha where Hamas leader Khaled Mashaal and Iran’s foreign minister were also speaking, delivered remarks that the French Foreign Minister subsequently condemned in parliament, saying she “targets not the Israeli government, whose policies can be criticized, but Israel as a people and as a nation.” He added that she “presents herself as a UN independent expert, yet she is neither an expert nor independent - she is a political activist who stirs up hate speech.” She has been condemned by France, Germany, Canada, and the United States. She is the first UN expert in history condemned by all four of those governments. Vogue gave her a shoot. No mention of any of this. The same editorial erasure happened at the Guardian, which ran a fawning profile portraying her as a “rock star” and never once asked why so many governments of such different political persuasions have sought to have her removed. This is what the glamorization of antisemitism looks like in 2026. It arrives in a fashion magazine, dressed in the language of human rights, with a photographer and a stylist.

« Amadoca » de Sofia Andrukhovych dévoile à propos de l’Ukraine combien ce qu’elle vit depuis 2022 cristallise et réveille tout ce qu’elle a vécu depuis plus d’un siècle et au-delà. Cette œuvre magistrale vient de paraître en français. desk-russie.eu/2026/04/26/le-…