Erick Rodríguez

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Erick Rodríguez

Erick Rodríguez

@erickrodz

DTC Apparel Owner Operator in LATAM with https://t.co/RrzlokwI8Z

Vancouver, British Columbia Katılım Nisan 2010
348 Takip Edilen209 Takipçiler
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David Senra
David Senra@FoundersPodcast·
David Senra tweet media
David Senra@FoundersPodcast

New episode on The Creative Genius of Rick Rubin This episode contains a nonstop stream of ideas directly from Rick about how to make great work over a long period of time: (01:00) Just one habit, at the top of any field, can be enough to give an edge over the competition. Wooden considered every aspect of the game where an issue might arise, and trained his players for each one. Repeatedly. Until they became habits. The goal was immaculate performance. Wooden often said the only person you’re ever competing against is yourself. The rest is out of your control. This way of thinking applies to the creative life just as well. For both the artist and the athlete, the details matter, whether the players recognize their importance or not. Good habits create good art. The way we do anything is the way we do everything. Treat each choice you make, each action you take, each word you speak with skillful care. The goal is to live your life in the service of art. (08:41) Faith allows you to trust the direction without needing to understand it. (10:16) If you make the choice of reading classic literature every day for a year, rather than reading the news, by the end of that time period you’ll have a more honed sensitivity for recognizing greatness from the books than from the media. This applies to every choice we make. Not just with art, but with the friends we choose, the conversations we have, even the thoughts we reflect on. All of these aspects affect our ability to distinguish good from very good, very good from great. They help us determine what’s worthy of our time and attention. Because there’s an endless amount of data available to us and we have a limited bandwidth to conserve, we might consider carefully curating the quality of what we allow in. The objective is not to learn to mimic greatness, but to calibrate our internal meter for greatness. So we can better make the thousands of choices that might ultimately lead to our own great work. (14:25) We’re affected by our surroundings, and finding the best environment to create a clear channel is personal and to be tested. (27:57) Rules direct us to average behaviors. If we’re aiming to create works that are exceptional, most rules don’t apply. Average is nothing to aspire to. The goal is not to fit in. Communicate your singular perspective. (28:30) It’s a healthy practice to approach our work with as few accepted rules, starting points, and limitations as possible. Often the standards in our chosen medium are so ubiquitous, we take them for granted. They are invisible and unquestioned. (29:00) The world isn’t waiting for more of the same. The most innovative ideas come from those who master the rules to such a degree that they can see past them or from those who never learned them at all. (38:50) Fear of criticism. Attachment to a commercial result. Competing with past work. Time and resource constraints. The aspiration of wanting to change the world. And any story beyond “I want to make the best thing I can make, whatever it is” are all undermining forces in the quest for greatness. (42:32) To hone your craft is to honor creation. By practicing to improve, you are fulfilling your ultimate purpose on this planet. A lot more ideas in this episode including: The importance of developing a practice of paying attention, why impatience is an argument with reality, why you need to create space in your schedule to tap into ideas in from your subconscious, why you'll find what you're searching for by looking deeper, the reason it is important to carefully curate the quality of what we allow in: people, ideas, content, why rereading the same books again and again can help you find new ideas, how to find the environment that allows you to produce your best work —and how other artists have done so, several examples of the people that are the best in the world at what they do being full of self-doubt —and yet they do it anyways, why adversity is unavoidable, if you want to make great work for a long time you can’t self-sabotage, why the goal is to keep playing (Rubin has been playing for 40+ years), how you can overcome insecurities by naming them, how you can doubt your way to excellence, why distraction is not procrastination and why distraction can be a strategy in service of the work, why if you're aiming to create works that are exceptional most rules don’t apply, the importance of communicating your singular perspective, and why if there is one rule on creativity that’s unbreakable it’s that the need for patience is ever-present.

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The Cultural Tutor
The Cultural Tutor@culturaltutor·
The Brutalist is about an architect who studied at the Bauhaus. Its protagonist is fictional, but the Bauhaus was real. What was it? The most influential design school in history. So, from fonts to furniture, this is how Bauhaus created the aesthetic of the modern world...
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MacMally 🍀
MacMally 🍀@MacMallyMMA·
Dude, get some sumo guys on an NFL offensive line. Held back Micah Parsons like he wasn’t even trying. 🤯
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Chris Williamson
Chris Williamson@ChrisWillx·
“Don’t take yourself so seriously. You’re just a monkey with a plan.” — @naval
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MAT DO
MAT DO@ItsMatDo·
How to ruin your life as fast as you can:
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soli
soli@solisolsoli·
The Knight of the Flowers, 1894, by Georges-Antoine Rochegrosse
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Psyche Wizard
Psyche Wizard@PsycheWizard·
Seek answers, not attention!!
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Robert Greene
Robert Greene@RobertGreene·
In 1817 the twenty-two-year-old poet John Keats wrote a letter to his brothers in which he explained his most recent thoughts on the creative process. The world around us, he wrote, is far more complex than we can possibly imagine.
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Roaring Kitty
Roaring Kitty@TheRoaringKitty·
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keshav
keshav@keshavchan·
paul graham on good design
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Ryan Holiday
Ryan Holiday@RyanHoliday·
The secret to success in almost all fields is large, uninterrupted blocks of focused time.
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Ian Carroll
Ian Carroll@IanCarrollShow·
There’s only one CEO in corporate America that chooses to work for no pay of any kind (no stock compensation either) @ryancohen bought his own shares with his own money because he believes in himself and he believes in his company. Imagine if more CEOs had this mentality, imagine how different the world would be. I’m in Atlanta to talk about it tomorrow at @pulte’s event. If you’re there, I’ll bring extra tinfoil. Can’t stop. Won’t stop. #gamestop 🚀
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Navalism
Navalism@NavalismHQ·
"If the work doesn’t require creativity, delegate it, automate it, or leave it." @naval
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Historic Vids
Historic Vids@historyinmemes·
In 2012, a 17-year-old boy sent an original song to Deadmau5, who was blown away by the talent and signed the boy after listening to the track during a live stream. The song became one of Deadmau5's biggest hits.
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The Cultural Tutor
The Cultural Tutor@culturaltutor·
On this day 2,068 years ago Julius Caesar was assassinated in broad daylight in the middle of Rome. But it wasn't a mob or popular uprising — Caesar was killed by a group of disgruntled senators. Here's how it happened, moment by moment, on that fateful day in 44 BC...
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El Estoico | Filosofía
El Estoico | Filosofía@ElArteDeVivir__·
Estoicismo: Disfrutar sin necesitar. Dejar ir y dejar entrar. Tener pero no querer.
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Fascinating
Fascinating@fasc1nate·
During the filming of the first Godfather movie, the mafia got awfully curious about what went on during filming. The mob actively followed the actors and actresses around and hovered around the sets, much to the chagrin of the actors. Marlon Brando in particular wasn’t too pleased. At some point, Brando, Pacino, and Robert Duvall were driven off-set in a car when their driver spotted a suspicious-looking cast of characters traveling at the same speed and distance, eyeing them. Brando said he had had enough of “those mob bastards,” rolled down the car window, pulled down his pants all the way, and mooned them! Duvall later said of the event that his famous co-star pulled his pants down just a little too much. Not deterred, the mob sent real-life mafia enforcer, wrestler and doorman Lenny Montana to the movie set, to play the part of Luca Brasi. Montana was a major Brando fan, as were many of the mafia guys themselves who had come to respect the wild star and his reckless ways. So in awe of his famous co-star was Montana, that he bumbled his lines. He could barely perform at all. Until Brando put Montana at ease, helping him shine and perform his part well. The big mobster turned actor was incredibly grateful, and suddenly the mafia was totally okay with their on-screen portrayal.
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