Victor Kaiba Villanueva

Director’s reel 2025🎬 Penge prajek😆

Gakuryū Ishii is so funny because I can’t think of too many other filmmakers with creative periods SO visibly contrasted in style and thematics between “FUCK YEAH I’M IN MY 20S FUCK YOOOOOU” and “my knees hurt.”

Tuwad spiderman! #spiderman2ps5 #ps5share spider botomesa

STUDIO BONES KEEPS PRODUCING CINEMA EVERY SEASON HOLY SMOKES 🔥

𝘒𝘢𝘱𝘢𝘨 𝘭𝘰𝘷𝘦 𝘢𝘯𝘨 𝘱𝘪𝘯𝘢𝘨-𝘶𝘶𝘴𝘢𝘱𝘢𝘯, 𝘮𝘢𝘺𝘳𝘰𝘰𝘯 𝘣𝘢 𝘵𝘢𝘭𝘢𝘨𝘢𝘯𝘨 𝘬𝘢𝘵𝘢𝘱𝘶𝘴𝘢𝘯, 𝘰 𝘪𝘬𝘰𝘵-𝘪𝘬𝘰𝘵 𝘭𝘢𝘯𝘨? OPEN ENDINGS in cinemas nationwide starting JUNE 10, 2026 OPEN ENDINGS follows four queer women in their 30s who are exes-turned-best-friends as they navigate adulthood, love, friendship, chosen families, and everything in between. STARRING: Janella Salvador, Klea Pineda, Leanne Mamonong, and Jasmine Curtis-Smith ALSO STARRING: Ms. Jackie Lou Blanco, Yesh Burce, Rachel Coates, Migs Almendras A Cine Canawili Production DIRECTOR: Nigel Santos SCREENPLAY: Keavy Eunice Vicente PRODUCER: tin velasco CINEMATOGRAPHER: Martika Ramirez Escobar PRODUCTION DESIGNER: Sam Manacsa EDITOR: Maria Estela Paiso ORIGINAL MUSIC SCORE: April Hernandez SOUND DESIGNER: Jannina Mikaela Minglanilla, Michaela Docena LINE PRODUCER: Patricia Salic PRODUCTION MANAGER: Wheen Renegado ASSISTANT DIRECTOR: Chad Cabigon COLORIST: Dia Magsaysay-Sigua STYLIST: Jilla Sara HMUA: Aira Castor EXECUTIVE PRODUCERS: Tarzeer Pictures, Macky Macapagal, Patintero Princess, Fanciful Strays, Jun “Sonny” Villena and Mildred Alea, Joleil Villena, Jezriel Villena, Jien Villena DISTRIBUTED BY: CreaZion Studios

yoshiki: the flesh prison of desire has condemned me to an existence of unbearable yearning and grief. i looked at hikaru for too long and now the rot of obsession is eating me alive from the inside out. every moment i spend near him is a sin against nature. nakamura:

A China não tá mais pra brincadeira. Olha a fotografia e a qualidade desse novo BL chinês 🇨🇳 🎥 A Winter Sun Wakes the Wind in Spring Hills' Dream

AYOOO FILIPINO OOMFS WE’RE FINALLY GONNA HAVE AN ANIMATE BRANCH HERE 😭💖

@heyitsgideon Panget din story e

It’s not because it’s Filipino, but because it’s Jo Koy.

Film executives used Jo Koy's ‘EASTER SUNDAY’ as "evidence" that Filipino stories don't sell in Western media after its underwhelming box office. This was according to Vonne Patiag in an ABC Australia interview, who says he encountered this in later pitch meetings.

We're coming up on 50 years of Gundam, and it's looking like they're going all in. If you haven't seen a Gundam anime yet, I'm always saying give one a shot, whether it's at the very beginning or just one that looks interesting to you. Every Gundam is somebody's first Gundam!

◤プロローグムービー◢ 「ガンダム50周年プロジェクト」始動にあたり、新規制作された映像を初公開‼ 『少年とガンダム | 機動戦士ガンダム50周年 -Road to 50- プロローグムービー』 監督：ハヤカワツクロ 音楽：PEOPLE 1 「金字塔」 #GUNDAM50th

look at how they massacred my boy T_T

Exactly! Just look at INSIANG. Look at the material!!!

Found out that Hirokazu Kore-eda has been making money by releasing a documentary about a father with a rare disease without permission. His wife, Miwa Sekine and their son, Taku Sekine, are on Twitter finding justice and reparation from him but until now he still done nothing.

Oomf’s shirt at oomf’s wake…

some films make friendship feel more romantic than romance itself

In Chronicles of the Avatar, Korra actually apologizes to the next Avatar who we now know is likely Avatar Pavi for losing the connection to the past lives 😭 She leaves behind a letter for the next Avatar to read at the beginning of their journey, writing: “Although I know we can’t let our failures define us, I am sorry you’re not connected to me, to Aang, and to all the lives you’ve lived before. I will never be able to replace that.” Man… that genuinely hurts.

kamikaze girls (2004) dir. tetsuya nakashima

Hirokazu Koreeda on the kind of movies he doesn't want to make: "Interviewer: Like so many of your films, 'Shoplifters' (2018) feels so free of the irony and pessimism that’s so pervasive in cinema today. How do you stay so optimistic, relatively speaking, about the ultimate inherent goodness of people? Koreeda: I think maybe deep down I’m a pessimist. Having said that, it’s true that I do feel strongly that I do not want to make movies where the audience stands up at the end and says, “Man, I don’t want to ever see another human again or wish the world would end.” I do not want to make that kind of a movie." (Koreeda's interview with Marshall Shaffer, Slant, 2018) P.S: On this day, 8 years ago, "Shoplifters" (2018) premiered at the Cannes Film Festival, France.

imagine the leading station ng pinas tapos hindi kayo makapag hire ng tao para gawin yung poster???