Facundo Tripodi

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Facundo Tripodi

Facundo Tripodi

@faq3pa

Working with the numeric side of humans. Or the human side of numbers? Creator of @_destacion.

London, UK Katılım Temmuz 2012
1.4K Takip Edilen449 Takipçiler
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Facundo Tripodi
Facundo Tripodi@faq3pa·
Les comparto mi proyecto de cuarentena: destacion.com.ar La idea es informar sobre qué verduras/frutas están en estación. Qué acaba de llegar, qué se está yendo. Es la primer versión y va a seguir evolucionando, pero ya es funcional. Toda info del mercado central.
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Dante López Foresi
Dante López Foresi@DanteForesi·
“Son una banda de vagos, chorros, transas, coimeros; se cagan en la gente. No sé de qué colegio salen tan hijos de puta” Creo que la diputada @Naty_Zaracho les dijo en la cara exactamente lo que millones de argentinos quieren decirles ¿Las formas? Mucho mejores, más claras y sinceras y con más coraje que las de Milei, quien solo insulta mujeres, y por redes sociales, jamás de frente. Esta diputada me representa
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Dr. Lemma
Dr. Lemma@DoctorLemma·
In 2003, a German film crew followed a nomadic family in Mongolia's Gobi Desert. The film, The Story of the Weeping Camel, was nominated for an Oscar. A mother camel had rejected her newborn after a brutal two-day labour. Without her milk, the calf would die. The family knew one option. They sent their two young sons on a journey across the desert to find a musician who could perform a ritual called Hoos, a chanting ceremony passed down for centuries specifically for this moment. The musician came. The ritual was performed. The mother camel wept real tears and turned to her calf for the first time. The film crew had gone to document a way of life. They had no idea they would capture that. UNESCO added the Hoos ritual to its Intangible Cultural Heritage list in 2015, alongside flamenco, the Mediterranean diet, and the art of Neapolitan pizza making.
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Gustabo Ludo 🦅
Gustabo Ludo 🦅@periodismocruel·
INSÓLITO!! El holograma de Cerati se separó de Soda Stereo para iniciar su carrera solista.
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Facundo Tripodi
Facundo Tripodi@faq3pa·
Hay algo muy placentero en las películas cuando ese persona malo y desagradable cae en desgracia. Cuando lo vemos arrastrarse pidiendo clemencia. Pero su caída es inevitable. Y mientras mas lenta, mas satisfactoria. Fin.
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@de3dsoul·
That moment in a game when you know you were about to play a masterpiece
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Facundo Tripodi
Facundo Tripodi@faq3pa·
Si Adorni fuera Adorni, le pediría a Adorni que renuncie. Pero como no soy Adorni no puedo opinar.
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Sparkle💫
Sparkle💫@Neliswa_Nelli·
People are becoming way too comfortable about being horrible human beings
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Anto Di Menna ⭐️⭐️⭐️
ME OLVIDÉ LA MOCHILA DE JARDÍN DE MI HIJO EN EL bondi. Me siento la peor mamá. LLegué llorando a mi trabajo. Si alguien viajaba en la línea 95 que 8.30 hs paró en el htal Rivadavia y encontró una mochi azul con logo de Rancing: acá estoy.
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Academia Aesthetics
Academia Aesthetics@AcademiaAesthe1·
Friedrich Kunath, Germany (1974-) Storms Never Last (2023)
Academia Aesthetics tweet media
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Cinefilia Cult
Cinefilia Cult@cinefiliacult·
“El empleo” es un corto argentino del año 2008, y también, uno de los mejores de este siglo. No se lo pierdan. Te deja sin palabras👇🏼👌
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jo johnson
jo johnson@josbjohnson·
whatever you do, do not die with your music still in you. I don’t care what the music is. a practice. a craft. a discipline that would die if you stopped showing up to it. a way of being in a room that changes how the room feels. whatever your music is - the thing that makes you feel like yourself when you’re doing it - do not leave it inside you. the world is full of silent people whose music died with them. and the silence looks exactly like a normal life. that’s how it gets away with it.
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💚tupito🍸
💚tupito🍸@etupito·
70 años pasaron y ya "El zorro" te explicaba como se maneja el tema de los infiltrados.
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Allegretto 💚
Allegretto 💚@allegrettto·
Me escuché entero Debi tirar mas fotos, por las dudas, porque admito que todo lo que pensaba de Bad Bunny eran prejuicios. Ahora ya esta. Son postjuicios.
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daniel molina
daniel molina@rayovirtual·
El marques de Sade (Los 120 días de Sodoma) y Pasolini (Saló) ya lo mostraron. Siempre el arte adelanta.
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daniel molina
daniel molina@rayovirtual·
Lo que se ve en los archivos Epstein es la normalidad de la elite.
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Facundo Tripodi
Facundo Tripodi@faq3pa·
entro la balubi
Sam Altman@sama

First, the good part of the Anthropic ads: they are funny, and I laughed. But I wonder why Anthropic would go for something so clearly dishonest. Our most important principle for ads says that we won’t do exactly this; we would obviously never run ads in the way Anthropic depicts them. We are not stupid and we know our users would reject that. I guess it’s on brand for Anthropic doublespeak to use a deceptive ad to critique theoretical deceptive ads that aren’t real, but a Super Bowl ad is not where I would expect it. More importantly, we believe everyone deserves to use AI and are committed to free access, because we believe access creates agency. More Texans use ChatGPT for free than total people use Claude in the US, so we have a differently-shaped problem than they do. (If you want to pay for ChatGPT Plus or Pro, we don't show you ads.) Anthropic serves an expensive product to rich people. We are glad they do that and we are doing that too, but we also feel strongly that we need to bring AI to billions of people who can’t pay for subscriptions. Maybe even more importantly: Anthropic wants to control what people do with AI—they block companies they don't like from using their coding product (including us), they want to write the rules themselves for what people can and can't use AI for, and now they also want to tell other companies what their business models can be. We are committed to broad, democratic decision making in addition to access. We are also committed to building the most resilient ecosystem for advanced AI. We care a great deal about safe, broadly beneficial AGI, and we know the only way to get there is to work with the world to prepare. One authoritarian company won't get us there on their own, to say nothing of the other obvious risks. It is a dark path. As for our Super Bowl ad: it’s about builders, and how anyone can now build anything. We are enjoying watching so many people switch to Codex. There have now been 500,000 app downloads since launch on Monday, and we think builders are really going to love what’s coming in the next few weeks. I believe Codex is going to win. We will continue to work hard to make even more intelligence available for lower and lower prices to our users. This time belongs to the builders, not the people who want to control them.

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Mark Manson
Mark Manson@Markmanson·
How to win at life 1. Commit to doing a hard thing 2. Do the hard thing 3. Feel good about doing the hard thing 4. Become someone who enjoys doing hard things
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