Gary Susman

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Gary Susman

Gary Susman

@garysusman

Content & media pro. Senior Product Marketing Manager at @Yodlee. Past writer/editor at @EW, @TIME, & @RollingStone. Co-Author of book Friends Forever.

Denver, CO Katılım Eylül 2008
554 Takip Edilen940 Takipçiler
Gary Susman
Gary Susman@garysusman·
@urbanmyths @CinemaTweets1 One could argue that she puts out hits precisely because she’s weak. A stronger executive might have figured out how to extort or buy silence (as Michael tells her), but she cravenly outsources violence while keeping her own hands clean. See also Lydia in Breaking Bad.
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Movies, politics, life.
@CinemaTweets1 I liked Michael Clayton but this clip and Tilda Swinton's performance didn't age well. She is always shown as quivering, weak and indecisive, yet she repeatedly orders the murders of her rivals? Emma Stone or Cate Blanchett could have played this character better.
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Cinema Tweets
Cinema Tweets@CinemaTweets1·
How the hell did Tony Gilroy pull this off? How did he write & direct Michael Clayton? I would give anything to share a cup of coffee with this guy & just ask him the following: what possessed you? How did you do this? Screenwriting doesn’t get better. It can’t. It’s not possible
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Gary Susman
Gary Susman@garysusman·
@TheStingisBack As a Denver native, I have to say, this film didn’t do it for me. No real local flavor, indifferent location work. If they hadn’t named it after a Zevon song, they could have set it anywhere else. Besides, Denver just isn’t a film noir kind of place.
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The Sting
The Sting@TheStingisBack·
My case for Things to Do in Denver When You're Dead (1995) A criminally underrated 90s gem. Andy Garcia’s weary charisma, a killer supporting cast, quotable dialogue, and an off-the-leash Walken. Stylish, strange, and way better than its rep.
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Gary Susman
Gary Susman@garysusman·
@d4doome Isn’t there a word (probably German) for this kind of nostalgia for utopian futures that never happened?
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d4doome
d4doome@d4doome·
The 60s now seems like a million years ago, another universe entirely. We really thought we were entering a golden age. It would be an age of freedom, unbridled creativity, choice, exploration and adventure. People would be able to be whatever they wanted to be. The future was limitless. Science and technology would make utopia achievable. London was swinging, Rome was swinging, soon all of Europe and North America would be swinging. Now all those hopes have been dashed and all those dreams have turned to dust. But we can still look back on a Pop treasure trove of delights. Wild imaginative TV series like The Avengers. Movies like The 10th Victim, The Wild Wild Planet and the Bond movies. Photographers like David Bailey and Helmut Newton. Fashion designers like Mary Quant. Filmmakers like Kubrick, comics like Modesty Blaise, Barbarella and Guido Crepax’s Valentina. We can still remind ourselves of the days when the future was going to be an exhilarating sexy adventure.
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cinesthetic.
cinesthetic.@TheCinesthetic·
What’s the best example of an actor showing up for one small scene and completely stealing the entire movie?
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Gary Susman
Gary Susman@garysusman·
@NOTGH_Holly Pretty sure this already exists. Karina Longworth’s “You Must Remember This” podcast, for instance.
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it's Holly!
it's Holly!@NOTGH_Holly·
I'll never be a podcaster, so here's a free idea I've been holding onto for years. HOT TAKE TIME MACHINE You do deep-dives on Hollywood controversies of the past and analyse how they shook out over time. Like the whole Michael Keaton being cast as Batman thing.
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alex lei
alex lei@alexL_E_I·
the fact that the most trans inclusive film of the 90s is directed by and starring Clint Eastwood
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Gary Susman
Gary Susman@garysusman·
@szacharek BTW, I actually really liked the Stiller movie, probably bc I worked at LIFE and co-authored a history of it, so it hit me good and hard. (Looking forward to DWP2 for similar reasons.) But he should have called it something else. There was little Thurberesque or Mittyish in it.
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Gary Susman
Gary Susman@garysusman·
@szacharek No, the problems were that no one under 70 knew the IP, it was unrecognizable as an adaptation anyway, and no one wanted to see a movie about the death of magazines. DWP2 may have the same problem — they’ll come for the fan service and the glitz, but will they stay for an elegy?
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Frank Wells
Frank Wells@FrankTracy·
This reminds me of how in The Sound of Music Julie Andrews is able to get the best of the Nazis because offscreen her Maria is secretly a British spy. This is hinted at by her being able to MacGyver those curtains and being the only character in Austria with a British accent.
Gangster Cinema Central@GangsterCinema

In Heat, much of Al Pacino’s off the wall performance comes from Vincent Hanna being a high functioning cocaine user. Offscreen he’s secretly “chipping cocaine” - taking small, intermittent hits to stay sharp and on the ball, as Pacino explains in his autobiography Sonny Boy. “Hanna had problems as a human being, problems in his life. He was volatile and edgy and apt to go crazy. He was also chipping cocaine, and I sort of based my entire character on that. We shot a scene where I went into a club, and you actually saw my character taking a hit of coke before he enters. For some reason, Michael kept that scene out of the film.” And Michael Mann had good reason for cutting it. In the scene (which take place within the sequence below), Hanna snorts coke off the blade of a dagger; a highly charged, symbolic image. The dagger is a primitive, lethal tool that fits Hanna’s self-image as a hunter of men. It suggests that the cocaine use isn’t recreational, but tactical; a technique he uses to sharpen his senses for the hunt. Mann felt this image would send “too strong a message” and draw attention to the drug use itself, rather than Hanna’s drive and the professional rivalry between him and McCauley. However, the cocaine use is still hinted at in the film…(1/3)

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Gary Susman
Gary Susman@garysusman·
@Gibboanxious I don’t think there is a lesson in most Coen Brothers films. Just a lot of “Wouldn’t it be cool if such-and-such happened? Wouldn’t it be awesome if we put such-and-such sequence on the screen?” The “Danny Boy” sequence in this movie encapsulates this approach to storytelling.
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Stephen Gibbons
Stephen Gibbons@Gibboanxious·
What, if any, is the lesson in the movie Miller's Crossing???
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Gary Susman
Gary Susman@garysusman·
@TheStingisBack When I was 9, in 1976, that tunnel was my favorite part of the Universal Studios tour, for obvious reasons.
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The Sting
The Sting@TheStingisBack·
I was five when The Six Million Dollar Man and Bionic Woman fought Sasquatch. Still not over it. Bigfoot casually tossing Lee Majors (87 today) and Lindsay Wagner around. Then mysterious alien engineers, and that goddamn tunnel. How to traumatise a generation in one go.
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Gary Susman
Gary Susman@garysusman·
@Jamellbell Villains being more charismatic than heroes is a trope going back at least to Shakespeare and Donne. Also, I think contemporary audiences don’t recognize Heston’s stagy, old-school, pre-Method acting style. It was more common 70’years ago and played better with audiences then.
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Don'tUTalkAbtMissJenkins
Don'tUTalkAbtMissJenkins@Jamellbell·
Im watching the ten Commandments for the first time and Charlton Heston is getting DOG.. WALKED by Yul Brenner and Im sorry but yall wasnt watching them dailies and noting the fatal flaw in casting someone with this much sauce opposite someone who has the aura of teakwood?
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Thomas Moore
Thomas Moore@TomAandTom1·
Anyway, the MJ movie we really deserved was Tim Burton's Willy Wonka but no one peeped it
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Bec Shaw
Bec Shaw@Brocklesnitch·
Okay Glen Powell you’ve tried romcoms and action and various other types of movies and nothing has fully hit, now it’s time to star in a reboot of Mighty Ducks
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Gary Susman
Gary Susman@garysusman·
@dennisbhooper Having interviewed both Travolta and Tarantino, I don’t think so. QT expresses his movie love in an enthusiastic torrent of words, while Chili is laconic and, well, chill. Travolta’s a fine mimic (see Primary Colors), so if he’d meant to make Chili resemble QT, you’d know it.
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Denis B. Huppert 🇫🇷
Denis B. Huppert 🇫🇷@dennisbhooper·
I’ve never read Get Shorty, but the movie was in production the year Pulp Fiction blew up, and obviously stars Travolta, and the whole detail of how Chili has seen and loved every good movie but every bad movie too, I do wonder if that’s influenced by Tarantino the public figure
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Gary Susman
Gary Susman@garysusman·
@NachumZvi Benny Goodman, George and Ira Gershwin, Irving Berlin, Leonard Bernstein, Itzhak Perlman, Isaac Stern, Marvin Hamlisch, Stephen Sondheim, Barry Manilow, Bette Midler, Neil Sedaka
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Zionist Zvi נחום צבי 🇮🇱✡️
Celebrating Jews in music - who can you add? Bob Dylan Paul Simon Carole King Billy Joel Leonard Cohen Barbra Streisand Neil Diamond Lou Reed Art Garfunkel Gene Simmons Paul Stanley Geddy Lee David Lee Roth Joey Ramone Tommy Ramone Marc Bolan Robbie Robertson Slash David Draiman
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Gary Susman
Gary Susman@garysusman·
@CharlesPPierce Have you seen the list of the other honorees and the stories they won for? They really do live in an alternate reality, completely insulated from evidence and logic, where your counter-claims and mine just prove that we’re either brainwashed dupes or nefarious co-conspirators.
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Gary Susman
Gary Susman@garysusman·
@TheStingisBack If “The Neverending Story” was truly neverending, how did they make a sequel?
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The Sting
The Sting@TheStingisBack·
Sting’s Friday Question #3 Drop the dumbest, silliest, most ridiculous movie question you can think of. Examples: “Why wasn’t there a sequel to Titanic?” “Who were the main characters in Thelma & Louise?” Hit me with your best (or worst).
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Gary Susman
Gary Susman@garysusman·
@Tanyaelisabeth Modern love stories sucking is a genre problem, not a social/ethical one. The genre traditionally requires a social obstacle (status, race, religion, etc.) to impede the romance. Most of these are no longer impediments to relationships, so writers are stuck.
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Tanya
Tanya@Tanyaelisabeth·
We think we are free because we can be as sexual as we desire, have sex with whomever we want as long as it’s consensual, date as many people as we want, and certainly not have to wait to have sex. This is exactly what cinema now reflects. All the same frames we use to navigate modern love and dating are the frames cinema reflects, so it’s no surprise that modern love stories suck, and it’s exactly because our understanding of love and romance also absolutely sucks.
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