nico ❤️‍🔥

los tres días más felices de mi vida, inmortalizados para siempre en mi piel 💜 09, 11 y 12 de noviembre de 2023, — we will be remembered 🏰✨

the animals Noah didn’t take on the arc:

ojalá no se le ocurra agregar otra fecha más

feliz 25 de mayo

no puede estar tan hermosa dios mío me quiero matar y entregarle mi vida entera

debe ser mas fácil dejar el fentanilo que este tema lo tengo en loop

It was a Monday in early August 2023. The exhausted truck drivers of Taylor Swift's Eras Tour thought they were heading to a routine production meeting before the Los Angeles shows. They had no idea what was coming. Scott Swift walked in. Taylor's father didn't say much—he just began handing out envelopes. When the drivers finally peeked inside, some thought the check said $1,000. Others read $10,000. The third driver stared at his and said out loud: "This has to be a joke." It wasn't. $100,000. Each driver. Nearly 50 of them. The industry standard bonus from the biggest stars? $5,000 to $10,000. Taylor had given them more than ten times that. But here's what made it matter most: these drivers weren't wealthy. They lived in truck cabs. They hadn't seen their families in 24 weeks. They were people who would never own homes—until now. Until that envelope. That moment of shock and tears? It was just the beginning. Across the entire Eras Tour, Taylor quietly handed out $197 million in bonuses. The dancers. The band. The riggers. The lighting and sound technicians. The caterers. Every single person who built the show—they got bonuses, handwritten notes, and wax-sealed letters. When dancers opened theirs on camera in her docuseries, they broke down crying. Some couldn't believe she was real. "If the tour grosses more, they get more," she explained simply. These people work hard. They deserve it. But the crew bonuses weren't the only quiet revolution happening. Starting in March 2023, in every city where the tour touched down, a call came to local food banks. Taylor wanted to donate. No press conference. No announcement. No photo op. One donation fed 75,000 meals. Another provided hundreds of thousands of pounds of fresh produce. Across the tour, the total reached millions of meals—possibly more—all delivered in silence. She never posted about a single one. And it wasn't new for her. In March 2020, when the pandemic locked down the world, Taylor scrolled through social media posts from fans who were breaking. A photographer about to lose everything. A person staring down eviction. She sent direct messages with rent money—$3,000 here, $13,000 there. Some fans got enough for months of bills. She read the Washington Post. She noticed the names. She helped. She never announced it. Years later, in October 2025, a two-year-old named Lilah—fighting a cancer so rare that only 58 families in America had ever known it—was filmed by her mother dancing to a Taylor Swift song. Lilah called Taylor her friend. A few days later, the GoFundMe received a $100,000 donation. The note said: "Sending the biggest hug to my friend, Lilah! Love, Taylor." Mike Scherkenbach has worked with the wealthiest people in music. He's seen the bonuses. He's seen the behavior. He's watched billionaires guard their money jealously. What he saw with Taylor was different. The biggest tour in history grossed $2 billion. The artist behind it became a billionaire from her own songwriting. And then she signed her name onto hundreds of envelopes by hand and sent enough money back to the people who built her dream that they cried opening their letters. That isn't strategy. That isn't a publicity stunt. That's what happens when someone, somewhere along the way, remembered what matters.

Times Like These dance rehearsal

mi amigo me pasó esta foto de este cartel expuesto en plena General Paz reafirmando lo que dije ayer. Vamos directo a ser el cuento de la criada

-Leche entera o descremada? +En la cara

para gordo acabo de gastar 218 lucas a pelo

NOS VEMOS DONDE SUENE MIRTAZAPINEEEEEEE

ah yo soy re inteligente y me registré con otro mail para el código y no es el mismo que la cuenta de all access🙏

@martin_eze0 asignarán los lugares de nuevo o ya re cague con mis bellos 50 minutos?

Abrió la fila virtual para Hayley 40' antes

@martin_eze0 LA PUTA MADRE QUE LOS RE PARIÓ

When Taylor said Karma is the Guy on the Chiefs for the first time in Argentina🥹🥹

en qué era pionera

The Hayley Williams Show! en Buenos Aires 🇦🇷 📍15 de noviembre, Estadio Malvinas Argentinas 🎟️ Venta general: jueves 21 de mayo, 13hs Tickets únicamente a través de allaccess.com.ar

2 años de esta noche MAGICA Louis Tomlinson, Velez 2024