Golan Levin

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Golan Levin

Golan Levin

@golan

Artist, researcher, educator, instigator. Precision blobsmithery. Chaotic Good. https://t.co/xMGDI2DItH

Katılım Haziran 2007
526 Takip Edilen36.8K Takipçiler
Riley Goodside
Riley Goodside@goodside·
GPT-5.6 Sol and Claude Fable 5 try to read “handwriting,” but it’s actually just meaningless scribbles I drew on my phone with my eyes closed. Sol seems to reliably hallucinate an answer. Fable admits it can’t read it, or even pushes back and says it’s not actually writing.
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Sadao Tokuyama
Sadao Tokuyama@tokufxug·
【未来のホワイトボード】マーカーの動きに映像が連動する、インタラクティブなプロジェクションマッピング Roelof Knol氏の作品で、手書きの線や動きをリアルタイムに検知し、光のエフェクトが追従して動き出す。ARと映像技術が融合した次世代の体験型アート Roelof Knol氏についてはリプ欄。
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memo akten
memo akten@memoakten·
Major update: multi-cargo, multi-colony, different 'scenarios' (race straight, across, tug of war etc.) Myrmecophobia warning :) Two ant colonies carrying human-shaped food home :P (orange ants -> orange food, blue ants -> blue food). There’s no global coordinator. Each ant only senses & acts on local cues: pheromones guide toward home & food; once attached, they sense contact forces & movement. The human-shaped food are completely passive. They’re not animated and only move because of physics simulation, ants pushing & pulling on their articulated limbs, collisions etc. (i.e. they’re ragdolls with stiffness & springiness in the joints).
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memo akten
memo akten@memoakten·
You are a collection of trillions of cells, more than half of which are not even genetically human. Trillions of intelligent little selves work together, to keep you alive, so that you can keep them alive. And somehow, through their interactions, *you* emerge. And to you, you feel like a single unitary entity, an *I*. But you are in fact a network. Could a collection of ants also be an *I*?
The Figen@TheFigen_

They are ants solving a geometric problem and it is mind-blowingly colorful.

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Raven Kwok
Raven Kwok@RavenKwok·
bitforms gallery@bitforms

Opening today @ArtBasel Rafael Lozano-Hemmer Zero 10 - Booth Z05 Black Hole is a brand new work premiering at Art Basel. At the center of the spiral is a panoptic surveillance camera, a “black hole” that tracks and capture the gaze of the viewers, registering their presence as a biometric input that activates and transforms the work. The piece draws attention to the seductions of visibility—recognition, inclusion, and self-imaging —while simultaneously exposing the camera as a device of predatory vision. In this way, the installation reflects on contemporary cultures of metrics and surveillance, where seeing oneself is inseparable from being measured.

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Golan Levin
Golan Levin@golan·
@lennyjpg I miss your ssh terminal, I showed that generator to my students often
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Golan Levin
Golan Levin@golan·
@toThePixel thank you!! And, understood :) In truth, I designed Plottimation more for students and workshop scenarios :)
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James Merrill
James Merrill@toThePixel·
@golan Hey Golan! I’ve actually seen (and recommended) this tool a few times now. I’m still kind of obsessed with having my animations show a bit of background and paper edges. It’s significantly more work though, so I may have to give this a whirl in the future. Thank you!
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James Merrill
James Merrill@toThePixel·
I've been playing around with cellphone video as an input to algorithms that generate plotter drawings lately. Here are 200 sequential frames of me checking out a Japanese Maple in my backyard.
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Golan Levin
Golan Levin@golan·
Fun reminder that my popup solo exhibition at the @bantamtools Machine Arts Gallery (Peekskill, NY) continues until June 12! I'm showing several different collections of plotted works examining cells and organic form: bantamtools.com/collections/go…
Golan Levin tweet mediaGolan Levin tweet mediaGolan Levin tweet mediaGolan Levin tweet media
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Golan Levin retweetledi
hope hopes hoping
hope hopes hoping@hopes_revenge·
not being weird is dangerous. this is your only asymmetrical advantage against ai .
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Golan Levin
Golan Levin@golan·
@maxbittker Yes, it's like painting with different types of pushbuttons, with the addition of a connected-components thing that propagates user clicks to neighboring pixels.
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max
max@maxbittker·
@golan this is neat, thanks :D If i'm understanding, each behavior is something like a logic gate, that responds to clicks and to neighbors? It reminds me a bit of how a custom LCD screen works
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Golan Levin
Golan Levin@golan·
I've just made a @p5xjs restoration of "Painting with Interactive Pixels", a 1998 drawing tool by @dagsvanaes in which each "ink" color has its own behavior. PIP influenced me greatly in '98 — and as a Java app hasn't been viewable online in 20 years: golanlevin.github.io/pip/index.html
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Golan Levin
Golan Levin@golan·
@Michael_J_Black This looks amazing -- I hope to use it in my Experimental Capture course this fall. Can it really work with commodity cameras (e.g. Logitech c920, multiple iPhones) that aren't genlocked/frame-synched?
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Michael Black
Michael Black@Michael_J_Black·
I’ve been capturing 3D human motion for 30 years and today is maybe the biggest day in that history. We are presenting MAMMA at CVPR (oral session 2A). MAMMA is a markerless multi-camera system that has accuracy similar to marker-based systems.
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