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dom
@goodbyed0m
dbd video guy, streamer, and music artist :) goodbyedom everywhere.
Katılım Eylül 2022
16 Takip Edilen269 Takipçiler

Go full throttle 🏁🔥
Jump into the Red Bull Supermoto Gauntlet in REDSEC, a free, limited-time event from March 31 to April 14.
Grab your dirt bike, race through knockout rounds, and earn exclusive Red Bull in-game rewards.
🔗 x.ea.com/88808
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The 9.5.1 Bugfix Patch begins rollout at 11 AM ET today with an adjustment to The Trickster's Laceration Meter decay and a bunch of bug fixes.
This update is not scheduled on Switch.
Read the patch notes here:
Reddit 🔗 dbd.game/4bvw5Lh
Forums 🔗 dbd.game/4srRcnx

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Nvidia's CEO is still in damage control mode after DLSS 5 set the company's gaming reputation on fire last week.
"I think their perspective makes sense and I can see where they're coming from, because I don't love AI slop myself," he said in a new interview.
"You know, all of the AI generated content increasingly looks similar and they're all beautiful and so I'm empathetic towards what they're thinking. That's just not what DLSS 5 is trying to do"
kotaku.com/dlss-5-nvidia-…
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You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild.
Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real.
The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later.
Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him.
Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman.
Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact.
95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.
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Judge delivers bombshell order for Krafton to reinstate fired Subnautica 2 devs and CEO, putting $250m bonus package back on the table
eurogamer.net/kraft-subnauti…

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@Vierd1 @PaulTassi how did this made up number go up $100 million in the last week 😭
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@PaulTassi It cost over $300 million to make. Why are you talking about it like there was a resource limitation?
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@LynxiTwitch @AZHYMOVS fully agree! its not the only chapter that split queues have ruined either
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emre low ban rate because hes the first balanced hitscan in the game
GIF
Overwatch Cavalry@OWCavalry
New #Overwatch Hero Ban Rates (US) 🚫 😺 Jetpack Cat: 66.5% 🦾 Domina: 59.8% 🪭 Anran: 6.1% 🐢 Mizuki: 1.8% 💥 Emre: 1.7% 📝 Data: Feb 16 - 23 Competitive Role Queue
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