autopilot

@kryndolyn hi I'm scorpio rising. not exactly a man but not exactly not a man either

ive met so many beautiful and magnetic scorpio rising women, and i just realized, i dont think ive met a scorpio rising man?

@egregorerising perfect for devious soy sacce schemes plans and capers

@grassandwine that’s a fuckton of soy sauce

yo anyone need a bucket of soy sauce I got the hookup

who out ridin they motorcycle

I think a lot about the poem If by Rudyard Kipling. if (& only if) you can do this list of impossible, contradictory things, you will be a Man, my son. there's always a no true scotsman: "a real man would [quality you lack]". manhood is a quality that must be claimed for oneself

hold on magnolia

him

@egregorerising pre mythos I was just haggling over how many zeros come after the decimal point. after, I dunno

@grassandwine i have had a very low (almost non-existent) p(doom), but fuck it’s increasing now

pretty concerned myself tbh

@leahprime if only

someone help me find an awesome fuckin job in the bay area so i can hang out with my friends and ride my motorcycle every day

@sighswoon and, yes. sometimes

@sighswoon I call it the dingus

Do people still rip out that one part of a lighter

@breaking2morrow it's the little details

Before. After.

@twinkdefcon @postoctobrist it would be Renton

is building nest!

@FoodForestNetwk @cyber_plantae illegal tree planting tony santoro style anyone?

you can just do things, you can just bulk order thousands of bareroot trees and give them away for free year after year until the whole town is full of fruit & nut trees

@menavisualss oh fuck man is goated on the strings

🎸 Tuareg Blues, often referred to as Desert Blues, is a hypnotic and deeply evocative genre of music that originates from the Imazighen people of the Sahara Desert, spanning Mali, Niger, Algeria, Libya, Burkina Faso and many other countries. Rooted in centuries-old Imazighen traditions, it merges the haunting melodies of North African Imazighen music with the raw energy of American blues and rock. The Imazighen, have long used music as a means of storytelling, resistance, and cultural preservation. Traditional Imazighen music was played on instruments like the teherdent (a type of lute) and the imzad (a one-stringed violin, traditionally played by women). However, in the late 20th century, as Imazighen communities faced displacement, political struggles, and exile, many young musicians turned to the electric guitar, inspired by the revolutionary sounds of Western blues, rock, and reggae. This fusion created a distinct style-characterized by pentatonic scales, hypnotic rhythms, call-and-response vocals, and the steady, trance-like repetition reminiscent of both Saharan folk chants and Mississippi Delta blues. The influence of artists like Ali Farka Touré, whose Malian blues style bridged African and American blues traditions, also helped shape the genre. The music features driving guitar rhythms, often with reverb-heavy electric guitars that produce a shimmering, almost psychedelic effect. Call-and-response vocals reflect lmazighen oral traditions and communal storytelling. The lyrics are poetic and political, speaking of exile, freedom, rebellion, and the vast beauty of the desert. The hypnotic, repetitive structure of the music creates a trance-like atmosphere, deeply connected to the rhythms of nomadic life and the endless expanse of the Sahara. by Houssaine Ousbouh