Nikhil HM
54 posts



The 1.90:1 IMAX DCP is practically almost identical to a 1.85:1 flat DCP to the human eye… a difference so minor it took me 5 years to notice that Select City Walk IMAX is actually 1.85:1 instead of 1.90:1. Do not visit an IMAX for #TheOdyssey just for a minuscule extra image… prioritise better projectors, picture quality and immersiveness. Because the movie was shot entirely on IMAX film, the DMR process is skipped. The footage is scanned and projected with little to no enhancement, which is also true for normal DCPs. Furthermore, both formats share a strict bitrate ceiling of around 250 Mbps. With identical source scans and bitrates, the baseline picture quality is almost exactly the same. If an IMAX Laser XT or Cola is the only good 4K projector in your area (like Ahmedabad or Delhi), it is an acceptable choice. Otherwise, superior flat formats easily outclass it. • EPIQ: Features projector systems that are explicitly better than IMAX XT. (eg: like EPIQ is a better choice in Pune than Wakad IMAX) • Flat Dolby Cinema: Delivers 3 to 4 times better projector quality than IMAX, running much higher bitrates at 400 or 500 Mbps. • HDR by Barco: Provides vastly superior quality driven by deep blacks, extremely high contrast, and brightness. • PCX: Utilizes dual-laser projectors that are far more expensive than IMAX XT, offering a much bigger screen and venue for a better experience in every way. The Bottom Line: If available, prefer a flat venue paired with a superior projector over an IMAX.





A Toxic world, a safe embrace. #Tabaahi Song out on 2nd March. #ToxicTheMovie @TheNameIsYash #Nayanthara @advani_kiara @humasqureshi @rukminitweets #TaraSutaria #GeetuMohandas @VishalMMishra #RajeevRavi #UjwalKulkarni #TPAbid #MohanBKere #SandeepSadashiva #PrashantDileepHardikar #KunalSharma #SandeepSharma #JJPerry @anbariv #KechaKhamphakdee #AmritSingh @ZeeMusicCompany @KVNProductions #MonsterMindCreations @Toxic_themovie

Some technical #DunePartThree news for camera fans🎥🎞 According to American Cinematographer, DP Linus Sandgren shot some sequences on 15-perf IMAX & 5-perf 65mm, and used Kodak's new AHU film stock, where as Nolan's "The Odyssey" shot on the older Remjet stock.

THE NAME IS ENOUGH. YASH — THE ROCKING STAR. ❤️🔥❤️🔥❤️🔥❤️🔥 Mass OVERLOAD. Pure theatre EUPHORIA. Built for whistles. Built for MADNESS. #Toxic from March 19 🥵🥵🥵 A MONSTER UK RELEASE loading in Kannada, Hindi, Telugu & Tamil 🤯🤯 Powered by @boleyncinemauk x #AhimsaEntertainment 🇬🇧 @TheNameIsYash #Nayanthara @advani_kiara @humasqureshi @rukminitweets #TaraSutaria #GeetuMohandas @RaviBasrur #RajeevRavi #UjwalKulkarni #TPAbid #MohanBKere #SandeepSadashiva #PrashantDileepHardikar #KunalSharma #SandeepSharma #JJPerry @anbariv #KechaKhamphakdee #AmritSingh @KVNProductions #MonsterMindCreations @Toxic_themovie #ToxicOnMARCH19th @PharsFilm







