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patrick.
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patrick.
@imPatrickT
please excuse me i need to return some 4K UHD discs | .mov & .jpeg |
Katılım Ekim 2009
2.5K Takip Edilen80K Takipçiler

@HertzBarry Every celluloid print in Toronto already looks 20 years old. I don’t know what’s going on. They’re mangled.
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Christopher Nolan — come make a victory lap for TIFF, à la DUNKIRK. (We’ll hijack the Cinesphere if necessary.)
Jordan A. Hayles@MR_STiXX
They need to keep The Odyssey in IMAX 70 at Vaughn until at least September.
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@watchingaerial I suppose I’m just hoping they don’t simply re-tread or do a pastiche. It should be something new with some of the foundations.
Kind of like Maverick being a fun leap from the original Top Gun aesthetic - leaning into digital in a cool way.
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@imPatrickT I love 65 and glad people can play with it a lot more now, I just really love how the original show looks and am a little disappointed they decided not to lean into that, given the team’s visual flair.
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look i love seeing people shoot large format film but this is such a bad idea for several reasons
1) it's an unnecessary expense for minimal (or negative) benefit over 35 for tv screens, which could have better gone to lighting, locations, effects, etc.
Shot on Film Updates@isitshotonfilm
Ryan Coogler's pilot episode for his series reboot of THE X-FILES for Hulu has been shot on 65mm film by Academy Award winner Autumn Durald Arkapaw. Starring Himesh Patel and Danielle Deadwyler as leads with a supporting cast including Amy Madigan, Steve Buscemi and Ben Foster.
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@watchingaerial They gots lot going on.
I wasn’t a fan of the show but the last season of Euphoria was all 65mm and it was undeniably beautiful.
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@imPatrickT I guess that makes more sense, but I’m skeptical until I see proof of concept.
I’d really have preferred to see that team doing something new instead of playing with the IP, but at least they have a vision for it.
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@kiki_soccer70 I can do that drive in 21 min flat, and I do it often.
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@imPatrickT I work at Dundas West so you’ve now given me ammunition to go to the Vaughn cinema after work… what have you done
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@pixalpixal @imPatrickT @HertzBarry I've seen the IMAX 1.43 DCP, it's pristine - no dust or scratches. From what I understand the DCP is mastered in parallel to the film prints so the footage comes from the original negatives
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@zoerosebryant the full dune prologue they showed us last week had me fucking flying. i'm actually pretty confident right now it's either gonna surpass odyssey or at least be on par.
we are eating GOOD.
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@wondermeg_ try and find the one with 35mm/70mm on the side. it's comfy.
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@cinegent @miakhalifa not missing anything - it sounds better and clearer. i obviously did a bunch of trial and error to hear the difference before i started committing to it. these premium auditoriums are way too loud.
try it, it's great.
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@imPatrickT @miakhalifa Sound is so important to the experience, that's unfortunate. You're missing out on so much. You have no choice though, so it makes sense.
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@pixalpixal @HertzBarry yeah that confirms my suspicions that it's from the original source print.
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@imPatrickT But where did you get the Nike wall sign???
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@trappedkrinkle dual laser IMAX is also 1.43 and it's incredible - especially for digitally shot IMAX films (project hail mary etc)
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@mattcassinelli november!!! wow. probably the best selling bucket yet. hope you get one eventually!
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@imPatrickT Nice, I figured that's where you got yours.
It's not shipping till late November, I figured if it was actually at AMC I'd just go get one.
Also congrats on being eternally cool btw, so fucking well-deserved man
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