Devansh Sharma

INTERVIEW: Karan Anshuman on Glory | "Divvyendu's character comes from me. At the time of shoot also, we started looking similar. My hair also grew as long. I was also a brash, rebellious guy," @krnx tells @inkedinwhite @divyenndu @PulkitSamrat indianexpress.com/article/entert…

Talked to the makers of Nukkad Naatak about their journey through self-financing, film festivals, a viral Instagram campaign, a theatrical outing, a pan-India road trip, and finally a release on Netflix India. 🚙

Talked to Divyenndu, Pulkit Samrat and Karan Anshuman about Glory, bringing authenticity to boxing, the baggage from their past collabs Mirzapur and Bangistan, and the love language of telling a family reunion drama set in Haryana! youtu.be/C-MFkamyjiQ?si…

Talked to Divyenndu, Pulkit Samrat and Karan Anshuman about Glory, bringing authenticity to boxing, the baggage from their past collabs Mirzapur and Bangistan, and the love language of telling a family reunion drama set in Haryana! youtu.be/C-MFkamyjiQ?si…

Talked to Elisabeth Moss and Kerry Washington about their new Apple TV show Imperfect Women, and the power of women turning producing partners.

Talked to @ipritamofficial about whether he's processed the losses of KK and Zubeen Garg as Gangster turns 20. "I don't attend funerals. You don't get closure until you see them like that. And I hate that closure."

Covered a masterclass by Sitaare Zameen Par director RS Prasanna, organized by Screen Academy, where he shared his experiences of discovering his voice, finding collaborators, borrowing from life, and staying within budget. indianexpress.com/article/expres…

Wrote about how Bhooth Bangla is a lesser Priyadarshan-Akshay Kumar movie because of no Neeraj Vora. The late screenwriter made every comedy count, every thriller suspenseful, and every plot novel across both their filmographies.

Rajat Kapoor feels Hindi cinema lost its ‘feminine’ hero with Amitabh Bachchan’s Angry Young Man in 1970s: ‘Only violent men on screen today’ indianexpress.com/article/entert…

In this edition of Creator X Creator, I made Rajat Kapoor and @pathakvinay sit across each other to discuss Everybody Loves Sohrab Handa, their association of over 25 years, why Hindi cinema has lost its gentle hero, and the stigma attached to indie films youtu.be/FIQYmWRBrjU?si…

Talked to Vijay Varma and Matka King team about the high of crafting the arc of an honest gambler, whether that term is an oxymoron, the politics of Nagraj Manjule, and the gamble that's Bollywood @MrVijayVarma youtu.be/HUAANoSocNg?si…

Sanjay Leela Bhansali called Kunal Kohli ‘the most overrated filmmaker’, upset his wife and Koffee with Karan director Ravina Kohli #google_vignette" target="_blank" rel="nofollow noopener">indianexpress.com/article/entert…

This week's edition of SCREEN Spotlight is with @kunalkohli . We discuss why there aren't enough rom-coms anymore, the definitive rom-com that Hum Tum was, 20 years of Fanaa, and the lesser known fact that his wife was the director of Koffee with Karan! youtu.be/08nrsweTnKE?si…

There’d be no Vivah without Prem Ki Diwani Hoon’: Sooraj Barjatya on how first failure kept him grounded indianexpress.com/article/entert…

Dhurandhar a perfect film after Sholay’: Sooraj Barjatya says ‘hats off’ to Aditya Dhar after advocating family-oriented content #google_vignette" target="_blank" rel="nofollow noopener">indianexpress.com/article/entert…

In this edition of my podcast SCREEN Spotlight, I talk to Sooraj Barjatya about the shrinking space but increasing value for Rajshri Films in the Dhurandhar world of today, and what he's learnt from his juniors Aditya Chopra and Karan Johar youtu.be/lVvOs8pnFMo?si…

Nobody in the film industry supported Dhurandhar, says Kunal Kohli: ‘The biggest directors told me Monday ko film baith jayegi’ #google_vignette" target="_blank" rel="nofollow noopener">indianexpress.com/article/entert…

@thefilmykid Thanks for reading ☺️

@inkedinwhite thanks for writing this!!

Asha Bhosle's 80-year-plus career will take many lifetimes to get its full due. But I had to write about her reinvention in the 1990s and the 2000s, when songs like "Sharara", "Raat Shabnami", "Lucky Lips", and "Chori Chori" turned her into a sex symbol for a whole new generation

Talked to Ahaan Panday and Aneet Padda about why they think Saiyaara was a bolt out of the blue, what everyone gets wrong about the Gen-Z, how they continue to stay grounded, and their upcoming projects, Shakti Shalini and Ali Abbas Zafar's next! indianexpress.com/article/entert…