ItsOwnInfiniteFlower

"sentence structure in the country" is out everywhere today via @thrilljockey !!! what a dream come true to work with this label on an album that developed over years <3. listen anywhere you listen to music and nab a ltd edition vinyl or cd moreeaze.bandcamp.com/album/sentence…

2nd to last weekend at Thee Parkside. It's hard to put into words how much this place & all the people have meant to me, & so many others. True Punk Rock in San Francisco is dying a little & it f*cking sux ngl.

@TheHomeCurrent @funkentechno Guidance #1 is a great place to start imho youtu.be/rbDTYXfADlI

A long time ago I promised @funkentechno a list of my favourite Guidance 12s but there are too many for a list - I’ve instead played a few of them, so David, if you’re still interested, you can grab the selection here: we.tl/t-h6dtXxM2Iy?u… - anyone else please feel free too!

Underground club hit “Our Darkness” is a singular piece of music: Anne Clark’s lyrics, delivered with equal parts muscular confidence and unease, speak of urban alienation and heartbreak, while David Harrow’s production pummels the listener with hydraulic beats and gloom-laced arpeggios. The song’s spirit would prove influential on both the early Chicago house and Detroit techno scenes, where mechanistic funk and existential despair could catalyse dancefloor mayhem. Our reissue out March 27 with an unreleased dub mix and Razormaid remix!

@supermarke 🤣

Praying the end of the heatwave brings those large jeans back.

my neighborhood has been taken over by very tall women in compression bikinis and tiny ball caps.

@djmarkfarina RIP Scott Hardkiss ❤️

Interesting used find - Underground News magazine from 1993. Great list of DJs as well in last pic.

💥

Thee Parkside, San Francisco, California 2026

Lecturing tonight on OBAA and in lieu of any analysis I’ve just screenshotted 1,875 tweets and will click through them for 2 hours

@jetskitosway2 I have a soft spot for this album.

I've now listened to Kate Bush's Aerial. need to listen a few more times to put together my thoughts but I love it. really different, much less urgency than her earlier albums for better or worse. for now I'll just say I love that she made a d'Eon song youtube.com/watch?v=GV5bfI…

@funkentechno 💯

I don't know how many more hysterical OBAA tweets I can handle. I was hoping it wouldn't win any oscars just so we could be spared this stage of the discourse. just the most miserable people on earth arguing in bad faith, or they're just deeply stupid, I don't know what's worse

Group Rhoda reflects on her latest album Phase 5: Last month I released an album which took some time, because of the care I wanted to commit to it.  This work started from a place of confusion. I had lost my voice due to lack of practice, grief and a desire to not add to the noise of external projections.  I did not want to start with arbitrarily making sounds.  I journaled a bit and then explored sounds that felt relational to the possibilities of an elemental framework, drawing influence from Wuxing (a core Chinese concept describing dynamic, interdependent elemental energy cycles). I was seeking a structure that allowed openness, without moving into a total void, in an attempt to recover and explore myself . I have countless thoughts and ideas about musical processes. Day to day busyness often keeps this kind of introspection and development only dimly flickering in the background. I first workshopped this material at the Katabatik Konclave in 2023, alongside my peers. I then refined and shaped it further. Listening back, I hear things I love, I hear things I would change.  It doesn’t really matter because I understand that the objective is self-cultivation. It reflects outward, so I can free myself to consider what might come next, and hope to inspire others to do anything of interest not typically expected of them. The small acts of support from others means a great deal to me.  External validation, showmanship, branding, pretending to be something within the visual centric framework we’ve been edged into seems fickle, or maybe I’m not meant for it. Nonetheless, if I needed to throw down on stage or in a parking lot and test my skill, I could. It’s been a long path with many peaks and valleys. I learn each time and know that if something is hard it means I’m growing. I was, and still am deeply inspired by the Bay Area music scenes - the interconnectedness, the solo artists that took chances, the wild women who were open to share their inner worlds, and so much more.  The direct and indirect influences permeate into my own expression. I don’t think I fully understood how special certain aspects of those environments were until much of it was further out of reach.

💯

Bob Dylan’s promotional video for “Most of the Time,” featuring David Lindley and members of Was (Not Was), was recorded and filmed on March 16, 1990.

Based on the set I heard in San Francisco opening for Papa M, my most anticipated album of 2026 (or whenever it's released)... #realtalk

@ryleywalker Here for it.

new record is christian folktronica straight up

Seems like a fine time to re-up my piece in which I *very briefly* discuss the differences between how I think Pynchon & PTA approach politics but it's mostly about the specter of fascism in Shadow Ticket so read that first unless you wanna be "spoiled". currentaffairs.org/news/thomas-py…

I really wanted to like the movie people wanted to win best picture. I tried to like it. I was underwhelmed. It's probably me... I wish I'd seen it in a theater. I appreciate it but it didn't land. Respect to everyone involved in that tho.