This That n the 3rd

That’s kind of the problem with MHA lmao The unspoken truth of all capeshit is that a world that needs superheroes for anything but the greatest crises is a dystopia, but the genre can’t acknowledge and work toward creating a society that doesn’t rely on capes

🚨| CONFIRMED: The London premiere of House of the Dragon Season 3 is scheduled for June 8.

But they won't let anyone of TB live past their book death....yeah we know what's going on here

In 1976 America was essentially a society dominated at greater than 95 %+ of the population of multigenerational white residents and 10+ generation Black Americans, There was still a strong social contract in place as a residue of the New Deal of the 1930s and the WWII experience, deeply rooted communities still with a recongition and pride of the country. That America was proud to celebrate its 200th anniversary. But That America is gone now. It is what it is.

My theory of Drake hate has a lot to due to with the socialization of millennial white boys who would talk about “real music” (dadrock) against Justin Bieber in their youth, transferring that to Wayne/Drake in the YOLO era, but at the same time becoming “poptimistic” regarding rap (Kanye specifically) in the Obama era when it became gauche to not listen to rap, so then adopting the “real rap” borrowed authenticity in order to shield from accusations of “not getting the culture”— Kanye became problematic— so Kendrick Lamar was the golden child for this exact moment— one could now just say “Kendrick” & be “a real one” — & a Pulitzer Prize too! Nobody will judge you for “slumming it” when it’s “literary”— The Millennial White Boy is now a Millennial White Man & he says “Kendrick bodied Drake” & feels that he has absolved himself of all the guilt of saying “music is like candy, you throw out the rappers” in elementary school— Drake is too close to himself, Drake is a “white boy” in these terms of “ethnic authenticity” where the definition of “real rap” is west coast gangster rap that was “political” — this is what the Pitchfork review of Iceman is, “Drake is unserious party music, but Real Rap is Political and about Race & that’s Kendrick, & I am an intellectual” — they are still embarrassed about the idea of music being “fun” or “for the clubs” etc— music must be “an object of contemplation” to be “art.” Music isn’t for enjoying a car ride, in the car we listen to NPR, music is like a movie, you sit down with an album-experience, a concept album, & treat it like it’s a movie. Rap becomes an “audiobook/podcast” about the “real experience of african americans”— & you can tune in once a year & this is your penance for being “lowkey racist” against the genre in your youth. Real music is still a Pink Floyd concept album to you— it has to be narrativized as opera— it has to be HAMILTON hahahahaha

This still CONFOUNDS me because…. I’m sorry I know a lot of Alicent lovers follow my account. But the way they made it so Alicent GENUINELY thought Viserys was talking about their son on his deathbed, just felt like a slap in the face!! I thought they were going to make it so