Juliet Yaa Asantewa Asante

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Juliet Yaa Asantewa Asante

Juliet Yaa Asantewa Asante

@julietasante

CEO - National Film Authority (NFA) | Board Chair - National Film & Television Institute (NAFTI)

Harvard Kennedy School Katılım Nisan 2009
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Juliet Yaa Asantewa Asante retweetledi
nationalfilmauthority
nationalfilmauthority@nfaghana·
Yesterday, the NFA and OIF gathered to recognize the latest recipients of the OIF Grant: Driving Park Limited: €80,000 for A Dream to Die For. Adjoa Films: €5,000 for Regulated Minds. Midnight Run Productions: €5,000 for Tantra #nfaghana #filmfunding
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Juliet Yaa Asantewa Asante retweetledi
Marie Lora-Mungai
Marie Lora-Mungai@MarieLoraMungai·
Under the leadership of @julietasante, CEO of the National film Authority of 🇬🇭 Ghana 🇬🇭, the West African country has been making moves to establish itself as a leading film destination on the continent. 🎥 Two years ago, Gha…lnkd.in/d6XRfDpc lnkd.in/d7M8kKnK
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Juliet Yaa Asantewa Asante retweetledi
Akoroko — African Cinema Now!
Akoroko — African Cinema Now!@akorokoafrica·
#France #Ghana: During a Marché du Film presentation, Juliet Yaa Asantewa Asante, head of Ghana's National Film Authority (NFA), announced the winners of co-production grants under an ACP-EU initiative. In the 7-minute clip attached, Asante stressed the importance of collaboration among African nations to develop a robust continental film market. She highlighted the disparity in cinema screens across Africa and single nations like France, and proposed subtitling African films in various local languages to expand audience reach. The major grant of €80,000 (~$87,000) was awarded to the film A DREAM TO DIE FOR. It tells a story that addresses illegal mining in Ghana and its impact on communities. The project, a collaboration between Ghana, Nigeria, and Togo, exemplifies Asante's focus on intra-African cooperation. She also referenced Ghana's initiative to make French compulsory in schools to enhance co-production opportunities with Francophone neighbors. Watch the full presentation clip.
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Akoroko — African Cinema Now!
Akoroko — African Cinema Now!@akorokoafrica·
#Ghana: Following last month's televised interview with broadcaster TV3 (published in the quoted tweet), Juliet Yaa Asantewa Asante, CEO of the National Film Authority of Ghana, apparently continues to be inundated with inquiries about the NFA's plans for the country's film industry. "Many questions pour into my DM about the strategy for the Ghana film industry... I hope this helps," she said on her Instagram page, sharing the promotional video embedded below. "Rome can never be built in a day," Asante added, "But a well thought out and inclusive strategy, pursued consistently, that benefits not only a nation, but an entire continent, premised on real value will WIN every time. Let me know if you have more questions, and please share. I am a long-distance runner!" The video, featuring the NFA CEO, promotes Ghana as a hub for film and content creation. - Ghana as a Film Hub: The NFA aims to position Ghana as a destination for all types of content development, including live-action, animation, and even games. - Ideal Shooting Location: Ghana is presented as a great filming location for any production, African or global. - Ghana's Advantages: Central location; beautiful scenery with year-round sunshine; skilled workforce for film crews; safe environment; rich source of untold stories. - Asante encourages filmmakers to choose Ghana for their projects. The NFA invites inquiries and offers assistance through their website: nfa.gov.gh
Akoroko — African Cinema Now!@akorokoafrica

#Ghana: From "Ghallywood" to "Black Star": The Strategic Rebranding of Ghana's Film Industry In an exclusive interview with broadcaster TV3's New Day program on February 23, Juliet Yaa Asantewa Asante, CEO of Ghana's National Film Authority and Board Chair of the National Film and Television Institute, shared her vision and initiatives for the Ghanaian film industry. Here are highlights from the energetic, insightful conversation: - Asante pointed to the South Korean film and TV industry as a model she wants to follow for developing high-quality Ghanaian content that remains true to national culture and language. - A lot of time was dedicated to tax incentives and film funding. Asante discussed working on tax incentives to attract international productions to Ghana and the importance of establishing a film fund to support local filmmakers. - Asante mentioned having a conversation with Amazon before they left Africa, aiming to encourage them to come to Ghana for production. The conversation highlighted for her a significant challenge Amazon faced in other countries, where they waited up to 5 years without receiving their tax rebates. [One wonders if this had anything to do with why Amazon halted its Africa operations]. - Asante then emphasized the importance of Ghana offering a more attractive and efficient tax incentive system for film productions. Specifically, the proposal includes a total exemption on the importation of equipment, presenting a simplified and more appealing option for producers by removing the need for upfront payment and the complications associated with waiting for rebates. - Asante discussed the complexity surrounding the "Black Star" branding of the Ghanaian film industry. Briefly, the industry, sometimes referred to as Ghallywood, sought a new name to unify and strengthen its identity on both a continental and global scale, similar to well-known industry monikers like Hollywood, Bollywood, and Nollywood. The rebranding was part of broader efforts to enhance the industry's marketability. The controversy involves disagreement over the newly chosen name (by popular vote). Some stakeholders questioned the selection process and the name's potential conflict of interest due to its similarity to Ghana's Black Star International Film Festival, founded by Asante. Despite controversies over naming rights, Asante suggests that the focus should remain on the broader implications for Ghana rather than individual interests. - Despite being relatively new, Asante emphasized that the National Film Authority has launched significant campaigns like the Shooting Ghana campaign and the C agenda, aiming to establish Ghana as a premier film and content hub in Africa. - Asante, who is in her third year as NFA chief, expressed excitement about the opportunity to serve her country, viewing her new role as a continuation of her efforts to implement ideas and effect change within the creative arts and tourism sectors. - Asante plans to listen and review existing ideas and strategies. She aims to engage in deep conversations to explore untapped possibilities, such as incorporating design thinking and gamification in education. She emphasized the importance of operating beyond a partisan mindset to foster sector growth and national development, focusing on creating jobs for young people and reducing unemployment. - Recognizing the global shift towards digitalization and the potential of Ghana's young population, Asante highlighted the need to enhance the skill levels and technological proficiency of the youth. - She touched on divisions within the Ghanaian film industry, particularly between different linguistic and cultural factions. Asante views these divisions as symptomatic of larger challenges but expressed optimism that quality improvements and a focus on authentic Ghanaian content will naturally bridge these gaps. - Asante stressed the importance of leadership in guiding the industry toward unity, quality, and global relevance. Overall, Asante's vision for the Ghanaian film industry is to focus on inclusivity, innovation, and leveraging Ghana's unique cultural and demographic advantages to position the country as a leading destination for content creation in Africa. Watch the full interview below:

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Juliet Yaa Asantewa Asante retweetledi
Akoroko — African Cinema Now!
Akoroko — African Cinema Now!@akorokoafrica·
Earlier this week, Ghana's National Film Authority (NFA) released an "Outcome Paper" for the inaugural edition of its Africa Cinema Summit. The 154-page document summarizes key discussions and recommendations meant to provide a holistic overview of the current state and future prospects of African film industries, with a focus on Ghana as a case study. I combed the report and pieced together a concise analysis of the report, including the challenges faced and the strategies being implemented to enhance film industries across Africa from the Summit's perspective. The analysis and insights write-up went to Akoroko Premium subscribers on Monday. To receive it, subscribe! Links in bio. I have my own perspectives on how the Africa Cinema Summit could truly influence and transform the African film and TV landscape. However, I'll hold off on sharing thoughts until after this year's second summit, set for October 7-10, 2024 in Accra, when I can better assess its direction and potential impact.
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Juliet Yaa Asantewa Asante
Juliet Yaa Asantewa Asante@julietasante·
When I listen to the news and the outrageous things going on, especially in Ghana, I get so sad I decided a long while ago to switch off the news and focus on my corner and Brighten it. remember that little drops of water pile up #yaamusings OUR LEADERS COME FROM WITHIN US 💥
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