Jyoti Sardar

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Jyoti Sardar

Jyoti Sardar

@jyoticsardar

Music Business @UniWestminster | Radio | YouTube | Aerospace Engineer | 🇮🇳 Founder: https://t.co/uqQ7xuBh0c | https://t.co/eOjWFDqVgJ

Katılım Eylül 2010
69 Takip Edilen2K Takipçiler
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Jyoti Sardar
Jyoti Sardar@jyoticsardar·
Don’t buy in to the numbers game. That’s just marketing. Did the art actually move you? Did it make you feel something? That’s all that matters.
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Jyoti Sardar
Jyoti Sardar@jyoticsardar·
No spoilers but will say that @AdityaDharFilms gave us the closure we needed. The cinema we needed. Thank you. And thank you to every unknown soldier of the soil. We are indebted. Bharat Mata ki Jai.
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Jyoti Sardar
Jyoti Sardar@jyoticsardar·
BRILLIANTLY PUT. I expect ignorant and banal opinions around our history from @bbcasiannetwork and Haroon, but ARR was disappointing as never before. Plus his PR machinery has started double spinning already to contain damage.
Zeba Zoariah@ZZoariah

What A. R. Rahman said about Chhaava reveals more about India’s cultural politics than about the film itself. Rahman’s core claim isn’t that he’s banned or boycotted. It’s subtler: Bollywood’s power structure has changed, creativity has taken a backseat, and Chhaava felt “divisive” because it “cashed in on tensions” even while honouring bravery. Here’s the problem. Chhaava isn’t built on invention or provocation. Sambhaji vs Aurangzeb is not a contemporary political construct. It appears in Maratha bakhars, Persian court chronicles like the Maasir-i-Alamgiri, and later colonial historiography. This conflict was recorded by both sides of history. It predates modern India, electoral politics, and today’s culture wars. Labeling such history “divisive” is not a neutral judgment it’s a political framing. It implies that remembering resistance is less legitimate than remembering devotion; that naming conquest is more dangerous than romanticising harmony. Notice the asymmetry: Indian history is welcomed when it is abstract, symbolic, or safely spiritual. It becomes “problematic” only when it names power, violence, and Hindu resistance. This reflex didn’t emerge organically. It was shaped post Independence by elite cultural gatekeeping that treated civilisational memory as combustible and silence as virtue. The result? Generations trained to believe that historical clarity equals communal trouble. So when a film refuses to soften Sambhaji into metaphor or Aurangzeb into abstraction, the alarm goes off: divisive, polarising, dangerous. That discomfort isn’t about religion. It’s about memory …. unsanitised, unashamed memory. A society that cannot distinguish between hatred and historical recall will keep mistaking truth for tension and forgetting for peace.

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Ram Gopal Varma
Ram Gopal Varma@RGVzoomin·
From COPPOLA to ADITYA DHAR A directors growth not only from what he learnt from previous directors who came before him , but also from directors who came after him ..In that context here are my new learnings from Aditya Dhar’s DURANDHAR From Coppola I learnt intense closeted drama , which I tried to emulate in Satya, Company, Sarkar etc. But now Dhurandhar shows that approach can work far more effectively with scale. Writing scenes assuming the audience will feel even before they understand is a new one I was one of the first mainstream Indian directors to refuse elevation of heroes . Bhiku Mhatre was terrific inspite of not being celebrated and Amitabh Bachchan worked in Sarkar without a single slow motion shot But Dhurandhar invents a never before seen or experienced new kind of elevation in creating flawed but consequence driven heroes. Making a star disappear into the story is a new one Another lesson is that violence should hurt the viewer ,not just entertain them and so to design action as an organic and emotional projection rather than loud illogical choreography is a new one , a must learn lesson ,especially for the pan india film makers I never believed in the so called three act structure but Dhurandhar extends that belief to almost a breaking point that even uneven and fractured narratives can command attention. The ingredients of Dhurandhar can push stories to be abrupt, unresolved, sometimes even unfair. Also It breaks away from the cliche of tying knots just for the sake of untying them. My use of sound created dread without visual excess , but Dhurandhar showed that sound and music in a strange mating ritual can become the lead psychological forces even more powerful than dialogue and visual . I once assumed it was intelligence , but later on my intention to deliberately keep on provoking replaced the honesty in me and In sharp contrast to that, Dhurandhar respects the audience without explaining anything I was always anti trend and confronted it , but mostly for the sake of shock value , whereas Dhurandhar doesn’t chase validation because it announces a higher purpose. I always believed that scale should be shown internally and not as a bloated display , but Dhurandhar proves that scale can coexist with restraint in order to create a symphony of previously unfelt emotions My final learning is that i don’t need to grow by myself , but i need to catch up with what others have become Hey @AdityaDharFilms ,thank you for becoming the new Ayn Rand of my life “ Art is not what it is .. Art is what it could be“ —- AYN RAND
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Jyoti Sardar
Jyoti Sardar@jyoticsardar·
“SOUTH ASIA”. Have always hated the use of that term and now it’s being used to hide crime origins. Every Indian everywhere needs to stop referring to themselves as “South Asian”, period. You are INDIAN, and you should be loud about that and ONLY that.
shiv_cybersurg@shiv_cybersurg

@AadiAchint Here u go: South Asia

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Jyoti Sardar
Jyoti Sardar@jyoticsardar·
History as it should be told. 👏🏻👏🏻 No whitewashing, no sugarcoating. Just raw and real. Presented with the technical brilliance of artistic genius. Mad respect to @AdityaDharFilms and the entire crew of #Dhurandhar Can’t wait for March 2026.
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Sanjeev Sanyal
Sanjeev Sanyal@sanjeevsanyal·
Even the steady hand that raised that flag shook when flag fluttered at the top..... a moment of civilisational re-awakening.
ANI@ANI

#WATCH | Ayodhya Dhwajarohan | PM Modi and RSS Sarsanghchalak Mohan Bhagwat ceremonially hoist the saffron flag on the Shikhar of the sacred Shri Ram Janmbhoomi Temple, symbolising the completion of the temple’s construction. The right-angled triangular flag, measuring 10 feet in height and 20 feet in length, bears the image of a radiant Sun symbolising the brilliance and valour of Bhagwan Shri Ram, with an ‘Om’ inscribed on it along with the image of the Kovidara tree. (Source: DD)

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Aditya Raj Kaul
Aditya Raj Kaul@AdityaRajKaul·
Daughters of India. Champions of the world. Meet Prime Minister @narendramodi.
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Narendra Modi
Narendra Modi@narendramodi·
#OperationSindoor on the games field. Outcome is the same - India wins! Congrats to our cricketers.
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Secular Chad
Secular Chad@SachabhartiyaRW·
Suryakumar Yadav says there's no rivalry between India and Pakistan anymore in terms of cricket. Epic besti 😆😆 #INDvsPAK #indvspak2025
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Jyoti Sardar
Jyoti Sardar@jyoticsardar·
@JioCare Let’s not pretend like you don’t have enough manpower. I was given an appointment, nobody showed up.N theres zero accountability or follow up despite several DMs here as well. Time to move on. There are better service providers. Less arrogance, more quality wud do you guys good.
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JioCare
JioCare@JioCare·
@jyoticsardar Hi, we understand how inconvenient it is to be in such a situation. We have received a large number of bookings and have started installing JioAirFiber connections rapidly. We will contact you soon with your appointment details. Please give us time till then – Shafaq
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Jyoti Sardar
Jyoti Sardar@jyoticsardar·
@JioCare Shame on @JioCare . Sending random messages twice that are system-generated-“you’ll shortly get an SMS for installation appointment”. Waited 3 days now and NOTHING. STOP LYING. Take accountability! Get the job done or refund the relocation payment. Ridiculous company @reliancejio
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JioCare
JioCare@JioCare·
@jyoticsardar Hi Jyoti, we regret for the inconvenience caused. Please provide the mobile number entered while submitting the request or Lead Reference (LR) number / ORN (order reference number) over DM to assist you better – Bijay twitter.com/messages/compo…
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Jyoti Sardar
Jyoti Sardar@jyoticsardar·
@JioCare Bijay I don’t understand why after providing everything there is still no update no action and no response on DM either. Is this how you problem-solve?! @JioCare @reliancejio
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Jyoti Sardar
Jyoti Sardar@jyoticsardar·
@theskindoctor13 Why is it so difficult for a city like Mumbai to build organised roadways with dividers and no potholes?! Common sense things? Ahmedabad roads SO much better!! Smooth + lane discipline followed.
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THE SKIN DOCTOR
THE SKIN DOCTOR@theskindoctor13·
The Vikhroli flyover in Mumbai is the latest entry in the list of modern engineering marvels. Planned in 1997, completed in 2025, it has three lanes with two way traffic, and no divider. As a result, the middle lane becomes a free-for-all, with vehicles from both directions claiming it, leading to inevitable traffic jams. In response, drivers try to bypass the jam using the third lane, which only worsens the chaos by blocking traffic entirely. Was it really that difficult to make it a simple two-lane road with a divider and use the remaining space for pedestrians or bike lanes? The flyover is barely 12 days old. Give it a few more days, a couple of accidents, a few road rage incidents, and it’ll be shut down again for digging and installing a divider. Something that should’ve been done in the first place.
THE SKIN DOCTOR tweet mediaTHE SKIN DOCTOR tweet media
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