Keith Fullerton Whitman

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Video report @Ina_GRM : Keith Fullerton Whitman @keithfwhitman à l'occasion de la diffusion de sa pièce "Playthroughs" durant PRESENCES électronique 20ANS ! Vidéo intégrale 👉 youtu.be/B1UvjEN21q0

Going LIVE on thelotradio.com in 25m! Tune in for: 1h Electroacoustix 1h Deconstrux

TONIGHT (ce soir): thelotradio.com

ABOUT LAST NIGHT youtu.be/pSF7oBILnOU?si…

Ce soir à 23h30 sur @francemusique dans l'Expérimentale, l'émission de l'@Ina_GRM : retransmission de la 3ème partie des concerts du festival PRESENCES électronique 20 ans ! @keithfwhitman @esomm @orenambarchi @chrisrwatson radiofrance.fr/francemusique/…

i’m playing in NYC this thursday! who’s coming out? eventbrite.com/e/the-pearl-ii… @Islandhouserecs @keithfwhitman

We are devastated that Dax Pierson has passed away. We were so grateful to work alongside Dax on his debut album Nerve Bumps (A Queer Divine Dissatisfaction) and have him perform at our 15 year anniversary party this July. Reflecting on his full life with this poignant review from WIRE “In 1943, choreographer Martha Graham said that "no artist is pleased... There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others." The quote served as Dax Pierson's guide in the production of his debut LP, speaking just as much to the struggle innate to artistic pursuits in general as to the obstacles that he faces specifically as a quadriplegic with limited mobility in his hands. Following a car accident while on tour with his former band Subtle, Pierson was left with severe spinal cord injuries and finger paralysis, which permanently impacted his ability to make music. Years later, iPad apps and laptop controllers have allowed him to regain command of the production process, chronicling his history of abilities lost and regained, and tying together the threads of his expansive artistic influences. The sounds on Nerve Bumps delineate an unbroken musical chain that runs from abrasive 1980s post-punk to raw-nerved jazz and ruminative pop/R&B/dance fusion. The compositions shapeshift from beginning to end, flowing from languid triphop rhythms in "I Slay The Pain" to pulpy sci-fi instrumental touchstones in "Catch" While Pierson is vocal about not being defined by his disability, he still centres it in his work; the back cover of the album features a picture of his wheelchair, its thorny arm and footholds sticking out in a pronged and lifeless profile. There's a quiet defiance in Pierson's decision to use this image. In juxtaposition to his own range of motion, his music teems with movement and energy. Chloe Lula

Nous avons eu le très grand plaisir d'accueillir dans les studios GRM cette année / This year we were delighted to welcome : Tomoko Sauvage, Sarah Davachi @sarahdavachi Hideki Umezawa @hidekiumezawa, Blason, Marc Baron Mark Fell & Rian Treanor @RianTreanor...

L'Expérimentale, l'émission de l'@Ina_GRM, de ce soir 23h30 sur @francemusique aura pour invité le compositeur américain Keith Fullerton WHITMAN @keithfwhitman ! Il proposera une sélection musicale mêlant influences et coups de cœur. radiofrance.fr/francemusique/…

this should be a great! excited to play a show with @keithfwhitman, it’s been too long. january tour dates will be announced soon!

😴🏨🚿🥞🧇🧃✅🚶🚊🚶🚞🚶💺🚶🚉 (CDG) 🚶🛂🚶🥗🚶✈️🍿📀💤 (JFK) 🚶🚞🚊🚉🚶🏡

10 years ago: Mark Fell & Keith Fullerton Whitman + Thomas Ankersmit @ Cafe Oto, London, 31st October 2014

Here we hear selected particle collisions turned into spatialised sound. This process creates sonic signatures of particles – such as the #HiggsBoson and the #Wboson – and of the “missing mass” in the @CMSExperiment detector, a key experimental feature of #DarkMatter. The work of artist Chris Henschke, this project suggests a different way to see CMS – a microphone listening to the fundamental particles of the #Universe Henschke works with digital and analogue media, sound and light, and experimental science, and has been developing novel ways of visualising and sonifying data from the CMS experiment since 2014.

🚿🪥👦👯🎃🍫🍬🚶🧳🎒🚶🚊🚉🚇 (JFK) 🚶🧑‍💼🚷🛃🚶🍻📗✈️🎧🎶🍷🥗🎥😴💤 🌅🥐☕️ (CDG) 🎒🚶🧳🚶🛂🚶🚊🚇🚶🍜🏡🚿🪥🚶🏠📡🔈🔊🔉🔈🔇🔊🔉🔈🔇🔊🔉🔈🔇🔊🔉🔈🔇🔉🔈🔇🔉🔈🔈🔈🔈🔊🔉🔈🔇🔊🔉🔈🔇🔊🔈

@tarotplane_ Easily in my T10 all-time solo guitar records (also great to see this available on @Bandcamp!) & super influential on me personally: paolotofani.bandcamp.com/album/indicazi…

Anyways, as I gear up to start all of this (Inter/national music travel) up again for the first time in half a decade, I’m taking a moment to remind myself of the times it all came together beautifully like this, certainly beyond any expectations (or, pertinently, fears).

Thanks to him, Constantine Katsiris, & Sarah Davachi, I was able to fly up to Van & spend the time making this music, morning-to-night; everyone involved acted selflessly & swiftly to make it all work out at the last possible moment. Super grateful to everyone for the trust!

I realized recently that I didn't tell enough people at the time about this suite of music; especially that it was all done on the Synthi 100 & Buchla 200/300/700 instruments at Rick Smith's place in Vancouver: keithfullertonwhitman.bandcamp.com/album/heritage