tēchnøkīd 💊

Ils ont mis le killcount en haut du couloir (skill diff on est pas morts)

@Kolean_v2 Bah c'est plus adapté effectivement

Jme rase les coro avec le gilette 3 lame hein

@moonsgfg Pk pas de note pour PHM ?

ryan <33333

Le glazart

Ils sont venus armés dans la Guillotière après le match, ils ont eu ce qu'ils méritaient 😹

@Kolean_v2 SIX SEVEEN

Whaaaat ?????

goals tbh

La ligne L depuis 2 semaines je me tape que des trains retardés, ou des horaires qui collent pas à citymapper c'est plus ce que c'était 😔😔

@ACAprv Le manoir, le fameux

@ACAprv Ah. Force et honneur soldat hein 😅

@ACAprv Mdrrr t'es où ?

En fait vos plavons sont trop nuls et du coup cous extrapolez aux autres 😹

Désolé bebou mais l'arme atomique reste pendant la dictature du prolétariat

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

@16h15_ Oe

svp eske j’ai l’air cool?

Ya un sdf qui vient de nous sortir un TPE quand on lui a dit qu'on avait pas de monnaie je pensais que ça n'existait pas mdrr je respecte trop le grind on a tous donné 2€ gg Mario

@g0b1l @RAF_V4 Après jsp j'ai regardé qlqs vidéos sur des catastrophes etc... Rien qui n'amène vraiment à montrer un logiciel de pensée

@ketXfentanyl @RAF_V4 C'est même pas une histoire d'opinions politique précises il a surtout une manière de penser de droite, un logiciel de droite

Je kiff les vidéos d’e-penser et d’astronogeek mais c’est des facho dcp jmen veux

J'l'ai ratio ce tdc hihi

@cool_khat2 Genre ya vraiment des milliers de trucs à foutre sur le dos du colonialisme mais je pense qu'ils peuvent assumer de foutre les gays en prison tout seuls comme des grands (comme si l'Islam présent avant le colonialisme était queer friendly)

@ketXfentanyl Oui, et cette idée a été debunk. De plus c’est un anachronisme car ça ne correspondait pas aux concepts modernes et occidentaux de queer lgbt etc

Ça par contre c'est vraiment un argument de con mdrr, on est pas obligé de déresponsabiliser les peuples qui oppressent hein (l'existence de représentations homosexuelles dans la culture d'avant ne veux absolument rien dire, il y en avait bien pléthore dans la Grèce Antique)

@nina_r9 Oe je capte je suis pareil je m'adapte de fou et j'aime plein de choses différentes (après le bondage... 🫦)

@ketXfentanyl après le sexe c'est pas de l'arrangement ptdrrr, mais juste si c'est quelque chose qui plait à l'autre, moi ça me déplaît pas, donc de temps en temps j'peux aimer :)

c'est moi bjr