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HYEYOON BASE

@khybase

Hyeyoon Base is your best source for all hyeyoon related entertainment, news, project coverage, and more.

Katılım Temmuz 2025
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HYEYOON BASE
HYEYOON BASE@khybase·
Kim Hyeyoon greets students at Salmokji screening at Sunil Girls’ High School “It’s truly such an honor to be able to meet my juniors here again like this. And thanks to all the energy you’re giving, I think Salmokji will really become a big hit”
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@d_hy1110·
느앙 오늘 왤케 또 이쀼
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SHOWBOX
SHOWBOX@showboxmovie·
#살목지 개봉주 무대인사 확정! 바로 오늘! 무대인사 예매 놓치지 말고 우리 모두 개봉주 주말에도 꼭 만나요💗 * 예매 오픈은 금일 오후 극장별 순차 진행될 예정입니다. * 일정 및 참석자는 당일 상황에 의해 사전 고지 없이 변동될 수 있습니다. * 자세한 사항은 각 극장 홈페이지 또는 APP에서 확인 부탁드립니다. <살목지> 4월 8일 극장 대개봉👁️🩸 #살목지 #4월8일극장대개봉 #김혜윤 #이종원 #김준한 #김영성 #오동민 #윤재찬 #장다아
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HYEYOON BASE
HYEYOON BASE@khybase·
Salmokji Becomes First Korean Feature to Release in Four-Sided SCREENX On the 30th, CGV stated, “The Korean horror film which premieres on the 8th, will be released in SCREENX, 4DX, and ULTRA 4DX” Along with the three-sided SCREENX screening, the film applies a four-sided SCREENX format for the first time in a Korean feature film, expanding the screen not only to the left and right but also to the ceiling to realize an overwhelming sense of space. The screen composition that surrounds the audience dominates the entire field of vision and forms psychological pressure as if one were trapped at the scene. In particular, in vehicle movement sequences, the expanded field of view provides an experiential feeling as if the audience is moving together. The four-sided SCREENX format can be viewed at the SCREENX theater of CGV Yongsan I’Park Mall. In 4DX, motion chairs combined with wind, vibration, and water effects complete ‘fear that the body reacts to’ At moments when tension peaks, the seats move together with the appearance of ghosts to maximize fear, and in scenes set against the reservoir, rainwater and storm effects are added to deliver immersion as if one has entered the space. naver.me/5xgiMIap
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For Kim Hyeyoon
For Kim Hyeyoon@hyeyoonvoting·
📣 ASEA 2026 (Asia Star Entertainer Awards 2026) #KimHyeYoon #김혜윤 #キムヘユン #金惠奫 Kim Hyeyoon will be advancing to the second round of ASEA voting under these categories: 🩷 The Best Artist (Actress) 🩷 Fan Choice Artist (Actor/Actress) 🩷 Fan Choice Couple (with Actor Lomon) 🗳️ The Best Artist (Actress) - Judges (30%), Press Jury (30%), and Fan Voting (40%) 🗳️ Fan Choice categories - 100% fan voting ❗️Next voting round will start on April 2! Please save more voting currencies on My1Pick, Mubeat and Podoal. Thank you.
For Kim Hyeyoon@hyeyoonvoting

📣 ASEA 2026 (Asia Star Entertainer Awards 2026) #KimHyeYoon #김혜윤 #キムヘユン #金惠奫 Kim Hyeyoon has been nominated for the following categories: 🩷 The Best Artist (Actress) 🩷 Fan Choice Artist (Actor/Actress) 🩷 Fan Choice Couple (with Actor Lomon) As a correction to our earlier announcement, please be informed that The Best Artist (Actress) category will be determined through a combined evaluation of Judges (30%), Press Jury (30%), and Fan Voting (40%). Meanwhile, Fan Choice categories will rely entirely on 100% fan voting. With this in mind, let’s manage our voting currencies wisely. We still have two more voting rounds ahead, so let’s save our votes for now! ☺️ 🗓️Voting Period ˙ Round 1: Mar 12 (Thu) 11:00 AM – Mar 29 (Sun) 11:59:59 PM (KST) ˙ Round 2: Apr 2 (Thu) 11:00 AM – Apr 19 (Sun) 11:59:59 PM (KST) ˙ Final: Apr 23 (Thu) 11:00 AM – May 10 (Sun) 11:59:59 PM (KST) 🎖️ Voting Reward ˙ TOP 20 advance to Round 2

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HYEYOON BASE
HYEYOON BASE@khybase·
<Salmokji: Whispering Water> trailer with English subtitles by Showbox Global #sideNavigation" target="_blank" rel="nofollow noopener">global.showbox.co.kr/threads/T4GHSF…
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HYEYOON BASE
HYEYOON BASE@khybase·
This director’s meticulousness continued even in equipment selection. The ‘ghost box’ and ‘motion detector’ in the film are actually equipment used by ghost hunters. Director Lee Sangmin enjoyed watching videos of ghost hunter YouTubers, which started overseas and have been increasing domestically as well, and he brought the equipment they actually use directly into the film. He also added the story that when the ghost box was actually operated on set, sounds of radio frequencies swiping were recorded, and some sounded like words. Director Lee Sangmin also revealed the strange phenomena he experienced on the set of Salmokji, such as the on-set art team witnessing a child dressed in white passing by, and a video showing the lodging entrance lights repeatedly turning off and on, only stopping immediately after someone said, “Don’t do it”. This is where Salmokji differs from horror films that rely solely on jump scares or pressure the audience with unpleasant sounds. Lee delved into Korean traditional customs and shamanic beliefs to create a grammar of horror unique to this land. Even as his first feature, his method of giving a reason behind every scene and prop was not just about making a scary movie, it reflected his determination to carve out his own place in the genre. For a first feature, it had a remarkably solid worldview. Salmokji, a horror film in which a mysterious figure appears on Road View and the filming crew encounters something in the dark, deep waters of a reservoir during reshoots, will be released on April 8.
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HYEYOON BASE
HYEYOON BASE@khybase·
“Every scene has a reason” – Director Lee Sangmin’s pride in walking the horror-only path in his first feature film, Salmokji ⚠️Warning: This may contain spoilers When talking with director Lee Sangmin about Salmokji, you eventually think, ‘This person is really genuine’ In most director interviews, the discussion usually focuses on the overall atmosphere of the film or the chemistry with the actors. But director Lee was different. When asked about a single scene, he explained why that scene exists. When asked about a prop, he could explain the worldview behind it. Everything in the film had a basis. The starting point for these foundations was unexpectedly online ghost/horror stories. Director Lee said he enjoys reading ghost stories posted in internet communities. He noted that water ghost stories often follow a common pattern: someone mistakes the ghost for a familiar face and approaches it, only to find it isn’t who they thought. The ghost pretends not to be a ghost, pretends to be a person, or pretends to be someone familiar to lure people into the water. This trait of water ghosts became the fascination for Director Lee. They are not just frightening beings but ones that hypnotize and tempt. The process of digging into the material did not stop there. While looking for the motif for the stone pagoda in the film, he discovered ‘hosikchong’. In the Joseon Dynasty, bodies eaten by tigers were often incomplete, so they collected the remains left by the tiger and piled stones on the spot, which was called hosikchong. (traditional Korean burial practice from the Joseon Dynasty). According to legend, the souls of those killed by tigers would become “chang-gwi” subordinates of the tiger, borrowing the voice and face of an acquaintance to lure others, there was a legend that it would create another victim. This characteristic was a perfect match with a water ghost Even when he confirmed the fact that one of the Chinese characters for ‘chang-gwi’ can also be interpreted as a water ghost, Director Lee Sangmin said he gained the conviction that ‘the worldview matches perfectly’, The custom of hosikchong; piling stones to make a tomb at the place where someone was eaten by a tiger, placing a siru (rice bowl/steamer), and sticking a knife into it, became the origin of the stone pagodas in Salmokji. What made the worldview that had been built even stronger was consultation with a shaman. Director Lee Sangmin received guidance on the overall film from shaman Go Chunja, whose name also appears in the credits. As a result, the way offerings are made at the stone pagodas, the meaning of sticking a knife into a bowl of rice, the direction and placement of twisted cords, and even must be included the ‘neokgeori’ (soul hanger) to save the soul that fell into the water, all of these art details were based on shamanic principles. Moreover, using chuk-si, the time when a ghost’s power is strongest and the ghost gate opens, as the background, the time ‘1:30 a.m.’ in the film was emphasized in the same context. When he directly heard from the shaman the story ‘if you pile stone pagodas by the water, it calls ghosts’ Director Lee Sangmin said he excitedly continued writing the script, saying ‘the worldview keeps aligning perfectly’. naver.me/xLNRX1fL
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HYEYOON BASE@khybase

Director Lee Sangmin moved by cast’s dedication: “Before filming, they said: ‘I’ll risk my life to shoot this’ Even for me as a rookie director, the underwater shoot was a big challenge, and I was very worried about the scene. Even though they could have been scared themselves, I think they said that to ease the mood and reassure me. It was really touching. It was an important scene, and I’m grateful that everyone acted it well within the time. Although we had to edit the footage for the film’s runtime, thanks to that, we could include only the best shots” naver.me/5mvpiZq5

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For Kim Hyeyoon
For Kim Hyeyoon@hyeyoonvoting·
📣 ASEA 2026 (Asia Star Entertainer Awards 2026) #KimHyeYoon #김혜윤 #キムヘユン #金惠奫 Kim Hyeyoon has been nominated for the following categories: 🩷 The Best Artist (Actress) 🩷 Fan Choice Artist (Actor/Actress) 🩷 Fan Choice Couple (with Actor Lomon) As a correction to our earlier announcement, please be informed that The Best Artist (Actress) category will be determined through a combined evaluation of Judges (30%), Press Jury (30%), and Fan Voting (40%). Meanwhile, Fan Choice categories will rely entirely on 100% fan voting. With this in mind, let’s manage our voting currencies wisely. We still have two more voting rounds ahead, so let’s save our votes for now! ☺️ 🗓️Voting Period ˙ Round 1: Mar 12 (Thu) 11:00 AM – Mar 29 (Sun) 11:59:59 PM (KST) ˙ Round 2: Apr 2 (Thu) 11:00 AM – Apr 19 (Sun) 11:59:59 PM (KST) ˙ Final: Apr 23 (Thu) 11:00 AM – May 10 (Sun) 11:59:59 PM (KST) 🎖️ Voting Reward ˙ TOP 20 advance to Round 2
For Kim Hyeyoon@hyeyoonvoting

📣 ASEA 2026 (Asia Star Entertainer Awards 2026) #KimHyeYoon #김혜윤 #キムヘユン #金惠奫 Kim Hyeyoon has been nominated for the following categories: 🩷 The Best Artist (Actress) 🩷 Fan Choice Artist (Actor/Actress) 🩷 Fan Choice Couple (with Actor Lomon) Time to save more voting currencies! Let’s all vote for Hyeyoon! 🫶🏻 🗓️Voting Period ˙ Round 1: Mar 12 (Thu) 11:00 AM – Mar 29 (Sun) 11:59:59 PM (KST) ˙ Round 2: Apr 2 (Thu) 11:00 AM – Apr 19 (Sun) 11:59:59 PM (KST) ˙ Final: Apr 23 (Thu) 11:00 AM – May 10 (Sun) 11:59:59 PM (KST) 🖊️ Voting Guide ˙ Scores are calculated separately in my1pick, Podoal, and Mubeat, then combined ˙ Judges 30%, Press Jury 30%, Fan Voting 40% ˙ Monthly cumulative * 100% + Round 1 * 100% = Round 1 result 🎖️ Voting Reward ˙ TOP 20 advance to Final Round 2

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HYEYOON BASE
HYEYOON BASE@khybase·
Director Lee Sangmin moved by cast’s dedication: “Before filming, they said: ‘I’ll risk my life to shoot this’ Even for me as a rookie director, the underwater shoot was a big challenge, and I was very worried about the scene. Even though they could have been scared themselves, I think they said that to ease the mood and reassure me. It was really touching. It was an important scene, and I’m grateful that everyone acted it well within the time. Although we had to edit the footage for the film’s runtime, thanks to that, we could include only the best shots” naver.me/5mvpiZq5
HYEYOON BASE tweet media
HYEYOON BASE@khybase

Director Lee Sangmin finds inspiration in real Salmokji for his horror film Experiencing the real Salmokji for the first time was a decisive source of inspiration for creating the film’s atmosphere. Lee Sangmin said, “Walking around the real Salmokji gave me a lot of inspiration. I put the strong impressions I got there into the script. I stayed there alone until night, and it was hard to tell where the water ended and the land began. While driving, the road sometimes suddenly seemed to disappear, and the water seemed to pop out. The fog was also impressive. When just looking at it quietly, it felt like the mist was pulling a person into its center” This impression of the space also guided his directing choices. He explained: “When first entering Salmokji, I wanted the space to feel like one could get lost, like a place with no way out. I wanted the audience to lose their sense of direction too. I tried to place jump scares within that feeling. I wanted the whole space to feel like it was playing with the characters” He also worked hard to find suitable filming locations. “My first goal was to find the reservoir. I needed a space with a strong visual impact. I looked for a place that had striking features, like trees grown in the water and dense roots” naver.me/Ffsm5qm7

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HYEYOON BASE
HYEYOON BASE@khybase·
Director Lee Sangmin finds inspiration in real Salmokji for his horror film Experiencing the real Salmokji for the first time was a decisive source of inspiration for creating the film’s atmosphere. Lee Sangmin said, “Walking around the real Salmokji gave me a lot of inspiration. I put the strong impressions I got there into the script. I stayed there alone until night, and it was hard to tell where the water ended and the land began. While driving, the road sometimes suddenly seemed to disappear, and the water seemed to pop out. The fog was also impressive. When just looking at it quietly, it felt like the mist was pulling a person into its center” This impression of the space also guided his directing choices. He explained: “When first entering Salmokji, I wanted the space to feel like one could get lost, like a place with no way out. I wanted the audience to lose their sense of direction too. I tried to place jump scares within that feeling. I wanted the whole space to feel like it was playing with the characters” He also worked hard to find suitable filming locations. “My first goal was to find the reservoir. I needed a space with a strong visual impact. I looked for a place that had striking features, like trees grown in the water and dense roots” naver.me/Ffsm5qm7
HYEYOON BASE tweet media
HYEYOON BASE@khybase

Director Lee Sang-min, who even used nightmares from Salmokji as material for inspiration: ‘The charm of horror films lies in psychological warfare’ ⚠️Warning: This may contain spoilers Set in Salmokji, a reservoir also famous as the subject of real ghost stories, director Lee Sangmin’s film “Salmokji” received positive reactions after its press screening and horror GV, and is now preparing for release. Lee Sangmin said that when he was young, he was once actually lured by a ghost at an abandoned neighborhood wood workshop, and that intense experience made him become interested in the horror genre. He said he used to be a cowardly child. After watching just one horror episode on television, the images would stay in his mind for days. He was the kind of kid who sat alone in his room thinking “What if a ghost comes out from here? What if it appears like that?” At some point, those imaginations stopped being scary and started becoming fun. In that way, he taught himself how to enjoy fear. Now, Lee Sang-min uses fear as fuel for imagination and puts himself in the position of delivering the same experience to audiences. From the beginning to the end, the film “Salmokji” is densely mixed with both sudden scary moments that make you jump and suspense that makes your heart pound as you keep guessing what will happen. Lee Sangmin said that in horror, the most important thing is not the timing of the jump scare itself, but the psychology right before it. He said, “The charm of jump scares is a psychological battle”. Sometimes the moment you think something will appear is delayed by one beat, sometimes it comes earlier than expected, and sometimes nothing happens even though you are sure something will. Designing this push-and-pull rhythm was both the greatest joy and the biggest challenge for him. Another clear goal he had while preparing “Salmokji” was the word suspense. He wanted to first give the audience a point to feel tense, then gradually increase the tension, and finally explode it at the right moment. He said he wanted to make “Salmokji” not just a simple ghost film but a movie that contains “spectacle comparable to action films”. A roller-coaster where the feeling of being scared and the feeling of excitement work at the same time; that was what he aimed for. The stage chosen for that suspense was the space called Salmokji. Before writing the script, Lee Sangmin visited the real location to check the power of the place. He saw mist rising from the reservoir, but strangely the mist flowed inward into the water, which made it feel as if something was pulling it into the depths. The moment he saw that scene, he became certain that the space itself already contained a story. In the film, the strange trees, vines, and gloomy forest of Salmokji were shown without adding artificial elements; he prioritized the eerie atmosphere of the real location. The stone stacks, branches, and water seen in the movie were all things that were originally there. The director’s view of space was also reflected directly in the camera angles. In many scenes, the characters are placed small at one corner of the screen while the reservoir spreads widely and overwhelmingly. Some people might feel that such long shots reduce the tension of horror. But Lee Sangmin’s intention was different. “The reservoir is huge, and people look tiny. I wanted to show a human standing pathetically in front of the reservoir’s strong power”. The method of not directly showing the ghost’s form was in the same context. At the moment the couple falls, and at the moment they realize Gyeongtae is in the water, the camera instead looks at the scene from far away. It was a visual choice to express the feeling that the reservoir swallows people. naver.me/xKyIbHjT

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