HYEYOON BASE
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HYEYOON BASE
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Hyeyoon Base is your best source for all hyeyoon related entertainment, news, project coverage, and more.

영화 살목지 김혜윤 모교 선일여고 특별상영 스쿨어택👻😏

다들 즐겁게 관람하세요🥹





📣 ASEA 2026 (Asia Star Entertainer Awards 2026) #KimHyeYoon #김혜윤 #キムヘユン #金惠奫 Kim Hyeyoon has been nominated for the following categories: 🩷 The Best Artist (Actress) 🩷 Fan Choice Artist (Actor/Actress) 🩷 Fan Choice Couple (with Actor Lomon) As a correction to our earlier announcement, please be informed that The Best Artist (Actress) category will be determined through a combined evaluation of Judges (30%), Press Jury (30%), and Fan Voting (40%). Meanwhile, Fan Choice categories will rely entirely on 100% fan voting. With this in mind, let’s manage our voting currencies wisely. We still have two more voting rounds ahead, so let’s save our votes for now! ☺️ 🗓️Voting Period ˙ Round 1: Mar 12 (Thu) 11:00 AM – Mar 29 (Sun) 11:59:59 PM (KST) ˙ Round 2: Apr 2 (Thu) 11:00 AM – Apr 19 (Sun) 11:59:59 PM (KST) ˙ Final: Apr 23 (Thu) 11:00 AM – May 10 (Sun) 11:59:59 PM (KST) 🎖️ Voting Reward ˙ TOP 20 advance to Round 2




Director Lee Sangmin moved by cast’s dedication: “Before filming, they said: ‘I’ll risk my life to shoot this’ Even for me as a rookie director, the underwater shoot was a big challenge, and I was very worried about the scene. Even though they could have been scared themselves, I think they said that to ease the mood and reassure me. It was really touching. It was an important scene, and I’m grateful that everyone acted it well within the time. Although we had to edit the footage for the film’s runtime, thanks to that, we could include only the best shots” naver.me/5mvpiZq5

📣 ASEA 2026 (Asia Star Entertainer Awards 2026) #KimHyeYoon #김혜윤 #キムヘユン #金惠奫 Kim Hyeyoon has been nominated for the following categories: 🩷 The Best Artist (Actress) 🩷 Fan Choice Artist (Actor/Actress) 🩷 Fan Choice Couple (with Actor Lomon) Time to save more voting currencies! Let’s all vote for Hyeyoon! 🫶🏻 🗓️Voting Period ˙ Round 1: Mar 12 (Thu) 11:00 AM – Mar 29 (Sun) 11:59:59 PM (KST) ˙ Round 2: Apr 2 (Thu) 11:00 AM – Apr 19 (Sun) 11:59:59 PM (KST) ˙ Final: Apr 23 (Thu) 11:00 AM – May 10 (Sun) 11:59:59 PM (KST) 🖊️ Voting Guide ˙ Scores are calculated separately in my1pick, Podoal, and Mubeat, then combined ˙ Judges 30%, Press Jury 30%, Fan Voting 40% ˙ Monthly cumulative * 100% + Round 1 * 100% = Round 1 result 🎖️ Voting Reward ˙ TOP 20 advance to Final Round 2


Director Lee Sangmin finds inspiration in real Salmokji for his horror film Experiencing the real Salmokji for the first time was a decisive source of inspiration for creating the film’s atmosphere. Lee Sangmin said, “Walking around the real Salmokji gave me a lot of inspiration. I put the strong impressions I got there into the script. I stayed there alone until night, and it was hard to tell where the water ended and the land began. While driving, the road sometimes suddenly seemed to disappear, and the water seemed to pop out. The fog was also impressive. When just looking at it quietly, it felt like the mist was pulling a person into its center” This impression of the space also guided his directing choices. He explained: “When first entering Salmokji, I wanted the space to feel like one could get lost, like a place with no way out. I wanted the audience to lose their sense of direction too. I tried to place jump scares within that feeling. I wanted the whole space to feel like it was playing with the characters” He also worked hard to find suitable filming locations. “My first goal was to find the reservoir. I needed a space with a strong visual impact. I looked for a place that had striking features, like trees grown in the water and dense roots” naver.me/Ffsm5qm7


Director Lee Sang-min, who even used nightmares from Salmokji as material for inspiration: ‘The charm of horror films lies in psychological warfare’ ⚠️Warning: This may contain spoilers Set in Salmokji, a reservoir also famous as the subject of real ghost stories, director Lee Sangmin’s film “Salmokji” received positive reactions after its press screening and horror GV, and is now preparing for release. Lee Sangmin said that when he was young, he was once actually lured by a ghost at an abandoned neighborhood wood workshop, and that intense experience made him become interested in the horror genre. He said he used to be a cowardly child. After watching just one horror episode on television, the images would stay in his mind for days. He was the kind of kid who sat alone in his room thinking “What if a ghost comes out from here? What if it appears like that?” At some point, those imaginations stopped being scary and started becoming fun. In that way, he taught himself how to enjoy fear. Now, Lee Sang-min uses fear as fuel for imagination and puts himself in the position of delivering the same experience to audiences. From the beginning to the end, the film “Salmokji” is densely mixed with both sudden scary moments that make you jump and suspense that makes your heart pound as you keep guessing what will happen. Lee Sangmin said that in horror, the most important thing is not the timing of the jump scare itself, but the psychology right before it. He said, “The charm of jump scares is a psychological battle”. Sometimes the moment you think something will appear is delayed by one beat, sometimes it comes earlier than expected, and sometimes nothing happens even though you are sure something will. Designing this push-and-pull rhythm was both the greatest joy and the biggest challenge for him. Another clear goal he had while preparing “Salmokji” was the word suspense. He wanted to first give the audience a point to feel tense, then gradually increase the tension, and finally explode it at the right moment. He said he wanted to make “Salmokji” not just a simple ghost film but a movie that contains “spectacle comparable to action films”. A roller-coaster where the feeling of being scared and the feeling of excitement work at the same time; that was what he aimed for. The stage chosen for that suspense was the space called Salmokji. Before writing the script, Lee Sangmin visited the real location to check the power of the place. He saw mist rising from the reservoir, but strangely the mist flowed inward into the water, which made it feel as if something was pulling it into the depths. The moment he saw that scene, he became certain that the space itself already contained a story. In the film, the strange trees, vines, and gloomy forest of Salmokji were shown without adding artificial elements; he prioritized the eerie atmosphere of the real location. The stone stacks, branches, and water seen in the movie were all things that were originally there. The director’s view of space was also reflected directly in the camera angles. In many scenes, the characters are placed small at one corner of the screen while the reservoir spreads widely and overwhelmingly. Some people might feel that such long shots reduce the tension of horror. But Lee Sangmin’s intention was different. “The reservoir is huge, and people look tiny. I wanted to show a human standing pathetically in front of the reservoir’s strong power”. The method of not directly showing the ghost’s form was in the same context. At the moment the couple falls, and at the moment they realize Gyeongtae is in the water, the camera instead looks at the scene from far away. It was a visual choice to express the feeling that the reservoir swallows people. naver.me/xKyIbHjT









