kojima

When the sound source is turned horizontally, it is calculated to be more realistic, so that it can be snapped at 45 or 30 degrees, and the moving distance can be changed from 3 meters to 20 meters. Then I added a mode where the sound source moved subtly and naturally.

"SourceField" has been updated to 1.1. Various parameters have been added, and a lock button has been added so that the sound source always turns to the listener.

Probably because the CMake file of "Level Range EQ" was diverted, but the category of PanBlur was EQ. What is it!! Why didn't anyone tell me!

SourceField bitterapple.github.io/support/source…

I'll do my best to export the AAX for windows. It's so troublesome that I don't know if it's going well.

I don't like this microphone.

But I think it's much more natural than dearVR.

I think it's too much to say that if you record with a normal microphone and put in PanBlur, it will become ASMR.

I changed "PanBlur" to 1.1 and added Air. I think it's very well done, but I thought it wouldn't be popular because it's sober. #release-notes" target="_blank" rel="nofollow noopener">bitterapple.github.io/support/PanBlu…

A plug-in called "PanBlur" has been released. It can be used with AAX, AU, VST3 on Mac and VST3 on Windows. Positioning can be permeated. In the next version, the Halo will be shaken to create a sense of air.

@Marc_Frank_BfT Haha yeah, you’re pretty much right. It’s a plugin to analyze other plugins - still figuring it out though, it’s trickier than I expected.

@kojima_appdev If this is what I think it is: wow!

I'm making something like this.

@Marc_Frank_BfT Fixed - that was an indexing mismatch on my side. Really appreciate you catching that!

@kojima_appdev Oh, and there's an offset in the "Character manager" list – e.g. when I select "Hall", "Room" is loaded!

BandMatrix 1.8 released. Propagation 1.0 is now available. Also added Windows AAX builds for BandMatrix and Spectral Leveler on the site. Feel free to try them out!

@Marc_Frank_BfT That’s a really good point. A lot of the character is indeed packed into the near range — I’ll probably rethink the scaling (log/perceptual) there. Thanks for noticing that!

@kojima_appdev It's fantastic – one detail: I wished the resolution of the first "Distance" values was wider (a logarithmic curve where 0.00 to 3.50 almost takes up one third or even half of the whole scale). I hear that a lot of the reverb's character is hidden there. But it's workable :)

@Marc_Frank_BfT Thank you! Still exploring how far this can go — especially shaping the structure rather than just using IRs. Really glad you like it!

@kojima_appdev Propagation is *absolutely* ingenious! Thanks a lot!

@Marc_Frank_BfT That’s a great use case. Using it before reverb to push things back feels spot on. Glad it worked!

@kojima_appdev OTOH though I used it in front of a room reverb yesterday to subtly blur things into the background, and it was glorious (I think I'm going to save that FX chain!). It's likely called "Distance" for a reason, not "Proximity" (which exists already … or used to exist at least).

Actually, I'm still not convinced of the creation of Distance.

Launch windows on mac, load .p12, and sign AAX. It seems to be successful, but I can't try it because I don't have an environment. I'm busy, so playing (development) is on hold.

@Marc_Frank_BfT I’m still exploring how to approach this in a more convincing way.

@kojima_appdev tbh I wanted to use it to *increase* proximity, but as you say, there are too many variables in the actual recording. At first it seems to do something, but in the end the result sounds just a little different.