Kovuu

Como se siente odiar a los hombres cuando eres hombre y te gustan los hombres:

Murdermedia animation #hazbinhotel #vox #alastor #animation #radiostatic #murdermedia

El tema es que lo impresionante del arte hecho por una persona es el proceso, y eso es lo que lo hace especial. La IA le quita la parte artística y simplemente hace una imagen. El arte tiene una intención humana No es el resultado, es la forma en la que llegó a existir

OHMYGOD HES SO 😭😭😭 BEAUTIFUL MY BABY

Lol #Radiostatic #Staticradio #VoxAl #Hazbinhotel

q es esa wea de la huea/wuea/guea dios escriban bien la wea

헐,,ㅜㅠㅠㅠㅠ

Al que lo vea compartiendo spoilers de TADC pasa la noche en la caja

Alastor when he sees Vox spying on him

#voxal #Staticradio 你和尼古丁同样要命 Inspiration👉🏻TIA

I'm back in my Hamilton phase. So you have to put up with it too. Anyway my take on Al and Vox's first meeting :) => Gonna go work on my next comic then... #RadioStatic #voxal #Alastor #Vox #HazbinHotel

#RadioStatic #Voxal Bye bye baby blue

antenna kisses and love bites little animation to celebrate 3k 💕 #radiostatic #voxal

Entonces Vox toma por la cintura a Alastor y le dice: - ¿Tienes entrada USB o HDMI?

So far in Hazbin, the show has balanced Alastor between performance and sincerity. I believe reducing him into either “sad, traumatized victim of circumstance” or “pure irredeemable, cruel monster” would ruin the very thing that makes him compelling in the first place. His entire character works because he is contradictory in ways that are truly uncomfortable rather than cleanly sympathetic: he can genuinely enjoy the hotel’s company while still being manipulative, capable of attachment while recoiling from vulnerability, deeply controlling while also terrified of losing autonomy himself. The ending of both seasons already kind of point toward this direction — not redemption in the conventional sense, but destabilization of self, the horror of realizing he accidentally formed connections he cannot fully dismiss anymore. Also, with knowing we’ll be exploring his asexuality more in S3, the whole one-dimensional “evil monster” villain is harder to sell, because asexuality in Alastor’s case is tied so heavily to power, control, distance, ritualized intimacy, performance, and bodily discomfort rather than simple disinterest in others. If they handle it well, it adds complexity to why closeness unsettles him and why he prefers relationships built on observation, banter, entertainment, bargains, and asymmetrical emotional positioning rather than open vulnerability. That is much richer story territory than either “cold psychopath incapable of care” or “misunderstood baby who just needs love.” Alastor’s appeal relies on the fact that even when he is vulnerable, it still feels dangerous in a way. His breakdown at the end of S1 does this: his panic at being an altruist is rooted in terror at losing control of his own identity and narrative. Even his moments of care tend to feel uncanny, restrained, or transactional in presentation, a kind of complexity I reallllly hope the writers don’t lose sight of. What I want from S3 is for them to lean even harder into this contradiction/complexity: allowing him to care while making that care frightening, possessive, avoidant, prideful, or self-destructive.

How the bar scene between Vox and Alastor should have ended fkelkdlekdldldldd

HAHAHA

Jajajaj

la vergüenza que me da cuando hablo con alguien y NO MANDA STICKERS porque yo mando sticker por cada palabra