Teoriadaconspiração

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Teoriadaconspiração

Teoriadaconspiração

@lugarinh

sci-funk

Katılım Kasım 2015
1.1K Takip Edilen228 Takipçiler
baiboris
baiboris@baiborisU·
@lugarinh @strangeharbors except the wall painting was 1000% Kane's idea, since it's a very obvious nod to the Rattman dens from the Portal franchise
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Jeff Zhang 张佶润
Jeff Zhang 张佶润@strangeharbors·
Parsons probably the most talented imagemaker out of his contemporaries, but my issue with The Backrooms — and this is obviously speculation — is there were clearly things foisted upon him by “adults,” and they’re easily the worst part of the movie.
Jeff Zhang 张佶润@strangeharbors

Just got out of The Backrooms and I think I’m ready to declare Kane Parsons the winner of the great YouTuber-to-filmmaker war of the 2020s

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@strangeharbors the moment that painting on the wall appears it felt like I reached the Backrooms of films themselves, where every horror story is a self replicating psychological/ trauma drama
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@strangeharbors the second half of the movie feels like a gen z being puppeteered by a gen x while trying to tell a story to millenials.
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Charles Preston
Charles Preston@_CharlesPreston·
Backrooms is racist film. It’s technically brilliant, but racist. And it’s a shame during a time where Black studies is being eliminated on college campuses because I fear people are overlooking the obvious tropes and racist callbacks the film ridiculously displays.
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Internet Archive
Internet Archive@internetarchive·
Turns out the real Backrooms were hiding in web archives. 👀 Internet sleuths tracked down the original location of the Backrooms image using the @waybackmachine, proving once again that preserving the web is important for internet history, folklore, and mysteries, too.
The Cinéprism@TheCineprism

🎬 Backrooms (2026) One of the internet's greatest success stories. In May 2019, an anonymous user on 4chan posted a grainy photo of an empty room. Sickly yellow walls, harsh fluorescent lighting, damp carpet, and an overwhelming sense that something was deeply wrong. Someone added a caption claiming that if you're not careful, you can "noclip out of reality" and end up trapped in an endless maze of identical rooms known as the Backrooms. Nobody knew where the photo was taken. For five years, the image spread across forums, Reddit, YouTube, and social media, evolving from a creepy image into one of the internet's most fascinating pieces of modern folklore. Then, in May 2024, four users on Discord finally traced the image using the Wayback Machine. The photograph originated from a 2002 renovation photo taken inside a former furniture store at 807 Oregon Street in Oshkosh, Wisconsin. But by then, the truth hardly mattered. The myth had already become bigger than its origin. The Backrooms entered a completely new phase in January 2022 when a 16-year-old filmmaker named Kane Parsons uploaded a nine-minute short film called The Backrooms (Found Footage). Having taught himself Blender and VFX techniques, Parsons transformed a niche internet creepypasta into something cinematic and terrifyingly believable. The video exploded in popularity and quickly became one of the defining horror projects of YouTube's generation. Hollywood took notice. Just a few years later, A24 greenlit a feature film adaptation and handed the project to Parsons himself. Operating under the codename Effigy, the production built a massive 30,000-square-foot Backrooms maze in Vancouver. The crew reportedly tested dozens of shades of yellow to recreate the unsettling atmosphere that made the original image so iconic, while the scale of the set became a story in itself. Born in 2005, the same year YouTube launched Kane Parsons became A24's youngest director ever. At only 20 years old, he achieved something almost unimaginable: turning an internet urban legend into a major theatrical event. The story of Backrooms is remarkable not because of where it started, but because of what it became. An anonymous image posted on a forum evolved into a collaborative online myth, inspired millions of viewers, launched the career of a young filmmaker, and eventually became a global horror phenomenon. Few pieces of internet culture have made the journey from obscure message board post to mainstream cinema. The Backrooms did. All because of a single photograph and a simple idea that tapped into a universal fear, the feeling of being lost in a place that looks familiar, yet somehow feels completely wrong.

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NB
NB@Noahbolanowski·
Roman Verostko in 1989: "I consider the instructions to be a work of art. Pretty much like sheet music — a musical score by a composer is the composer's art. So my software is my art… it tells me it wants a brush. So I'll give it a brush."
NB@Noahbolanowski

1989: "A local artist has created a computer program that lets the machine create art…this computer actually asks for the brush and the results are fascinating." From Computer Art: The Machine Says 'Hand Me a Brush!' (1989) on the Art of Roman Verostko.

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Dash LilHog
Dash LilHog@DashLilHog·
what was eggman even doing
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Keith Rankin
Keith Rankin@keithrankin0_0·
I'm taking requests for my Giant Claw show at Knockdown Center next week
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CDRomance
CDRomance@CDRomance_Spike·
Hungry Ghosts (PS2) English Translation released (back in March), did YOU notice?
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karla♟️
karla♟️@kxtuitta·
Se houvesse um teste de DNA para ver se um bebê é gay no útero, os cristãos seriam à favor ou contra o aborto? 🤔
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Teoriadaconspiração@lugarinh·
@Arcaico45 @kxtuitta @J4ckz1nh0 entendi. eu achava que Adão e Eva tinham tido os filhos depois de serem expulsos do paraíso. Isso significa que a cobra influenciou Adão e daí o filho nasceu gay ou que a cobra influenciou a criança depois dela nascer?
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Entretenimento Puro
Entretenimento Puro@Arcaico45·
@lugarinh @kxtuitta @J4ckz1nh0 O primeiro gay foi a cobra do jardim do Éden, com ciúmes de Adão que fornicava com Eva, induziu Eva por ciúmes a cometer um pecado e comer o fruto proibido
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"D." Fool
"D." Fool@FoolOfD·
I wonder how irreversibly cooked our brains are as the first generation of men to have memorized the geography of non-existent spaces. I'm far from the only one who can tell you exactly where this is located.
Retroman🕹🎮@realretroism

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Savio Luiz
Savio Luiz@savioluiz20·
@greysenjou E se parar pra pensar o resultado era óbvio, narrativamente não faria sentido o Gojo vencer
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giovanni
giovanni@greysenjou·
O mais próximo que os mangás já chegaram de um clássico futebolístico Gojo e Sukuna era igual rivalidade no futebol, as duas torcidas ficavam diariamente se xingando e zuando o outro Bons tempos
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Teoriadaconspiração@lugarinh·
@lucas_salgado ohh eu cheguei a ir nessas maratonas nas madrugadas. nunca vou esquecer, vi um filme do Zé do Caixão q me marcou mto rss
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Lucas Salgado
Lucas Salgado@lucas_salgado·
Meu cinema favorito, o Cine Odeon, no Rio, completa 100 anos hoje. Vivi sessões inesquecíveis ali. Vi Polanski lançar “O pianista”. Vi Coutinho apresentar “Jogo de cena”. Vi maratonas virarem madrugadas. Vi o público se recusar a sair da sala em sessão de Scorsese. Viva o Odeon!
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Teoriadaconspiração@lugarinh·
@DerekGalvao Eu gostei bastante, eu nunca tinha lido um mangá tão comprometida em investigar a natureza do 'querer' quanto CSM, e que o Fujimoto consiga fazer isso sem cair em moralismos é, p mim, muito especial.
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Derek.
Derek.@DerekGalvao·
#ChainsawMan232 Ele larga a motosserra e segura a mão da Asa, salvando ela do destino aterrorizante da fusão com a Yoru e consequentemente salvando o mundo de novo. A busca por uma grande moral no fim das histórias é limitada e piegas, o Fujimoto sempre rejeitou isso, mas como também sempre fez em Chainsawman, trouxe um prisma otimista e esperançoso para o futuro. O Pochita estava certo. Esse quadro é a prova. Sem conhecer o Pochita, sem se descobrir “Chainsawman”, o Denji pôde agir como um adolescente normal e instintivamente tomou a decisão “certa”. O texto tá extremamente redondo. É um dos melhores mangás da Jump de todos os tempos e sinto um pouco de pena por quem não gostou, mas acho que o ponto é exatamente esse também! Ninguém deveria ser capaz de - controlar - o que você pensa e sente espontaneamente, mesmo que seja errado! E tá tudo bem errar, o futuro sempre vai existir, independente de nós. Eu to embasbacado em como em um espaço tão curto ele conseguiu montar um encerramento tão interessante e completo. Que nem a Fujino, ele faz tirinhas como ninguém. Como a Kyomoto, sua arte é estonteante. Eu amei cada segundo. Fim.
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fafer
fafer@fafer16·
Notem que o PCC, CV sumiram do noticiário desde que a PF descobriu aquelas Fintechs na Faria Lima, que lavavam dinheiro para o PCC, outro escândalo que sumiu foi o Crime Organizado investiu em Refinarias e Postos de Combustíveis.
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