Mar 🇦🇷

Martin Scorsese on Todd Field’s TÁR: “For so long now, so many of us see films that pretty much let us know where they’re going. I mean, they take us by the hand and, even if it’s disturbing at times, sort of comfort us along the way that it will be all okay by the end. Now this is insidious, as one can get lulled into this and ultimately get used to it, leading those of us who’ve experienced cinema in the past as much more than that to become despairing of the future of the art form, especially for younger generations. But that’s on dark days. Scorsese then praises TÁR, “The clouds lifted when I experienced Todd’s film TÁR. What you’ve done, Todd is that the very fabric of the movie you created doesn’t allow this. All the aspects of cinema and the film that you’ve used, attest to this. The shift in locations for example, the shift in locations alone do what cinema does best, which is to reduce space and time to what they are, which is nothing. What you’ve done, Todd, it’s a real high wire act.” Scorsese also says, “All of this is conveyed through a Masterful Mise-en-scène, as controlled, precise, dangerous, precipitous angles and edges geometrically kind of chiseled into a wonderful 2:3:5 aspect ratio of frame compositions. The limits of the frame itself, and the provocation of measured long takes all reflecting the brutal architecture of her soul: Lydia Tár’s soul.”

La diputada libertaria Karen Reichardt presentó un proyecto para que el Día Nacional de la Memoria por la Verdad y la Justicia pase a llamarse "Día Nacional de la Memoria por la Verdad y la Justicia Completa".