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@lvsdelly

Home is where the heart is x 🪐

Buenos Aires, Argentina Katılım Mart 2022
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Mar 🇦🇷
Mar 🇦🇷@lvsdelly·
Dios por favor dame el privilegio de ir a ver a Adele en vivo antes de que me muera.
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urvans
urvans@urvans_·
renate reinsve in the criterion closet
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CineVow
CineVow@cinevow·
Cate Blanchett, 1999
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ℳári
ℳári@cakeblanchett_·
“For the longest time I’d been thinking about a character who took a childhood pledge of self-education to pursue a dream, and once she’s achieved it, the dream morphs into a nightmare.” – Todd Field
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Faith
Faith@deuteragonist02·
Future generations will say this is AI
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Rina
Rina@bbblanchett·
wait they’re kinda fruity
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lucas
lucas@lucasncsc·
la entrada a mi mundo.
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Mar 🇦🇷@lvsdelly·
Scorsese, Mica y yo somos las unicas personas que pueden hablar y analizar Tár.
Zak@zakfilm

Martin Scorsese on Todd Field’s TÁR: “For so long now, so many of us see films that pretty much let us know where they’re going. I mean, they take us by the hand and, even if it’s disturbing at times, sort of comfort us along the way that it will be all okay by the end. Now this is insidious, as one can get lulled into this and ultimately get used to it, leading those of us who’ve experienced cinema in the past as much more than that to become despairing of the future of the art form, especially for younger generations. But that’s on dark days. Scorsese then praises TÁR, “The clouds lifted when I experienced Todd’s film TÁR. What you’ve done, Todd is that the very fabric of the movie you created doesn’t allow this. All the aspects of cinema and the film that you’ve used, attest to this. The shift in locations for example, the shift in locations alone do what cinema does best, which is to reduce space and time to what they are, which is nothing. What you’ve done, Todd, it’s a real high wire act.” Scorsese also says, “All of this is conveyed through a Masterful Mise-en-scène, as controlled, precise, dangerous, precipitous angles and edges geometrically kind of chiseled into a wonderful 2:3:5 aspect ratio of frame compositions. The limits of the frame itself, and the provocation of measured long takes all reflecting the brutal architecture of her soul: Lydia Tár’s soul.”

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Matías Baglietto
Matías Baglietto@BagliettoMatias·
La Plaza de Mayo, a 50 años del Golpe. 24 de marzo de 2026.
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Alquimia
Alquimia@Replicante97·
Rossy de Palma
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Lugar Cinema🎬
Lugar Cinema🎬@LugarCinema·
¿Estamos de acuerdo en que la mejor película de Pedro Almodóvar es Todo Sobre Mi Madre (1999) no?
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Jo
Jo@Jopolkadot·
Monica Vitti L’eclisse Antonioni 1962
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Cinema Scene
Cinema Scene@CinemaScene404·
The Before trilogy!
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Sadtanás 🦂
Sadtanás 🦂@akasadtanas·
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ً
ً@artfuIchaos·
no offense but if someone is excited about something and you make them feel stupid for being excited about it you are the worse type of person
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Sebas V
Sebas V@vvs00·
En un momento de ‘Nuestra tierra’, una mujer dice que la historia argentina silenció a las comunidades indígenas. Lo que hace Lucrecia Martel en este doc extraordinario, es justamente, darles visibilidad y voz.
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