marat ingeldeev

17 posts

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marat ingeldeev

marat ingeldeev

@maratingeldeev

+ music journalist, critic, researcher & performer + texts & projects in the link below

Katılım Nisan 2022
66 Takip Edilen114 Takipçiler
marat ingeldeev
marat ingeldeev@maratingeldeev·
Feeling both stimulated and relaxed after a magnificent few days in Bergen for the Borealis festival. It was a joy to be part of the delegates programme. A longer reflection will be out in the upcoming May issue of POSITIONEN—watch this space. Photo 2 by Miriam Levi.
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marat ingeldeev
marat ingeldeev@maratingeldeev·
What could £10 do to promote a gig ten years ago—and what does it take now? Ahead of 840's Saturday concert with the NLCC, I spoke to Alex Nikiporenko about 840's history and how the promotion game has changed. maratology.substack.com/p/the-return-o…
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marat ingeldeev
marat ingeldeev@maratingeldeev·
What’s the most uncanny work of art (music, film, book, etc.) you’ve encountered recently — eerie, strange, unsettling or strangely familiar?
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marat ingeldeev
marat ingeldeev@maratingeldeev·
Plus, a YouTube playlist featuring music by Jennifer Walshe, Matthew Shlomowitz, Alex Paxton, Simon Steen-Andersen, Cassandra Miller, Oliver Leith, Øyvind Torvund, Natacha Diels, Laurence Crane, Maddie Ashman, Neil Luck, Bastard Assignments, Ben Nobuto, Matthew Grouse.
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marat ingeldeev
marat ingeldeev@maratingeldeev·
My final foray into the metamodern syndrome comes in POSITIONEN 146, where I talk about the 'British School of Emotionalism and Metamodernism' (BSEM). Available now in German via @PositionenMusik 146. The English version will be published online in a few months.
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marat ingeldeev
marat ingeldeev@maratingeldeev·
My modest contribution to Feldman's centenary is an interview I prepared with incredible GBSR duo and Taylor Maclennan about the equally incredible 'Trios' box set, hot off the press from Another Timbre. This hauntingly mesmerising music has utterly besotted me.
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marat ingeldeev
marat ingeldeev@maratingeldeev·
Happy 100, Morton Feldman! Little music reaches my soul as deeply as yours: austere, devoted, flickering endlessly on the horizon, like ever-elusive hope itself without which one is doomed.
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marat ingeldeev
marat ingeldeev@maratingeldeev·
I enjoyed my conversation with sound artist Maia Urstad immensely after discovering her work at the Darmstädter Ferienkurse earlier this year. German readers can find our conversation in POSITIONEN issue 145. English readers will have to wait a few months before it appears online
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marat ingeldeev
marat ingeldeev@maratingeldeev·
An essay from what I now call my prime metamodern phase — on Francesca Fargion’s music, its oscillations, naivety, Romanticism, parental relationships and the evanescent, banal everyday. Have a read! maratology.substack.com/p/happy-sad-an…
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marat ingeldeev
marat ingeldeev@maratingeldeev·
My Darmstadt 25 review out in @vanmusicmag. 'Situations' are audience agency, censorship, David Tudor, distracted listening, Hannes Seidl, healing sounds, hybrid formats, immediacy, instagrammable art, Maryanne Amacher, neoliberalism, spatial arrangements. van-magazine.com/mag/darmstadt-…
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marat ingeldeev
marat ingeldeev@maratingeldeev·
Marat Ingeldeev reports from Musik Installationen Nürnberg, where he eats a very good shawarma, gets pedalled around a lake in a hot pink flamingo pedalo by two retirees, and ponders nonlinearity — and much more at VAN Magazine van-magazine.com/mag/musik-inst…
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